Gary e glass (16 résultats)

paperback. Etat : Interior is excellent. very good cover.

Etat : Good. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 2 (weekend sale item)* 2nd printing, 499 pp., hardcover, ex library, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Hardcover. Etat : UsedGood. Hardcover; surplus library copy with the usual stampings; scuffing, light s oiling, and shelf wear to exterior; bump to bottom front edge; boards sligh tly bowed; in good condition with clean text, firm binding. No dust jacket.

Soft cover. Etat : Very Good. 1st Edition. Light rub to wraps o/w crease-free spine, internally clean and unmarked. KRM/Glass.

Etat : New.

Hardcover. Etat : Fine. Very Good - Fine. First Edition. xi, 499 pp, preface, Section I: An Illustration of Environmental Complexities, Section II: Uses of Bioassay, General Principles Emphasized, Section III: Examples of End Points and INdicators Used in Bioassay, Section IV: Conditions and Supporting Techniques For Bioassay, Section V: Applications, index. Inscribed By Tony Bahr and Frank D'Itri. 4" closed tear rear panel dj with a few small closed tears to top edge spine of same, else, Pristine. Clean, tight and strong binding with no underlining, highlighting or marginalia. Orange cloth. Size: 8vo. Book.…

Good plus or better, light general wear, corners bumped. 3rd Ptg Cloth Lightly worn, lightly rubbed jacket, slightly soiled on back.

Paperback. Etat : Very Good. Minor shelf wear, binding tight, pages clean and unmarked. Illustrated in color and black-and-white, this in-depth book reviews the art glass produced in Wheeling, Virginia (later West Virginia) during the period 1829-1939.WHEELING GLASS: 1829-1939 -- Collection of the Oglebay Institute Glass Museum by Gary E. Baker, et.al., Oglebay Institute, Wheeling, WVA, 1994.All kinds of items were made and are here depicted in color or black and white, in photo plates and line drawings. Bottles, flasks, serving dishes, vases, pitchers, tumblers, beverage sets, candlesticks, lamps, compotes, novelties, and whimsies--items glassmakers fashioned at the end of the day with leftover glass. Illustrations of amberina, cobalt blue, ruby, bluerina, colored opalescent glass, peachblow, custard, carnival and stretch glass, pressed glass and more. Makers include Hobbs Brockunier, Central Glass Company, Northwood, North Wheeling Flint Glass Works (Sweeney), Wheeling Flint Glass works Ritchie), and others. Not only is this book a valuable reference guide for collectors and appraisers; it is a veritable history of American glass-making from 1829 through the years of the Great Depression.8,5" x 11" softback in very good condition. 177 pages. Includes 1994-1995 Price Guide Supplement.…

Taschenbuch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.…

Etat : New.

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : New. Satisfaction Guaranteed or your money back.

Brossura. Etat : come nuovo. Etat de la jaquette : ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Unbound. Etat : Very Good. First Edition. Periodical, newspaper format. Folio wrappers. 12pp. Folded in half (as issued), light wear, very good being American poet Joel Oppenheimer's copy with his "Westbeth" address label affixed to the front wrapper.

Etat : VG. Duluth, Minn. 1980 first edition. National Environmental Research Center. 4to wraps. EPA-600/3-80-044. 187p. Light non-circulating library marks, no spine number, no pocket, no bookplate. VG.

Paperback. Etat : Brand New. 262 pages. 9.00x6.00x0.66 inches. This item is printed on demand.