Grabner j (43 résultats)

Etat : New.

Paperback or Softback. Etat : New. Influence Lines for Arches with Tables. Book.

Etat : New.

Etat : As New. Unread book in perfect condition.

Soft cover. Etat : Like New. First Edition. This staplebound Softback is Like New. corners very slightly bumped. Clean, tight, bright. Unmarked. measures 6 inches wide by 9 inches tall. Address delivered to the Newcomen society. 20 pages. illustrated by Photographs. 1st printing.

Hardcover. Etat : Acceptable. The book is bound in hardcover with a dust jacket that exhibits noticeable wear. The jacket has edge tears and some fading, reflecting its age, but it remains intact. The binding is firm, and the pages are clean with no inscriptions or library markings. Worn with some edge tears and fading.…

Hardback. Etat : New.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Etat : New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Etat : New.

96 pp.; 26.9 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 67 of the periodical "art / text," edited by Susan Kandel. Contents include: "Lobby: Dinner at Frank's," by Liam Gillick; "Torpor: Deep Chaos," by Chris Kraus; "User: Wireless Cosmopolitans," by Peter Lunenfeld; "Report: 48th Venice Biennale," by Barry Schwabsky; "SITE: Santa Fe Third International Biennial," by Ellen Berkovitch; "TYPE: Professional Me," by Frances Stark; "APROPOS: Smithson, Shakespeare & Satan," by Robert Linsley; "Sally Elesby: Life is a Verb," by Sue Spaid; "Raafat Ishak: Personal Archive," by D.J. Huppatz; "Shaun Kirby: Slow Crawl of Necessity," by Stephen O'Connell; "The Red Eye," art by Jeremy Blake, text by Theresa Duncan; American Psychos: The End of Art Cinema in the '90s," by Laurence A. Rickels; "Thomas Demand: Paper Chases," by Nancy Princenthal; "Doug Aitkin: Immoral Video," by David Hunt; "The Family Firm: Andreas Gursky & German Photography," by Norman Bryson Reviews by Alex Coles, Jan Tumlir, David Hunt, Mai-Thu Perret, Fabrice Stroun, Jeffrey Kastner, Stuart Koop, Charles LaBelle, Ryan Whyte, Michelle Grabner, Barry Schwabsky, Terry R. Myers, Julie Joyce, Peter Frank, Roger Sullivan, Stephen O'Connell, Blair French, Regine Basha, Charles Green, Juliana Engberg, Ihor Holubizky, Lars Bang Larsen, and Gavin Wade. Cover: Thomas Demand. Very Good. Dust soiling of covers with original pricing sticker on bottom left corner of recto. Rubbing and dust soiling of verso. Light edgewear with bumping of top left corner of verso. Contents clean and unmarked. …

Paperback. Etat : New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Etat : New. What does it mean to be in the studio? What is the space of the studio in the artist s practice? How do studios help artists envision their agency and, beyond that, their own lives? This title locates the studio both spatially and conceptually - at the cent.

Paperback. Etat : New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Pp. Etat : Befriedigend. 1. Aufl. XII, 682 S. : graph. Darst. ; 25 cm gutes exBibliotheksexemplar mit den üblichen Stempeln/Signaturen, Kanten gering bestossen /// Standort Wimregal ESA-20.120 ISBN 9783854872269 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 1287. …

gebundene Ausgabe. Etat : Gut. Auflage: 1. 682 Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Vorsatzblatt abgerissen. Sprache: Deutsch Gewicht in Gramm: 1260.…

Chicago, University Press, 2010. 376 pp., ills in b/w, 4to, softcover.

Eindhoven, Lecturis, [2010]. 126 pp. Col. ills. Orig. softcover.

4°. M. zahlr. Abb. 200 S. OPp. Sprache: Deutsch 0 gr.

