Guacho ranching (1 résultats)
- Autres images
- Couverture rigide
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-UnisMax Rambod Inc
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 848,34
EUR 8,67 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panier[South America] Gaucho photograph archive documenting cattle work, horsemanship, domestic life, and rural identity in Argentina Chile and Uruguay in the mid twentieth century, with direct evidence of how the older nomadic gaucho tradition had been absorbed into organized ranch labor and national folklore on the pampas. The photo…graphs were taken by and Credited on verso to photojournalist Paul Almásy and distributed through Camera Press, London, The gaucho identity is deeply rooted in their historical role as nomadic horsemen and cattle herders across the South American Pampas, particularly in Argentina and Uruguay. This identity embodies values such as independence, courage, solidarity, and a profound connection to the land. The accompanying one page typed essay, titled The Gaucho Lives On in a Changing World, states that the "old style gaucho" had passed into history while gauchos remained active in Argentina, Uruguay, and Chile, now adjusted to a "more closely organised society," making the archive a concise press constructed account of rural modernization as seen through livestock handling, food preparation, costume, and family life. Archive consists of 22 images, including: 18 Large original silver gelatin press photographs and 3 real photo postcards, and a captioned photo sheet from the original professional photographer explaining the images. The 18 large photographs are approximately 8 x 10 inches. The photographs show gauchos driving cattle across open pasture, working herds inside fenced enclosures, throwing rope among livestock, and managing horses at close range, including one strong action image of men restraining a rearing horse and another of a mounted rider chasing cattle across grassland. Interior scenes broaden the file beyond ranch labor alone: one image shows men seated around an open fire roasting meat for asado, another shows two men from behind on a bench with wide belts and sheathed knives visible at the waist, and another records a family at table in a modest domestic interior with checked cloth, oil lamp, crockery, and cupboard. Costume and self presentation are treated as a parallel theme through a formal portrait of a man in broad hat, neckerchief, decorated belt, and draped textile, a close view of an elaborate silver buckled belt, and a separate photograph of silver horse tack identified on the verso as the kind found throughout South America. Versos carry typed caption slips headed The Gaucho Lives On in a Changing World, repeated Camera Press copyright stamps from Russell Court, Coram Street, London, and additional agency stamps, while the 3 postcards bear printed captions including Argentine Gaucho with Guitar and Gaucho, Argentina. The three Argentine real photo postcards extend the archive backward into an earlier visual phase of gaucho representation, predating the Paul Almásy and Camera Press photographs and preserving a more localized Argentine picture of gaucho dress, horsemanship, and musical performance and as such presenting the shift from national popular iconography to documentary coverage of gaucho labor, domestic life, and modernization. By the twentieth century, the gaucho had already become both a laboring figure within fenced, export driven cattle production and a powerful emblem in Argentine and Uruguayan national culture, a dual status visible here in the movement between working scenes, posed costume studies, and folkloric postcard imagery. Almásy's standing as a widely traveled European photojournalist active from the 1930s onward adds another layer, since the archive also preserves how international press agencies translated South American rural life for metropolitan picture circulation after Camera Press's 1947 founding. Light corner wear, minor creasing, scattered surface abrasions, editorial stamps and pasted caption strips to versos, typed essay sheet fold worn with small tears and losses; overall good condition. Strong material for Latin American studies, labor history, rural modernity, and the international press imaging of regional identity.
