Gustav schubert (145 résultats)

Etat : good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Paperback. Etat : New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole. …

Paperback. Etat : New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole. …

Etat : New.

Etat : New. Idioma/Language: Alemán. Excerpt from Heinrich Barth, der Bahnbrecher des Deutschen Afrikaforschung: Ein Lebens-und. . . *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Etat : New. 2025. 1st Edition. paperback. . . . . .

Etat : New.

Soft cover. Etat : Fine. Piano duet sheet music in excellent, unmarked, next-to-pristine condition (slightest hint of handling). 7pages. D minor key. Book.

Etat : New. In English.

Etat : New. 2025. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : New.

Leinen, Mit 27 Abbildungen. Altersgem. gut erhalten., deutsch, 206 S., 21 X 14,5 cm.

Etat : New.

Softcover. Etat : Gut. Orig.-Brosch., 15x23, S 176 mit 99 Abb. im Text und 3 farbigen Tafeln. Umschlag am Rücken kl. Einriss (2cm), sonst sehr gut erhalten.

8° Leinen. Etat : Sehr gut. Auflage: 1935. 220 Seiten Ausgetragenes Bibliotheksexemplar, Deckel leicht lagerspurig, Seiten altersgemäß angedunkelt B05-04-02D Sprache: Deutsch Gewicht in Gramm: 252.

27 Abb., VIII, 206 S., 1 Bl. Original-Leinenband (etwas lichtrandig). Innendeckel gestempelt, sonst innen sehr sauber und gut erhalten. Erste Ausgabe. - Kaiser/Buchge 3837, 34. - Frühe Veröffentlichung über die beim Fluge auf den Organismus einwirkenden Energieverschiebungen und ihre physiologischen Auswirkungen. - Erschienen in der Reihe "Monographien aus dem Gesamtgebiet der Physiologie der Pflanzen und der Tiere", Bd. 34. Sprache: Deutsch.…

Etat : New.

Etat : New.

Etat : New.

Hardback or Cased Book. Etat : New. Heinrich Barth, Der Bahnbrecher Des Deutschen Afrikaforschung; Ein Lebens- Und Charakterbild Auf Grund Ungedruckter Quellen Entworfen. Book.

Etat de la jaquette : Leichtere Gebrauchsspuren. Jahr: o. J. Einband: Broschur. Beschreibung: o. J. - Ausgewählt, revidiert und bezeichnet von Arthur Seybold. VN/Pl. no. A.J.B. 4157. Umschlag fleckig. Namenseintrag auf dem Titel. Eine Lage lose. Blätterstellen teils gering (finger-)fleckig, sonst innen sauber erhalten. 46 S.…

Etat : New.

Paperback. Etat : New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole. …

Etat : As New. Unread book in perfect condition.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Etat : moderat. 39 S., 22 cm, fleckig, Rücken leicht beschädigt, gebräunt, einige alte Bleistiftanstreichungen. Sprache: Latin Erstausgabe.