Galey alan (63 résultats)

Hardcover. Etat : Very good. Etat de la jaquette : Very good. Very good condition.

Etat : New.

Hardcover. Etat : As New. 1st Edition. As New book , no flaws. All of our books are individually inspected and described. Never ex-library unless explicitly described as such.

Etat : New. pp. 347.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 1st edition. 347 pages. 8.90x6.02x0.87 inches. In Stock.

Etat : New.

Etat : New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. 2018. Reprint. Paperback. . . . . .

Etat : New.

Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Why is Shakespeare so often associated with information technologies and with the idea of archiving itself Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.…

Paperback. Etat : Brand New. 1st edition. 232 pages. 9.25x6.25x0.75 inches. In Stock.

Etat : New.

Etat : New.

Etat : New. Galey explores the entwined histories of Shakespearean texts and archival technologies over the past four centuries. Num Pages: 348 pages, 21 b/w illus. BIC Classification: DSGS. Category: (U) Tertiary Education (US: College). Dimension: 159 x 230 x 22. Weight in Grams: 692. . 2014. Illustrated. hardcover. . . . . …

Etat : Brand New. Why do Shakespeare and the English Bible seem to have an inherent relationship with each other? How have these two monumental traditions in the history of the book functioned as mutually reinforcing sources of cultural authority? This collection explores these questions and more. 07 Aug 2011. …

Hardback. Etat : New. Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.…

Etat : New. Galey explores the entwined histories of Shakespearean texts and archival technologies over the past four centuries. Num Pages: 348 pages, 21 b/w illus. BIC Classification: DSGS. Category: (U) Tertiary Education (US: College). Dimension: 159 x 230 x 22. Weight in Grams: 692. . 2014. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Etat : New. pp. 260.

Hardcover. Etat : Brand New. 260 pages. 9.25x6.25x1.00 inches. In Stock.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Why is Shakespeare so often associated with information technologies and with the idea of archiving itself Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.…

Etat : New.

Etat : New. pp. 220.