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Bien. Essays "Passages: Manuel Borja-Villel on Antoni Tàpies," by Antoni Tàpies; "Passages: Richard Meyer on Anita Steckel," by Richard Meyer; "Passages: Elizabeth Willis on Adrienne Rich," by Elizabeth Willis; "Books: Matt Saunders on 'Kippenberger: The Artist and His Families,'" by Matt Saunders; "Performance: Michael Wood on Fiona Banner's 'Heart of Darkness,'" by Michael Wood; "FilmL Amy Taubin on Benh Zeitlin's 'Beasts of the Southern Wild,'" by Benh Zeitlin; "Film: Dennis Lim on António Reis and Margarida Cordeiro," by Dennis Lim; "Film: Melissa Anderson on Kleber Mendonça Filho's 'Neighboring Sounds,'" by Melissa Anderson; "On Site: Rosalind E. Krauss on William Kentridge's Norton Lectures," by Rosalind E. Krauss; "On Site: Vaginal Davis on Jabberjaw," by Vaginal Davis; "Music: Owen Hatherley on Neneh Cherry's 'The Cherry Thing,'" by Owen Hatherley; "Top Ten," by Patterson Beckwith; "Blow-Up: Taryn Simon and Brian de Palma in Conversation"; "A Progression of Forms: The Art of Daan van Golden," by Richard Aldrich; "1000 Words: Mario García Torres," by Tom McDonough; "Another World: Michelle Kuo talks with David Graeber"; "Declaration of Independent: The 50th Anniversary of the Oberhausen Manifesto," by Eric Rentschler; "The More Things Change: The Art of Roman Ondák," by Ina Blom; "Trace Elements: The Art of Nairy Baghramian," by André Rottmann; "Openings: Pietro Roccasalva," by Jan Tumlir. Reviews by Huey Copeland, Jack Bankowsky, Jakob Schillinger, Hannah Feldman, Isabelle Graw, Jordan Kantor, David Frankel, David Rimanelli, Robert Pincus-Witten, Jeffrey Kastner, Suzanne Hudson, Lloyd Wise, Barry Schwabsky, Johanna Burton, Frances Richard, Donald Kuspit, Ida Panicelli, Emily Hall, Lauren O'Neill-Butler, Eva Díaz, Michael Wilson, Francine Koslow Miller, Ivy Cooper, Michelle Grabner, Jennifer King, Lisa Turvey, Jan Tumlir, Ben Carlson, Sarah Lehrer-Graiwer, Travis Diehl, Zehra Jumabhoy, Jo Applin, Gilda Williams, Lauren Dyer Amazeen, Declan Long, Lillian Davies, John Beeson, Astrid Mania, Noemi Smolik, Quinn Latimer, Yann Chateigné Tytelman, Giorgio Verzotti, Alessandra Pioselli, Astrid Wege, Hans den Hartog Jager, Ronald Jones, Javier Hontoria, Martí Peran, Lee Ambrozy, and Shinyoung Chung. Cover: Fiona Banner.…

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Bien. Essays "Passages: Claes Oldenburg, Paul Kaiser, and Robert Whitman on Robert Breer," by Claes Oldenburg, Paul Kaiser, and Robert Whitman; "Books: Malcolm Bull on Jacques Derrida's 'The Beast & The Sovereign,'" by Malcolm Bull; "Film: James Quandt on Steve McQueen's 'Shame,'" by James Quandt; "Film: Amy Taubin on Nuri Bilge Ceylan's 'Once Upon a Time in Anatolia,'" by Amy Taubin; "Film: Tony Pipolo on Jean-Marie Straub," by Tony Pipolo; "Vault: Martin Kemp on Leonardo da Vinci's 'The Virgin of the Rocks,'" by Martin Kemp; "Slant: Nasser Rabbat on the New Islamic Art Galleries at the Metropolitan Museum of Art," by Nasser Rabbat; "Slant: Saskia Sassen and Hans Haacke on the Spaces of Occupation," by Saskia Sassen and Hans Haacke; "Slant: Annie Ochmanek on Christopher D'Arcangelo," by Annie Ochmanek; "Top Ten," by Uri Aran; "Winter 2012 Exhibitions: 45 Shows Worldwide"; "Julia Robinson on 'Claes Oldenburg: The Sixties,'" by Julia Robinson; "Dark Matter: The Art of Liu Wei," by Pauline J. Yao; "Just What Was It.?: The Art of Richard Hamilton,'" by Hal Foster; "Surface Activation: The Amir Building at The Tel Aviv Museum of Art," by Sylvia Lavin; "Close-Up: Movement Research: Michael Ned Holte on Sharon Lockhart's 'Five Dances and Nine Wall Carpets' by Noa Eshkol," by Michael Ned Holte; "Fluid Dynamics: The Art of Adriana Varejão," by Carol Armstrong; "Openings: Christodoulos Panayiotou," by Aram Moshayedi. Reviews by Hal Foster, Sylvia Lavin, Michael Ned Holte, Sharon Lockhart, Carol Armstrong, Aram Moshayedi, Francesco Bonami, Elizabeth Schambelan, Daniel Marcus, Robert Pincus-Witten, Johanna Burton, David Frankel, Donald Kuspit, Suzanne Hudson, Frances Richard, Lauren O'Neill-Butler, Richard Deming, Eva Díaz, Ara H. Merjian, Emily Hall, Barry Schwabsky, Brian Sholis, Colin Lang, Michelle Grabner, John McKinnon, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Travis Diehl, Anna Lovatt, T.J. Demos, Michael Archer, Steven Cairns, Paul Galvez, Claire Moulène, Jens Asthoff, John Beeson, Jurriaan Benschop, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Brigitte Huck, Kaelen Wilson-Goldie, Javier Hontoria, Pablo Llorca, Cathryn Drake, Midori Matsui, Angie Baecker, Lee Ambrozy, and María Gainza. Cover: Claes Oldenburg. …

