Gotlieb marc (49 résultats)

Soft cover. Etat : Very Good. First Edition. Trade paperback format. Lightly rubbed on the corners with a flat uncreased spine; not store stamped. This collection contains: Preface by Marianne Scott; Considering Magical Realism in Canada by Charles de Lint; Women and Science Fiction by Elisabeth Vonarburg; The Alien At the Feast by Phyllis Gotlieb; Something Else. by Judith Merril; Family Identity and Speculative Fiction by Terence M. Green; Canadian Urban Horror by Tanya Huff; Aliens Among Us by Allan Weis and Hugh Spencer; Fables of Transcendence by John Clute; Four Hundred Years of Fantastic Literature in Canada by John Robert Colombo; The Northern Cosmos by Robert Runte and Christine Kulyk; Science Fiction in Francophone Canada 1839 - 1989 by Jean Louis Trudel; A Past a Future by Jean Marc Gouanvic; Quebec SF and Its Reception in France by Stephane Nicot; The Science Fiction Novel for Young People in Quebec by Claire Le Brun; Science Fiction and Fantasy for the Young by Daniel Sernine; My Canada Includes Magic by Ven Begamudre; The Haunted Silences by Robert Hadji; Form = Content = Form? by Candas Jane Dorsey; Consider Her Ways by Christine L. Kulyk; Writing Women's Stories in a Male Universe by Francine Pelletier; The Female Utopia in Canada by Guy Bouchard; Writing and Publishing in the Margins by Lesley Choyce; Solaris by Joel Champetier; A Short History of the Science Fiction Magazine Imagine. by Marc Lemaire; Filling the Empty Air with Dreams by William Lane; Peeking Up the Skirts of the End by Michael Skeet; Prisoners of Gravity by Gregg Thurlbeck; and They Promised Me a Future by Larry Hancock and Michael Cherkas. Size: 8vo. Book.…

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Like New. Factory sealed. Groundbreaking publication centers on a previously unknown variation of Eugene Delacroix?s (1798?1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius. Covers his contemporaries, a fascinating account of Delacroix?s famously troubled collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations. Color plates. 168p.…

Hardcover. Etat : New. New copy.

Hardcover. Etat : Fine. 1st. Pictorial boards, 165 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. A fine copy. Richly illustrated with colour plates. *** "This groundbreaking publication centers on a previously unknown variation of Eugene Delacroix's (1798-1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius, published here for the first time. This book offers a compelling reassessment of the relationship of the artist, widely consider a primary exemplar of Romanticism, to Neoclassical themes, as demonstrated by his life-long fascination with the death of Marcus Aurelius. Through this investigation, the authors reinterpret Delacroix's lineage to such fellow artists as Jean-Auguste Dominique Ingres (1780-1867) and Jacques-Louis David (1748-1825). Playing on the various interpretations of the word 'finish,' the book also offers a fascinating account of Delacroix's famously troubled collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations." - Publisher. *** CONTENTS: Delacroix and the Matter of Finish, by Eik Kahng; Delacroix's pedagogical desire, by Marc Gotlieb; Delacroix and the ends of civilizations, by Michele Hannoosh. Size: 4to. Collectible.…

Paperback. Etat : Very Good. September 2004. Volume 86, No. 3; 4to - over 9¾ - 12" tall.

Paperback. Etat : Very Good. Unmarked. Bumped corner. Some rubbing on bottom of front cover. Articles include Sally J. Cornelison on the Saint Philip Reliquary in Renaissance Florence, Sheila Barker on Poussin, Plague and Early Modern Medicine, Peter Benson Miller on Theodore Chasseriau's Cour des Comptes murals and Algeria, Ting Chang on Courbet's The Meeting, Carol Troyen on Photography, Painting and Sheeler's View of NY, Keith Moxley on Durer and Grunewald. Geoffrey Batchen reviews a French Daguerreotype exhibition. Book reviews. pp.642-796. A Quarterly publication of the College Art Association. Measures 9x11.5 inches.…

Hardcover. Etat : New. No Jacket. 1st Edition. New Haven: Yale University Press / Santa Barbara Museum of Art, 2013. First edition. First printing. Hardcover. Very Fine, issued without a dust jacket. A pristine unread copy, still in publisher's original shrink-wrap. Publisher's original dark color-illustrated boards with white lettering. Octavo, 165 pages on heavy stock, with 45 color plates. DELACROIX AND THE MATTER OF FINISH accompanied exhibitions of the same title held in Santa Barbara, California, and Birmingham, Alabama, between October 2013 and May 2014. The catalogue presents the discovery of a major painting by Eugène Delacroix an easel-size variation of The Last Words of Marcus Aurelius, authenticated and curated by Eik Kahng. The book also examines the artist's lifelong struggle with the idea of "finish." Critics often charged that Delacroix was incapable of bringing his canvases to full completion, but Kahng's study reconsiders that claim by asking whether smaller versions of known monumental works were preparatory, retrospective, or commemorative. A complex and beautifully illustrated catalogue that redefines the painter's technique and artistic legacy. YALE.…

Hardcover. Etat : As New. Etat de la jaquette : Very good. 298 pp. Dust jacket included. Jacket shows very minor signs of shelf wear. Cover shows minor signs of shelf wear. Pages are clean and unmarked. Binding is tight. 3.

