Goldblatt michael (29 résultats)

Paperback. Etat : New. Moore, Michael; Osterweil, Wendy (illustrateur).

Paperback. Etat : New. Moore, Michael; Osterweil, Wendy (illustrateur).

Etat : New. Moore, Michael; Osterweil, Wendy (illustrateur).

First Edition. First edition. Softcover. Fall 1897. 79 pages. Features an article by William Shawcross and Francis Hodgson on Sebastiao Salgado with numerous images by him. Also includes a conversation between Fred Ritchin and Susan Meiselas with her images as well. Another feature is a look at the work of David Goldblatt with text by him and Nobel Prize winner Nadine Gordimer. A near fine copy in wrappers.…

Etat : New. Moore, Michael; Osterweil, Wendy (illustrateur).

Soft cover. Etat : Fine. 1st Edition. First edition. A fine softcover copy in a fine DJ now protected in a removal mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #131.…

Etat : Very Good. Hardcover, 84 pages. When David Goldblatt received the world-renowned Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Born in 1930 in a gold-mining town near Johannesburg, his parents were Jewish refugees from Lithuania, and they raised him with an emphasis on tolerance and antiracism. In 1975, at the height of apartheid, Goldblatt explored white nationalist culture in Some Afrikaners Photographed, and in the 80s he observed workers on the Kwandebele-Pretoria bus, many of whom traveled eight hours every day to work and back. His late-90s solo show at New York's Museum of Modern Art focused on architectural work, and showed off Goldblatt's uncanny ability to discover a society through its buildings and landscapes. His photographs of architectural structures revealed the ways that ideology had defined his home country's landscape. No dj issued. Record # 361966.…

Paperback. Etat : Very Good. First Edition. Heavy Book may require extra postage unless posted within South Africa. The wraps are a little shelf rubbed. The text within the book is clear and bright. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Paperback. First edition, first printing. Fine paperback with a touch of rubbing to the extremities in the publisher's printed card slipcase which is Near Fine with one stress mark at one edge and a slight crease to another edge. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition presenting the four finalists for the 2004 Citigroup Photography Prize competition, held at The Photographer's Gallery, London, January 29 - March 28, 2004, and at the Museum Kunst Palast, Dusseldorf, May 29 - August 22, 2004. The four photographers were Robert Adams (USA), Peter Fraser (UK), David Goldblatt (South Africa), and Joel Sternfeld (USA). Sternfeld was the winner that year. Photographs by Robert Adams, Peter Fraser, David Goldblatt, and Joel Sternfeld; essays by Thomas Weski, Johanna Burton, Okwui Enwezor, and Brian Wallis; forewords by Paul Wombell and Michael Kirkwood. 100 pages; 19 color and 13 b&w plates + text illustrations; 6.5 x 9 inches. Text in English. There were four slipcases issued, one for each photographer with his image highlighted; this copy has the Sternfeld image.…

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Good. Book in slipcase. Book in very good, unmarked condition. Slipcase shows a some wear. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Soft cover. Etat : New. Etat de la jaquette : No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Laminated wrappers., contained in a photographically illustrated cardstock slipcase. Photographs by Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld. Forewords by Paul Wombell and Michael Kirkwood. Essays by Thomas Weski, Johanna Burton, Okwui Enwezor and Brian Wallis. Design by Spin. 100 pp., with 19 four-color and 13 black and white plates (and additional illustrations) finely printed on heavy coated paper by Graphicom Italia. 9-1/8 x 6-5/8 inches. Published on the occasion of the 2004 Citigroup Photography Prize exhibition at The Photographer's Gallery, London, and the Museum Kunst Palast, Düsseldorf. New in publisher's shrink-wrap. Presents work by the four finalists for the 2004 competition, won by Joel Sternfeld. From the publisher: "From a list of over 80 nominations, the Jury has selected four finalists whose work has made a significant contribution to the medium of photography in the past year. This year the shortlist of Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld brings together a group of photographers whose influence resonates through contemporary practice. Now in its eighth year, the Prize has become one of the most prestigious international arts awards. Past winners of this £20,000 Prize include Richard Billingham, Andreas Gursky, Boris Mikhailov and Rineke Dijkstra. In 2003, Juergen Teller, one of the most successful photographers of the last decade, won for his collection of work, Märchenstüberl. The jury of the Citigroup Photography Prize 2004 have chosen the work of four photographers who may not be well-known to the general public, but have been some of the most influential artists working in documentary photography. Over the last 30 years Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld have made important bodies of work that have been a major influence on generations of photographers who came to prominence in the 1980s and 1990s. They are in many respects 'photographers' photographers' who have not yet received the public recognition that their influence or work warrants.". …

paperback. Etat : Very Good. Modest shelfwear to cover, clean pages and sound binding.

