Harrison meadows (43 résultats)

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New. Weir, Harrison; Foster, Birket (illustrateur).

Etat : New. Weir, Harrison; Foster, Birket (illustrateur).

paperback. Etat : Very Good.

No Binding. Etat : Near Fine. 1st Edition. Folded newspaper. Mild browning to outer edges, otherwise looks unread. Cover contains large photo of Kingsolver.

Softcover. Etat : Very Good with no dust jacket. Sound binding. Clean and bright pages. Wrappers are clean with light handling wear. Address label on back. Contents: Meadows, Abraham Lincoln and the Register. Dirck, Lincoln's Kentucky childhood and race. Meadows, Toward a view of Abraham Lincoln's trans-Appalachian world in motion. Leonard, One Kentuckian's hard choice: Joseph Holt and Abraham Lincoln. Stegmaier, Abraham Lincoln and the Danville Farmer: the president-elect discusses policy with a Kentuckian. Smith, "Gentlemen, I too, am a Kentuckian": Abraham Lincoln, the Lincoln Bicentennial, and Lincoln's Kentucky in recent scholarship. Kleber, The judgment of future events: Kentucky embraces Abraham Lincoln, its native son. Williams, Legend and myth: Abraham Lincoln in Kentucky. Bowman, Comparing Henry Clay and Abraham Lincoln. Hudson, Abraham Lincoln: an African American perspective. Meely, American nationalism in the image of Henry Clay: Abraham Lincoln's eulogy on Henry Clay in context. Harrison, Lincoln, slavery, and Kentucky. Research fellowships. Index. 9.0" tall; 340 pages.…

Etat : New.

Paperback or Softback. Etat : New. Wild Theater: Staging the Margins of Baroque Ideology in the Spanish Comedia. Book.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the "Wildman." From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Etat : Very Good. Cover and edges may have some wear.

Etat : New.

Taschenbuch. Etat : Neu. Neuware - Happy Days Of Childhood is a book written by Amy Meadows in 1857. The book is a collection of stories and anecdotes about childhood experiences, meant to evoke nostalgia and fond memories of a simpler time. The stories cover a wide range of topics, from playing with friends and siblings to going on adventures and exploring the natural world. Meadows writes in a warm and engaging style, drawing the reader in with her vivid descriptions and relatable characters. The book is a celebration of childhood innocence and the joys of growing up, and will appeal to readers of all ages who are looking for a charming and uplifting read.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work. Weir, Harrison; Foster, Birket (illustrateur).…

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 336 pages. 9.00x6.00x9.00 inches. In Stock.

Taschenbuch. Etat : Neu. Neuware - In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the 'Wildman.' From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia.…

Etat : New.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the "Wildman." From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the "Wildman." From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia.…

Hardcover. Etat : Brand New. 336 pages. 9.00x6.00x9.00 inches. In Stock.

Etat : New.

Buch. Etat : Neu. Neuware - In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the 'Wildman.' From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia.…