Gary e brooks (61 résultats)

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. shelf wear, Hardcover Used - Good 2001 All purchases support Project HOME - ending homelessness in Philadelphia.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : New.

Hardback or Cased Book. Etat : New. Letters in Exile: Transnational Journeys of a Harlem Renaissance Writer. Book.

Softcover. Etat : Very good condition. xv, 335 pp. Military Campaigns of the Civil War. Softcover. LCC: 9837086.

First printing (per publisher's number line upon copyright page) SIGNED BY EDITOR GARY. W. GALLAGHER. xviii, 283 pages. Hardcover: H 24.25cm x L 15.75cm. Dust jacket lightly rubbed; short surface scratch at rear panel's lower right; slight curling/bumping at top of front panel; no printed price on dj's front flap. Black cloth with bold white stamped lettering to spine. Interior pages are clean. Binding is firm. A near fine copy in a very good+ dust jacket with Gallagher's ink signature upon the title page. Features eight essays examining different aspects of the Battle of the Wilderness which lead to General Robert E. Lee's surrender and the end of the American Civil War: "Great Expectations: Ulysses S. Grant, the Northern Press, and the Opening of the Wilderness Campaign" by Brooks D. Simpson; "Our Hearts Are Full of Hope: The Army of Northern Virginia in the Spring of 1864" by Gary W. Gallagher; "I Dread the Spring: The Army of the Potomac Prepares for the Overland Campaign" by John J. Hennessy; "Union Cavalry in the Wilderness: The Education of Philip H. Sheridan and James H. Wilson" by Gordon C. Rhea; "Escaping the Shadow of Gettysburg: Richard S. Ewell and Ambrose Powell Hill at the Wilderness" by Peter S. Carmichael; "'Lee to the Rear,' the Texans Cried" by Robert K. Krick; "The Other Grant: Lewis A. Grant and the Vermont Brigade in the Battle of the Wilderness" by Carol Reardon; and "Like a Duck on a June Bug: James Longstreet's Flank Attack, May 6, 1864" by Robert E.L. Krick. Also with Introduction, b/w illustrations including several maps; Bibliographical Essay, Contributors, and Index. ISBN 0807823341.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. A beautifully illustrated survey of five centuries of art from the collections of one of America's leading museums, now updated to include new acquisitions since 2007. Featuring highlights from the great collection of the Chrysler Museum of Art, Norfolk, Virginia, this volume includes paintings, sculpture, photography, glass, decorative arts and arts of the ancient world and non-Western cultures. There are paintings by leading American artists, such as Copley, Cole, Bierstadt, Homer, Cassatt and Hopper; Italian Renaissance and Baroque masterpieces by Filippino Lippi and Salvator Rosa; Dutch and Flemish Old Masters, including Peter Paul Rubens; and the work of European painters like Velazquez, Delacroix and Gauguin. The book showcases major collections of decorative art, including Worcester porcelain, Gorham silver, and the internationally important glass collection with works by Tiffany, Galle, Dale Chihuly and Catherine "Cappy" Thompson. Photography also features strongly, with early photographs, including images from the Civil War and iconic photographs from the Civil Rights Movement. AUTHOR: Jefferson C. Harrison is chief curator emeritus, the Chrysler Museum of Art, Norfolk, VA. Brooks Johnson is director of Development, Harmony Investments, Inc. and was formerly curator of photography, the Chrysler Museum of Art. Gary E. Baker is an independent appraiser, antiques and fine art, and was until 2007 curator of Glass, The Chrysler Museum of Art. 222 colour images.…

Hardcover. Etat : new. Hardcover. A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices The Jamaican-born, queer author Claude McKay (18901948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco. Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Etat : New. A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices   The Jamaican-born, queer author Claude McKay (1890-1948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco.   Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.…

Etat : New. pp. 160 208 Illus. (Col.).

Hardcover. Etat : Very Good. Etat de la jaquette : Good. First Edition. This book shows minimal sign of wear to the cover, binding, or pages. Dust jacket condition is Good. This copy is the First Edition of the published work. This copy is the First Printing of the published work. Secure packaging for safe delivery.…

Etat : Very Good. Softcover in good condition. SIGNED by author and personally inscribed "For Sarah and Steve.1982".Cover has creased corners, rubbed cover, smudged back cover. Interior clean and secure in staple bound binding.Your purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County, Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation. Sets or unusually heavy items ship in a box.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. 2025. hardcover. . . . . .

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Etat : New. A collection of private correspondence from one of the Harlem Renaissance's brightest and most radical voices   The Jamaican-born, queer author Claude McKay (1890-1948) was a central figure of the Harlem Renaissance. His 1919 poem "If We Must Die" expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco.   Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay's never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris's Lost Generation, immerses himself in the Marseille dockers' noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.…

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

hardcover. Etat : New. Brand New.

Hardcover. Etat : Wie neu. 888 p. Like new. Shrink wrapped. / Wie neu. In Folie verschweißt. Sprache: Englisch Gewicht in Gramm: 1350.

Etat : New.