Gerald needham (35 résultats)

Paperback. Etat : Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. 350 pp. Tightly bound. Spine not compromised. Text is Free of Markings. No ownership markings. ICON EDITION.

Paperback. Etat : Very Good. 350 pp. Tightly bound. Spine not compromised. Text is free of markings. ICON EDITION.

Etat : Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Harper & Row Pub Date: 1/1/1988 Binding: hardcover Pages: 350 Reprint edition.

Softcover, 350 pages, as new condition; clean and crisp; no internal marks.

Hardcover. Etat : UsedVeryGood. Hardcover; light fading, light shelf wear to exterior; in very good conditi on with clean text and tight binding. Dust jacket shows light shelf wear.

paperback. Etat : Very Good+. Paperback. VG+. Minimal wear. Appears unread. Interior is pristine. No writing or markings of any kind.

Etat : Very Good. None. 350 pages. B&W illustrations throughout. Slight edge wear. Otherwise, clean and tight copy. Record # 452584.

Hard Cover. Etat : Very Good. X-library hardcover, by William L. Needham, Gerald Jahoda, Libraries Unlimited Corp, ISBN 087287348X, 1983, 135 pages including appendices, Very Good (library call number label on spine, library stamp on page block sides, library sticker on front inside board, stamp on end sheets and back inside board, overall cover wear).…

Etat : Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Fair. Acceptable condition. Good dust cover. (Japan, French Art, Art History) A reading only copy. Boards/spine/hinges may be broken, detached, or missing. All pages of text are present, but they may include extensive notes/highlighting, be heavily stained, or detached. May be missing non-text pages (e.g. end pages, half title, title, frontispiece.).…

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hard Cover. Etat : Good. No Jacket. 135pp, owner's name to fep, sticker remains to cover, binding slightly skewed.

xii, 220 pages. Paperback: H 26.75cm x L 19cm. Paper dust jacket rubbed with mildly rippled panels having some light stains; short tear and creasing at bottom of front panel. White paper covers. Past owner's ink signature at top of title page; several leaves have toned bands caused by tipped-in color plates on opposing verso or recto; a few spots of minor soiling but otherwise interior pages are clean. Binding is firm. A very good copy. Prepared as the accompanying catalogue for an exhibition opening at the Cleveland Museum of Art from July 9 to August 31, 1975 thereafter touring to the Rutgers University Art Gallery from October 4 to November 16, 1975 and the Walters Art Gallery from December 10, 1975 to January 26, 1976. ISBN 0910386226.…

Soft cover. Etat : Very Good. Etat de la jaquette : FRENCH FLAPS. 1st Edition. A RARE TITLE BEAUTIFULLY PHOTOGRAPHED MANY TIPPED IN PLATES SOLID CLEAN BRIGHT AND UNMARKED PUBLISHED IN CONJUNCTION WITH AN EXHIBIT EVERY PIECE HAS A HISTORY AND DESCRIPTION A VERY WELL RESEARCHED BOOK FAINT DISCOLORATION WHERE GLUE FROM THE TIPPED IN PLATES LEAKED OVER SOME DISCOLORATION TO THE SPINE STILL QUITE A LOVELY BOOK NO BENDS OR FOLDS. PHOTOS TIPPED IN PLATES (illustrateur).…

Paperback. Etat : Good+. First Edition. 24 pages.

Soft cover. Etat : Collectible: Acceptable. Personalized inscription signed by author on half-title page. Paperback. No spine crease.Soiled page blocks. Light wear. Text is clean, unmarked. (Shelf location: D5_19th) Books are carefully sealed in waterproof poly and boxed to prevent damage during transit. Signed.…

paperback. Etat : Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. 1st Edition. Hardback book (220 pages) with color frontispiece, tipped in clor plates and b/w photographs/reproductions. Dust jacket shows light soiling/creases with tips bumped. Bookseller since 1995 (LL-Base2-C-1-Middle) rareviewbooks.

Hardcover. Etat : Good. Etat de la jaquette : Fair. 1st Edition. Dust jacket has light stains, foxing, light yellowing; pencil residue to front endpaper--pricing notes; otherwise a clean and sound copy of this book; no writing, highlighting, odors, stains, tears or folds. Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon. This is not an ex-library book.…

Soft cover. Etat : Very Good. 1st Edition. Clevland Museum of Art, USA, 1988. Softcover. Condition: Very Good+ 1st edition.

Booklet. Etat : Fine. [12 p.]. 20 x 22 cm. 4 b&w illustrations. Staplebound booklet.

First edition, first printing. Fine paperback.

Etat : Good. Oblong 8vo., printed wraps. 32 pp. Ill. 22 full color plates. Exhib. 1989. Minor cover wear; VG.