Soft cover. Etat : Very Good. 1st Edition. 225pp. No prev ownership marks or o/w.

Taschenbuch. Etat : Neu. Neuware - In a sentence, the phrase ' for instance' follows an assertion or argument, and precedes a series of examples. Eli Goldblatt gives us myriad examples unconnected to a thesis, except insofar as the thesis asserts what is. This is a world composed of bombings, wars, bad history, framed in a private space of family, garden and dreamwork (which often takes us back to all the bad histories). In a larger sense, the book is an elegy-- for his dear friend Gil Ott, and for a world where fascists lose. But ' even in Barcelona, Franco won.' ' War grows' in the poet's mind, erupting in museums and in his son, who ' emerges into the sunlight stabbing, punching, blasting his enemies.' Words are like tattoos; they scar. The poet craves ' a language beyond all this talk, / words erupting beneath words that evict / or seduce, dominate or sell.' Goldblatt's book offers a public and private MRI; we do not yet have the results, so we can only hope for the best. Our best consolation may be that we have this map of one poet's decency and care. Susan M. Schultz. Moore, Michael; Osterweil, Wendy (illustrateur). …

Paperback. Etat : New. Moore, Michael; Osterweil, Wendy (illustrateur).

Etat : New. Moore, Michael; Osterweil, Wendy (illustrateur).

paperback. Etat : Gut. 456 Seiten; 9788495273789.3 Gewicht in Gramm: 2.

Hardcover. SIGNED. First edition, first printing. When David Goldblatt (1930-2018) received the Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Since 1999, Goldblatt had been studying various aspects of the post-apartheid society. These previously unpublished color photographs of symbols and structures in the South African landscape bear witness to the country's continued complexity. Photographs by David Goldblatt; text by Michael Godby; introduction by Gunilla Knape. SIGNED BY GOLDBLATT and dated; no inscription. 84 pages with 4 gatefolds; 45 full-page, color photographic plates; 12 x 11 inches. Text in English. Condition: As New hardcover with two printer's errors: one of the gatefolds has a crease along the edge and the last page has been bound in slightly off; no dj as issued. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted.…

Paperback. Etat : New. Moore, Michael; Osterweil, Wendy (illustrateur).

Hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Softcover, 456 pages, in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra for this book.

Soft cover. Etat : Fine. No Jacket. First Edition, First Printing. The book is in English.

hardcover. Etat : Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Etat : gut. 2001. David Goldblatt: Fifty-One Years In deutscher Sprache. pages.

Hardcover. SIGNED. First edition, first printing. "Intersections is the first complete volume of Goldblatt's color work. His urban images dwell on the ostentatious developments mushrooming in and around Johannesburg as well as scenes of the everyday life of people who make their living within the city. His rural images capture the seductive vastness of the landscape, the damage done to the land by the mining industry, and the dignity of the people living on the land. These photographs mark the emergence of an important new phase in the work of a Goldblatt." Photographs by David Goldblatt (1930-2018); interview with the photographer conducted by Mark Haworth-Booth; essays by Christoph Danelzik-Bruggemann and Michael Stevenson. SIGNED BY GOLDBLATT and dated; no inscription. 124 pages; 92 full-page, color photographic plates plus 16 text illustrations; 14 x 12 inches. Extended captions at rear. Text in English. Condition: Fine/As New hardcover in a Fine dust jacket, protected by a clear mylar cover. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted.…

Etat : New. Satisfaction Guaranteed or your money back.

Hardcover. Etat : New. When David Goldblatt received the world-renowned Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Born in 1930 in a gold-mining town near Johannesburg, his parents were Jewish refugees from Lithuania, and they raised him with an emphasis on tolerance and antiracism. In 1975, at the height of apartheid, Goldblatt explored white nationalist culture in Some Afrikaners Photographed, and in the 80s he observed workers on the Kwandebele-Pretoria bus, many of whom traveled eight hours every day to work and back. His late-90s solo show at New York's Museum of Modern Art focused on architectural work, and showed off Goldblatt's uncanny ability to discover a society through its buildings and landscapes. His photographs of architectural structures revealed the ways that ideology had defined his home country's landscape. …