Hardback. Etat : Very Good. This work reappraises the work of the 19th-century French painter, Ernest Meissonier. Hailed as a master by his contemporaries, Meissonier's work was largely dismissed by modernist critics. The book contests these critiques, and pays particular attention to his exploration of genre painting.…

hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardback. Etat : Very Good. This work reappraises the work of the 19th-century French painter, Ernest Meissonier. Hailed as a master by his contemporaries, Meissonier's work was largely dismissed by modernist critics. The book contests these critiques, and pays particular attention to his exploration of genre painting.…

Hardcover. Etat : As New. Dark, color-illus. boards with white lettering. 165 pp. with 45 color plates. Very nice, thick paper. Catalogue which accompanied the exhibitions of the same title in Santa Barbara, California and Birmingham, Alabama, between October 2013 and May 2014. A complex catalogue/exhibition with two purposes: first, the discovery and viewing of a major painting by Delacroix, an easel-size variation of The Last Words of Marcus Aurelius, of which Dr. Kahng was both authenticator and curator. Second, the matter of the finishing of Delacroix's paintings. Critics maintained that he was "incapable of bringing his canvases to a sufficient state of finish. His ideas, while often engaging and original, were therefore just that - ideas that he was technically incapable of realizing through the painter's usual illusionistic meanns.But how are we to to classify smaller-scale versions of known, monumental canvases? How are we to determine if they are preparatory, and, therefore, predate their monumental, finished counterparts? Or are such smaller versions aide-memoires, done, perhaps, to record beloved subjects once they departed the studio. Does the degree of finish enable us to make this determination for an artist who famously eluded normative notions of finish?" A compelling catalogue, beautifully illustrated.…

Etat : Poor. First edition (hardback). 8vo (24cm by 16cm), xix, 255pp. Frontispiece, 4 colour plates, 73 text figures. Original white cloth, dustwrapper. Please note that this book is in poor condition - there is wrinkling to the upper margin of the text block (principally affecting the preliminary pages, diminishing as you progress through the book). Suitable as a cheap reading, working or reference copy. ISBN 0691043744.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Clean text, tight binding, no stickers.

Etat : New. BIC Classification: WZ. Dimension: 250 x 150. Weight in Grams: 666. . 2017. Hardback. . . . .

Hardcover. Etat : Very Good. No dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Etat : Wie neu. Hardcover. 25x30cm. 165pp. As new.

Hardcover. Etat : Brand New. In Stock.

Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Etat : New. BIC Classification: WZ. Dimension: 250 x 150. Weight in Grams: 666. . 2017. Hardback. . . . . Books ship from the US and Ireland.

Hardback. Etat : New. New copy - Usually dispatched within 3 working days.

Etat : New. Brand New.

Buch. Etat : Neu. Neuware - A groundbreaking cultural history of calamitous teacher-student relationships at the heart of nineteenth-century French painting and efforts to fix themThe suicides of painters Léopold Robert and Antoine-Jean Gros in 1835 left a deep imprint on the European imagination. Imitation Is Suicide examines a rash of notorious artist suicides that saw wide publicity in the Romantic era, showing how observers of the periodfrom visual artists to novelists, art critics, biographers, and numerous othersat once commemorated those deaths and traced their origins to teacher-student relationships gone catastrophically wrong.Marc Gotlieb also sheds light on figures like Eugène Delacroixwho controversially argued against the authority of tradition in art education and sought to dismantle the prestige of the teacher. And he also explores the pioneering instruction of Horace Lecoq de Boisbaudran, an influential art teacher who viewed education as recuperative, designed to protect students from external forces that hindered their natural development. Gotlieb traces how the relationship between teacher and student emerged as newly charged and frequently contested terrain, not simply in the teaching studio but also long after instruction had ended. Against the classic scenario that saw masters instruct pupils in their own manner, it now fell to teachers to discourage such imitations. Gotlieb looks at real and fictionalized quarrels between teachers and students, including idealizing imagery around art education that made the case the teacher should stand aside. And he pairs such imagery with accounts of last paintingsworks completed prior to an artist's suicide and thought to betray clues as to the pedagogical character of the crisis that brought an artist's career to a violent terminus.With new findings on familiar and lesser-known artists, Imitation Is Suicide demonstrates how the circumstances of an artist's death, no less than their artistic education, could profoundly shape how their lives and works were interpreted and imbued with meaning. …

Hardcover. Etat : Brand New. 136 pages. 12.00x9.75x1.00 inches. In Stock.

Etat : Nuovo. Ril. in cart., cm 30 X 25, pp 165, molt.tavv a colori + in b/n. - ISBN: 9780300199444.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Very good. Etat de la jaquette : very good. First edition. Octavo ( standard sized ). Slight wear to edges and corners of boards and dust jacket. xvii, 255 p. w/illus., endnotes., index.