Gerdts w (55 résultats)

Etat : Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Illustrated By B/w & Color Illustrations (illustrateur).

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Over 100 Color & B/w Illus (illustrateur).

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. 72 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Etat : Fine. First Edition. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. Illustrated By B/w & Color Illustrations (illustrateur).

Paperback. Etat : Good.

Paperback. Etat : Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized. Illustrated By B/w & Color Illustrations (illustrateur).

Softcover, 74 pages, good condition, foxing to top outer edge of pages; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Fine. 1st. 74 pages, illustrations (some colour); 28 cm. A loan exhibition for the benefit of the Graduate School's Fellowship Fund in Art History, Graduate School and University Center of the City University of New York, 11 May to 11 June, 1988. Firm binding, clean inside copy. *** "A prominent figure in the Boston School and a member of the Ten American painters, Frank W. Benson executed a spectacular group of Impressionist works between 1897 and 1920 during summers spent on North Haven Island, Maine. Depicting his wife and daughters at leisure in the outdoors, Benson created vivid sunlit images expressive of the idyllic pleasures of endless August afternoons on a breezy, refreshing coastal landscape. This 74-page catalogue includes essays by Sheila Dugan, William H. Gerdts, and John Wilmerding. In addition to color illustrations of the twelve works in the show, there are ten color and twenty-two black and white reproductions." - Publisher. *** CONTENTS: Benson and Maine, by John Wilmerding; Frank Benson: Outdoors, by Sheila Dugan; Frank Benson-His Own Man: A Study of the Artist's Development and Its Critical Reception, by William H. Gerdts. Size: 4to. Collectible. …

paperback. Etat : Good. gallery markings on cover Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

PB. Etat : very good, wraps (softcover). 44pp. B&W illustrations (illustrateur).

PB. Etat : very good, wraps (softcover). 87pp. B&W and color illustrations (illustrateur).

228 pages. Paperback: H 28cm x L 22.25cm. White paper covers rubbed with mild soiling; minor scuffing at spine ends; slight curling and wear at corners of front cover. Interior pages are bright and clean. Binding is firm. Prepared as the catalogue for an exhibition held at the Los Angeles County Museum of Art, Los Angeles, California, from November 17, 1981 to January 31, 1982 and at the National Portrait Gallery, Washington, D.C., from March 17 to June 6, 1982. Features Preface by Los Angeles County Museum of Art Director Earl A. Powell III; b/w illustrations and color plates; and Selected Bibliography. Essays titled PRINCELY IMAGES IN THE WILDERNESS: 1720-1775 by Michael Quick, HEROES FOR A NEW NATION: 1776-1812 by Marvin Sadik, NATURAL ARISTOCRATS IN A DEMOCRACY: 1810-1870 by William H. Gerdts, and ACHIEVING THE NATION'S IMPERIAL DESTINY: 1870-1920 by Michael Quick. A very good copy. ISBN 0875871046. Illustrated By B/w & Color Illustrations (illustrateur).…

PB. 32pp Catalogue to an exhibition held March 7th-May 19th, offering a comprehensive picture of the art of New Jersey during the 18th and 19th centuries. good, wraps (softcover) - faint wrinkling few pages. B&W illustrations (illustrateur).

PB. Etat : very good, wraps (softcover). 36pp ".AND SCULPTURE - EUROPEAN / AMERICAN ACQUIRED SINCE 1950.". B&W illustrations (illustrateur).

Softcover. Etat : Very Good. (NAP). Sewn binding, french flaps. Published in connection with the exhibition at Crocker Art Museum, 1997. A solid copy with tight binding and uncreased spine. No marks. Mild cover wear. Color and B&W plates (illustrateur).

PB. Etat : good, wraps (softcover). 61pp An exhibition of paintings, sculpture and watercolors from the Phillips Collection relating to the critical writing of Duncan Phillips. Exhibition was held at the University of Maryland Art Department February 12 through March 16, 1969. B&W illustrations (illustrateur).…

Hardcover. Etat : Near Fine. Near Fine. First Edition. In pictorial jacket over blue cloth, folio, pp. illustrated profusely. Size: Folio - between 12" - 15" Tall. Color and b/w Illustrations (illustrateur). Book.

PB. Etat : good, wraps (softcover). 12pp. color frontis, B&W ill. (illustrateur).

PB. Etat : very good, wraps (softcover). 24pp. B&W illustrations (illustrateur).

PB. Etat : very good, wraps (softcover). 41pp ".AMERICAN PAINTINGS AND SCULPTURE - ACQUISITIONS, 1956-1960.". B&W illustrations (illustrateur).

Paperback. Etat : Fine. First Edition. A clean and pristine copy of this exhibitin catalog. Much of the artwork depicted is in black and white, but there are some real stunners in color at the front. Fast shipping, with tracking number provided. ; 8vo 8" - 9" tall; 72 pages.

Soft cover. Etat : Very Good+. No Jacket. 1st Edition. First edition 1981, exhibition catalog printed in conjuction with exhibition at Los Angeles County Museum of Art. Large softcover without DJ as issued. Condition near fine, square tight and clean inside book, spine not creased, corners not bumped, no names no underlinings no highlights no bent pages, not reminder, foxing on edges and upper edge of covers. 4to, 228 pages, illustrated with color plates and numerous smaller b/w images, bibliography. Illustrated By B/w & Color Illustrations (illustrateur).…

Softcover. Etat : Very Good+. First Edition. Stiff unmarked book in lightly rubbed card covers with a smudge to rear cover.; 227 pages. Illustrated By B/w & Color Illustrations (illustrateur).

PB. 44pp Catalog of the Exhibition shown in New York through the generosity of M Knoedler & Co., Inc. Some light rubbing to covers, otherwise very good. good+, wraps (softcover) rubbing to covers. B&W and color illustrations (illustrateur).

PB. Etat : very good, wraps (softcover). 48pp A collection of paintings and the stories of the subjects. B&W illustrations (illustrateur).

PB. Etat : very good, wraps (softcover). 20pp. B&W illustrations (illustrateur).

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperbound. Etat : New. First Impression. Demy folio, [27.75cm/11inches], paperbound with pictorial covers, pp. 470, indexed. Fully illustrated with 319 plates. 113 of which are in color. Please feel free to inquire as to particulars and/or additional photographs. . Google notes: "American Artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I. The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James. This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.Further insights into this new area in the study and appreciation of American art are offered in four essays by such leading art historians as William H. Gerdts, City University of New York; Erica E. Hirshler, Museum of Fine Arts, Boston; Fred S. Licht, Peggy Guggenheim Museum, Venice, and Boston University; and William L. Vance, Boston University. Individual commentaries on each of the paintings, sculpture, and watercolors have been written by the curatorial staff of the Museum of Fine Arts, Boston. The Lure of Italy accompanies a major exhibition of the same name, organized by Theodore E. Stebbins, Jr., and Erica E. Hirshler that opens at the Museum of Fine Arts, Boston, and travels to the Cleveland Museum of Art and the Museum of Fine Arts, Houston.…