Halter ed (155 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. A sound copy with only light wear. Overall a solid copy at a great price.

Hardback. Etat : Good. Essays, discussions, and image portfolios map the evolution of art forms engaged with the Internet.Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass medium--with a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities. Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies.Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as postinternet. Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others. Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.Copublished with the New Museum of Contemporary Art, New YorkImportant Notice: The digital edition of this book is missing some of the images found in the physical edition.ContributorsCory Arcangel, Karen Archey, Michael Bell-Smith, Claire Bishop, Dora Budor, Johanna Burton, Paul Chan, Ian Cheng, Michael Connor, Lauren Cornell, Petra Cortright, Jesse Darling, Anne de Vries, DIS, Aleksandra Domanovic, Harm van den Dorpel, Dragan Espenschied, R zsa Zita Farkas, Azin Feizabadi, Alexander R. Galloway, Boris Groys, Ed Halter, Alice Ming Wai Jim, Jogging, Caitlin Jones, David Joselit, Dina Kafafi, John Kelsey, Alex Kitnick, Tina Kukielski, Oliver Laric, Mark Leckey, David Levine, Olia Lialina, Guthrie Lonergan, Jordan Lord, Jens Maier-Rothe, Shawn Maximo, Jennifer McCoy, Kevin McCoy, Gene McHugh, Tom Moody, Ceci Moss, Katja Novitskova, Marisa Olson, Trevor Paglen, Seth Price, Alexander Provan, Morgan Quaintance, Domenico Quaranta, Raqs Media Collective, Alix Rule, Timur Si-Qin, Josephine Berry Slater, Paul Slocum, Rebecca Solnit, Wolfgang Staehle, Hito Steyerl, Martine Syms, Ben Vickers, Michael Wang, Tim Whidden, Anicka Yi, and Damon Zucconi.…

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Soft cover. Etat : Fine. 1st Edition. First Edition, First Printing of this Collection of 12 Short Stories. Featured are Shaping the Ends by Judith Cutler, The Alimony Prison by Lou Manfredo, Test Drive by Martin Edwards, Brief Nudity by Ron Goulart, Baba's Bites by Chris Simms, Sanctuary! by Peter Tremayne, The Nameless Poison by Edward D Hoch, The Plea Bargain, Colour Me Blood by Jerry Sykes, The Ripper Prince by James Powell, A Day at the Beach by Helen Tucker and The Night of the Wolf by Paul Halter. In Fine Condition.…

Soft cover. Etat : Fine. 1st Edition. First Edition, First Printing of this Collection of 11 Short Stories. Featured are His Daughter's Island by Brendan DuBois, Death in the Time Machine by Barbara Nadel, Five Stars by Mike Baron, Acting on a Tip by Barbara Arno Modrack, Diagnosis Death by NJ Cooper, What the Butler Saw by Judith Cutler, Cruel Coast by Scott Mackay, Shame the Devil by James T Shannon, Drowned in a Sea of Dreams by Donald Olson, The Malibu Waltz by Grant O'Neill and The Man with the Face of Clay by Paul Halter. In Fine Condition.…

Soft cover. Etat : Fine. 1st Edition. First Edition, First Printing of this Double Issue of 19 Short Stories. Featured are Murder at Montefugoni by Margaret Maron, The Boy Who Cried Wolf by Loren D Estleman, Between the Dark and the Daylight by Tom Piccirilli, Split/Brain by Joyce Carol Oates, Last Island South by John C Boland, An Object of Scandal and Concern by Robert Barnard, Storm Surge by Meenakshi Gigi Durham, The Girl From the Pleasure House by Simon Levack, What Happened to Mary? by Bill Pronzini, Proof of Love by Mick Herron, The Parson and the Highwayman by Judith Cutler, Event Risk by Mike Wiecek, The Peahen by Twist Phelan, The Rock by Edward D Hoch, After Babygirl by Jean Femling, The Wickern Boys by Stephen Ross, Diamond Ruby by Joseph Wallace, An Ill Wind by Amelia Symington and Nausicaa's Ball by Paul Halter. In Fine Condition.…

Hardback. Etat : Good. Essays, discussions, and image portfolios map the evolution of art forms engaged with the Internet.Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass medium--with a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities. Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies.Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as postinternet. Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others. Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.Copublished with the New Museum of Contemporary Art, New YorkImportant Notice: The digital edition of this book is missing some of the images found in the physical edition.ContributorsCory Arcangel, Karen Archey, Michael Bell-Smith, Claire Bishop, Dora Budor, Johanna Burton, Paul Chan, Ian Cheng, Michael Connor, Lauren Cornell, Petra Cortright, Jesse Darling, Anne de Vries, DIS, Aleksandra Domanovic, Harm van den Dorpel, Dragan Espenschied, R zsa Zita Farkas, Azin Feizabadi, Alexander R. Galloway, Boris Groys, Ed Halter, Alice Ming Wai Jim, Jogging, Caitlin Jones, David Joselit, Dina Kafafi, John Kelsey, Alex Kitnick, Tina Kukielski, Oliver Laric, Mark Leckey, David Levine, Olia Lialina, Guthrie Lonergan, Jordan Lord, Jens Maier-Rothe, Shawn Maximo, Jennifer McCoy, Kevin McCoy, Gene McHugh, Tom Moody, Ceci Moss, Katja Novitskova, Marisa Olson, Trevor Paglen, Seth Price, Alexander Provan, Morgan Quaintance, Domenico Quaranta, Raqs Media Collective, Alix Rule, Timur Si-Qin, Josephine Berry Slater, Paul Slocum, Rebecca Solnit, Wolfgang Staehle, Hito Steyerl, Martine Syms, Ben Vickers, Michael Wang, Tim Whidden, Anicka Yi, and Damon Zucconi.…

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. Mass Effect: Art and the Internet in the Twenty-First Century (Critical Anthologies in Art and Culture): Volume 1 (Critical Anthologies in Art and Culture, 1) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : Fine.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

hardcover. Etat : Good. Annotated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Hardcover. Etat : New. Etat de la jaquette : New. Illustrated.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Original cloth with dustjacket. Spine discoloured, edges a bit worn, exlibris stamp on flyleaf, else in good condition. Please see description or ask for photos.

Etat : New.

Etat : New.

Paperback. Etat : new. Paperback. An essential collection of groundbreaking film writing from the legendary Evergreen Review and its cutting-edge coverage of the underground, experimental, pornographic, and political mid-century film scene.In this first collection of film writing from Evergreen Review, the legendary publication's important contributions to film culture are available in a single volume. Featuring such legendary writers as Nat Hentoff, Norman Mailer, Parker Tyler, and Amos Vogel, the book presents writing on the films of Jean-Luc Godard, Pier Paolo Pasolini, Ousmane Sembene, Andy Warhol, and others and offers incisive essays and interviews from the late 1950s to early 1970s. Articles explore politics, revolution, and the cinema; underground and experimental film, pornography, and censorship; and the rise of independent film against the dominance of Hollywood. A new introductory essay by Ed Halter reveals the important role Evergreen Review and its publisher, Grove Press, played in advancing cinema during this period through innovations in production, distribution, and exhibition.Editor Ed Halter began working on this book in 2001 with Barney Rosset, using his personal files and interviews with him as initial research. An essential collection of groundbreaking film writing from the legendary Evergreen Review and its cutting-edge coverage of the underground, experimental, pornographic and political mid-century film scene. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread copy in mint condition.

Hardcover. Etat : Near Fine. 1st Edition. hardback book in near fine condition.