Gary mailer (17 résultats)

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers. Sack, Jon (illustrateur).…

Etat : New. Sack, Jon (illustrateur).

Etat : As New. Unread book in perfect condition. Sack, Jon (illustrateur).

Soft cover. Etat : As New. 1st Edition. A truly lovely copy! Mint condition in original trade paperback -- crisp, bright, and tight -- with no markings and no defects of any kind. (136 pages.) Suitable condition for adding to a library collection, or for presentation as a gift. Ships from NC. All paper bound items are sealed in recycled plastic, packaged securely with recycled cardboard backing, and shipped promptly with tracking information from a nonsmoking, pet-free premises.…

Etat : good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers. Sack, Jon (illustrateur).…

Etat : New. Sack, Jon (illustrateur).

Paperback. Etat : Very Good. 96 pages, 4to. Volume 1, Issue 1. January / February 1966. Shelfwear: scuffing along edges and covers, some light tearing at spine edges, sticker remnants covering date on front cover, some light tanning and a few small stains on covers. Tightly bound. Volume is in Very Good condition.…

Etat : As New. Unread book in perfect condition. Sack, Jon (illustrateur).

Paperback. 119p., 6.5x12 inch First edition trade paperback; photos, poetry, prose, covers toned, chipping at head and tail of spine, front cover beginning to separate at head, rear cover detached but present, tanning and staining. Contributions by many of the Beats.

Etat : Good. 4to. Wraps 96pp. Vol. 1 no. 1 (all publ.). New York, Jan./Feb. 1966. Original pictorial wrappers; numerous illustrations. 96pp. Offset on different colors of paper stock.Edited and published by Shepard Sherbell; numerous photographs (Peter Moore a.o.); contribs. by William S. Burroughs, Allen Ginsberg, Gary Snyder, Gregory Corso (Notes on the Lenny Bruce obscenity trial), Leroi Jones, Norman Mailer, Kenneth Patchen, Michael McClure, Kenneth Rexroth, Robert Bly , Tuli Kupferberg, John Wieners a.o. …

Hard Cover. Etat : Near Fine. First Edition. Rare Signed DELUXE COLLECTOR'S EDITION, NUMBER 10/200 COPIES. Large folio with burgundy cloth spine with red and green cloth covered boards, slipcase. Bright full-color endplates by Rick Griffin. 385 pages printed on archival paper. A magnificent and complete full-color recreation in book form of all 12 issues of the legendary psychedelic newspaper originally published in the Haight-Ashbury 1966-1968. The book contains each and every page of all 12 issues printed - in all their original brilliance. "Open any page and you are back on the streets of the Haight-Ashbury at a time when that tiny urban spot was the Olympus of the newborn world." Laid in with the book is a sheet advertising The San Francisco Oracle Facsimile Edition Publication and Book Signing Party, November 17th, 1991. The Oracle was one of the most unique and beautiful publications of the 1960's and is now a cherished legend. The Oracle is remembered for its extraordinary graphic design by major San Francisco artists, its rainbow colors, and cultural explorations and breakthroughs in its articles, interviews and poetry. Writers who appeared in The Oracle include: Gary Snyder, William Burroughs, Allen Ginsberg, Ken Kesey, Alan Watts, Tim Leary, Michael McClure, Norman Mailer, Jerry Rubin, Paul Krassner, Buckminster Fuller, Carl Rogers, Richard Alpert (Ram Dass), Lawrence Ferlinghetti and others. Artists include many of the great San Francisco Poster artists such as: Rick Griffin, Stanley Mouse, Alton Kelly, Bruce Conner, Michael Bowen and Gary Grimshaw. This Collector's Edition belonged to Raymond Knight, a collector of visionary art, and an early supporter of the press (see p. ixx). The title page is SIGNED AND NUMBERED BY ALLEN COHEN with his unique stamp, Michael McClure, and carries an inscription to Raymond Knight. The front color endpapers are signed by Jim Phillips and John Thompson who has drawn a small third-eye caricature. The beautiful color frontispiece for the Collector's Edition is signed by poster artist Rick Griffin. The copyright page is inscribed "with special appreciation to Raymond, Mark Weiman, Publisher." Additionally inscribed or signed by George Tsongas p. 31; Michael McClure above his poem "The God I Worship is a Lion" p.110; Joel Beck p.117; Jim Phillips p. 143; Ami Magill p.169; Gene Grimm p.173; Ami Magill p. 175; and Stephen Gaskin on the rear free endpaper. A unique and important signed association copy. Excellent condition, tiny spot of wear at head of spine, otherwise clean and tight, contents very bright and sharp, a solid volume throughout. The sturdy slipcase has a few small spots of wear and smudging, still very nice. Near Fine, Slip Case Near Fine. Size: Folio - over 12" - 15" tall. Signed.…

First Edition. A complete run of the Beat literary magazine, founded in response to the suppression for reasons of "obscenity" of The Chicago Review's Winter 1958 issue. These copies have been signed a whopping 33 times by a Who's Who of the contributors and prominent figures associated with the Beat and Black Mountain schools of poetry/lit. From the collection of Joe Lee, who clearly made it his mission to meet the leading lights of the period and get their autographs over a number of years. The first issue is signed by William S. Burroughs (at a lengthy excerpt of his shot across the bow Naked Lunch, poets Robert Creeley and Denise Levertov (on ads at the rear), and folksingers Odetta and Peggy Seeger. The second issue is signed by Allen Ginsberg (dated 11/84), David Meltzer, Amiri Baraka (known as LeRoi Jones at the time; dated 11/98), artist Jules Feiffer, and poet/publisher Lawrence Ferlinghetti on the rear wrap. The third issue is signed by poets Ginsberg (dated 6/12/94), Baraka, Creeley, John Ashbery; chronicler of the gay experience John Rechy, Feiffer, and Pulitzer Prize-winning novelist Norman Mailer. The fourth issue signed by comedian Steve Allen on an ad for his album at the front, Ginsberg (dated 6/12/94), Levertov (on her poem "The Rainwalkers"), Creeley, Diane DiPrima, Meltzer, Gary Snyder, Michael McClure, Ashbery, and Baraka (dated 11/98). The fifth and final issue signed by Creeley, Ashbery, John Updike, Meltzer, Rechy, and Odetta (dated 3-14 '98). Ted Joans's signature is somewhere in one of these issues too; memory fails which one. All volumes Very Good or slightly better, typical age toning and some light wear, bindings a little strained. A remarkable collection of signatures of major figures in the Beat movement, the folk scene, and the Black Mountain school, with some up-and-coming novelists like Updike and Mailer thrown in; all of which together with Big Table itself really capture the zeitgeist of the late '50s and early '60s. Signed.…