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.…

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Bien. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. Hoberman; "Film: Tony Pipolo on Lu Chuan's 'City of Life and Death,'" by Tony Pipolo; "Music: Huey Copeland on Alicia Hall Moran," by Huey Copeland; "News: Martin Herbert on Artangel's Twentieth Anniversary," by Martin Herbert; "Top Ten," by Hilary Lloyd; "Summer 2011 Exhibitions: 50 Shows Worldwide"; "Summer 2011 Exhibitions: Joan Kee on Lee Ufan," by Joan Kee; "From the Vault: David J. Roxburgh on 'Gifts of the Sultan,'" by David J. Roxburgh; "News: Michelle Kuo talks with curator Bice Curiger about the upcoming 54th Venice Biennale"; "Open Secret: The Work of Art Between Disclosure and Redaction," by Pamela M. Lee; "Into Thin Air: The Merging of Architecture and the Environment," by Michael Wang; "The Re-enchantment of the world: Pino Pascali's Late Works," by Mark Godfrey; "Close-Up: Potential Energy: Ina Blom on Cerith Wyn Evans's S=U=P=E=R=S=T=R=U=C=T=U=R=E ("Trace me back to some loud, shallow, chill, underlying motive's overspill.")," by Ina Blom; "Funny Games: An Interview with John Smith," by Stuart Comer; "1000 Words: Charles Atlas and Mika Tajima," by Suzanne Hudson "The Ultimate Ken Jacobs," by P. Adams Sitney; "Openings: José Antonio Vega Macotela," by Chus Martínez. Reviews by Martin Herbert, Rachel Haidu, Tim Griffin, Ara H. Merjian, Suzanne Herbert, Robert Pincus-Witten, Jeffrey Kastner, Frances Richard, Johanna Burton, Joshua Decter, David Frankel, David Velasco, Alexander Scrimgeour, Donald Kuspit, Eva Díaz, Michael Wilson, Brian Sholis, Emily Hall, Alan Gilbert, Lauren O'Neill-Butler, Nuit Banai, Matthew Biro, Michelle Grabner, Ivy Cooper, Nick Stillman, Gwen Allen, Sarah Lehrer-Graiwer, Michael Ned Holte, Catherine Taft, Gilda Williams, Barry Schwabsky, Anthony Byrt, Lillian Davies, Claire Moulène, Jurriaan Benschop, Astrid Wege, Ida Panicelli, Filippo Romeo, Brigitte Huck, Markéta Stará, Olivier Mignon, Ronald Jones, Pablo Llorca, Martí Peran, Adriano Pedrosa, Zehra Jumabhoy, Julia Friedman. Cover: Trevor Paglen.…