Hardcover. First Edition, First Printing. Very Good, with a Very Good dust jacket. A few short tears to jacket edges, toning. Interior is clean and unmarked. Profusely illustrated throughout. 4to, 10 3/4"h x 7 3/4"w.

Soft cover. Etat : Good. Dust Jacket Included. 1st Edition. English text.; Paperback (with dust jacket).; 19.5 x 27 cm.; 0.8 kg.; 220 pages with black and white and a few colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Tear and chip at the bottom of the dust jacket spine. The Paperback shows also a chip and tear at the bottom. Tear at the bottom of the dust jacket back cover. Interior with minor signs of wear.; Catalog from an exhibition shown at The Cleveland Museum of Art, July 9-Aug. 31, 1975; The Rutgers University Art Gallery, Oct. 4-Nov. 16, 1975; and The Walters Art Gallery, Dec. 10, 1975-Jan. 26, 1976.; "Japonisme: Japanese Influence on French Art 1854-1910 marks a milestone in examining relationships periodically existing between the Far East and the West. As the exhibition and accompanying catalog suggest, contacts with the Far East led to fruitful periods of artistic interchange. The creation of chinoiseries during the eighteenth century is one such example. While contacts were maturing with China, Portuguese and Dutch traders searching for a faster way to reach the Orient contacted Japan and established trading ties. At first these ties were cordial, but misuse of the arrangements forced Japan to adopt a policy of seclusion. While some goods reached European ports during this bleak period and collections of Japanese objects were formed in Holland, it was not until the nineteenth century that Japan reached out to again establish normal relations with Western nations. Then, under the stimulus of Commodore Matthew C. Perry's trip to Japan, the doors of the country were thrown open to all Western nations. Throughout the 1850's and 1860's, art objects poured into the West, turning attention from the fading tradition of chinoiseries toward a fuller appreciation of Japonisme the study of the culture, history, and art of Japan. Lacquers, fans, bronzes, kakemonos, ceramics, illustrated books, and single ukiyo-e prints became prized possessions, frequently fought over by collectors in their quest to obtain all that was new and novel from this exotic country. The result of this constant association with and study of Japanese art objects is recorded in the French prints, paintings, and decorative-art objects assembled for this exhibition." excerpt from the foreword by Sherman E. Lee, Director, The Cleveland Museum of Art; Richard Randall, Director, The Walters Art Gallery, Baltimore; and Phillip Dennis Cate, Director, Rutgers University Art Gallery.…

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

paperback. Etat : Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Etat : Very good. Etat de la jaquette : Very good. xvii, [1], 350 pages. Footnotes. Illustrations. Bibliography. Index. The dust jacket is in a plastic sleeve. Gerald Needham was an Associate Professor of Art History at York University, Toronto. He has written on Japonisme, the Impressionists, and prints and photography in the nineteenth century. The Realist movement in French art flourished from about 1840 until the late nineteenth century, and sought to convey a truthful and objective vision of contemporary life. Realism emerged in the aftermath of the Revolution of 1848 that overturned the monarchy of Louis-Philippe and developed during the period of the Second Empire under Napoleon III. As French society fought for democratic reform, the Realists democratized art by depicting modern subjects drawn from the everyday lives of the working class. Rejecting the idealized classicism of academic art and the exotic themes of Romanticism, Realism was based on direct observation of the modern world. In keeping with Gustave Courbet's statement in 1861 that "painting is an essentially concrete art and can only consist in the representation of real and existing things," Realists recorded in often gritty detail the present-day existence of humble people, paralleling related trends in the naturalist literature of Émile Zola, Honoré de Balzac, and Gustave Flaubert. The elevation of the working class into the realms of high art and literature coincided with Pierre Proudhon's socialist philosophies and Karl Marx's Communist Manifesto, published in 1848, which urged a proletarian uprising. "This is the first thorough history and analysis of Realism in the 19th Century art from the 1830s to the 1880s when the Impressionist group broke up. The book begins with the origins of Realism at the start of the century and ends with the last phase of Realism after 1880. In addition to artists from England and France, the book includes artists from Germany, Scandinavia, Russia, and Italy. A distinctive feature is the coverage of prints and the graphic arts that played a crucial role in the development of realism, ranging from popular illustrations in magazines and books to painter's etchings and engravings. Photography an as art form and an influence is examined as are such new visual media as the Panorama and Diorama. Some of the artists included are : Corot, Constable, Gericault, Daumier, Boudin, Cassatt, Krohg, Hunt, Monet, Manet, Renoir, Courbet, Millet, Klinger, Menzel, Signorini, Van Gogh, Pissarro, Whistler, Degas, Lieberman, Shevchenko, Repin, Caillebott"--back cover. First Edition [Stated], First Printing [Stated].…