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Bien. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. Adams Sitney; "Film: J. Hoberman on Jafar Panahi's 'This Is Not a Film,'" by J. Hoberman; "Film: James Quandt on Pablo Larraín's 'Post Mortem,'" by James Quandt: "On Site: David Velasco on the Crystal Bridges Museum of American Art," by David Velasco; "Design: "Seth Siegelaub on Collecting Textiles," by Seth Siegelaub, introduction by Lauren O'Neill-Butler; "Media: Brian Droitcour on Artie Vierkant," by Brian Droitcour; "Top Ten," by Loretta Fahrenholz; "First Position: The Early Performance Work of Sturtevant," by Bruce Hainley; "Perfect Fit: John Chamberlain Remembered," by Lynne Cooke and Larry Bell; "Pandora's Black Box: Algorithms of Taste," by Michael Sanchez; "L'Homme Machine: The Art of Konrad Klapheck," by Dieter Roelstraete; "1000 Words: Boris Charmatz," by Catherine Wood; " "Close-Up: Restored to Power. Tony Pipolo on Abel Gance's 'Napoléon,'" by Tony Pipolo; "Openings: Rey Akdogan," by Alex Kitnick. Reviews by Anna Lovatt, Sarah K. Rich, Martha Buskirk, David Rimanelli, David Frankel, Robert Pincus-Witten, Frances Richard, Suzanne Hudson, Barry Schwabsky, Johanna Burton, Lauren O'Neill-Butler, Donald Kuspit, Joshua Decter, Michael Wilson, Lloyd Wise, Brian Sholis, Emily Hall, Agnieszka Gratza, Daniel Marcus, Jennifer King, Michelle Grabner, Nick Stillman, Franklin Melendez, Natilee Harren, Phyllis Tuchman, Rachel Withers, Sherman Sam, Lillian Davies, Guitemie Maldonado, Astrid Mania, Jens Asthoff, John Beeson, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Marco Meneguzzo, Hans den Hartog Jager, Jos Van den Bergh, Brigitte Huck, Markéta Stará, Marek Bartelik, Filipa Oliveira, and Daniel Quiles. Cover: Sturtevant.…

Encuadernación de tapa blanda. Etat : Muy bien. Etat de la jaquette : Muy bien. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. Hoberman; "Film: Tony Pipolo on Lu Chuan's 'City of Life and Death,'" by Tony Pipolo; "Music: Huey Copeland on Alicia Hall Moran," by Huey Copeland; "News: Martin Herbert on Artangel's Twentieth Anniversary," by Martin Herbert; "Top Ten," by Hilary Lloyd; "Summer 2011 Exhibitions: 50 Shows Worldwide"; "Summer 2011 Exhibitions: Joan Kee on Lee Ufan," by Joan Kee; "From the Vault: David J. Roxburgh on 'Gifts of the Sultan,'" by David J. Roxburgh; "News: Michelle Kuo talks with curator Bice Curiger about the upcoming 54th Venice Biennale"; "Open Secret: The Work of Art Between Disclosure and Redaction," by Pamela M. Lee; "Into Thin Air: The Merging of Architecture and the Environment," by Michael Wang; "The Re-enchantment of the world: Pino Pascali's Late Works," by Mark Godfrey; "Close-Up: Potential Energy: Ina Blom on Cerith Wyn Evans's S=U=P=E=R=S=T=R=U=C=T=U=R=E ("Trace me back to some loud, shallow, chill, underlying motive's overspill.")," by Ina Blom; "Funny Games: An Interview with John Smith," by Stuart Comer; "1000 Words: Charles Atlas and Mika Tajima," by Suzanne Hudson "The Ultimate Ken Jacobs," by P. Adams Sitney; "Openings: José Antonio Vega Macotela," by Chus Martínez. Reviews by Martin Herbert, Rachel Haidu, Tim Griffin, Ara H. Merjian, Suzanne Herbert, Robert Pincus-Witten, Jeffrey Kastner, Frances Richard, Johanna Burton, Joshua Decter, David Frankel, David Velasco, Alexander Scrimgeour, Donald Kuspit, Eva Díaz, Michael Wilson, Brian Sholis, Emily Hall, Alan Gilbert, Lauren O'Neill-Butler, Nuit Banai, Matthew Biro, Michelle Grabner, Ivy Cooper, Nick Stillman, Gwen Allen, Sarah Lehrer-Graiwer, Michael Ned Holte, Catherine Taft, Gilda Williams, Barry Schwabsky, Anthony Byrt, Lillian Davies, Claire Moulène, Jurriaan Benschop, Astrid Wege, Ida Panicelli, Filippo Romeo, Brigitte Huck, Markéta Stará, Olivier Mignon, Ronald Jones, Pablo Llorca, Martí Peran, Adriano Pedrosa, Zehra Jumabhoy, Julia Friedman. Cover: Trevor Paglen.…

Etat : New. In English.