heine wilhelm sarony (20 résultats)

Tinted lithograph, 21.8 x 28.9 cm (sheet), marginal edge wear and toning, but in good condition. A tranquil view, after a painting on the spot ("from nature") by William Heine and prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry visited Hakodate in May-June 1854.

Tinted lithograph, 15.3 x 22. 9 cm; 21.9 x 28.9 cm (sheet), lower edge creased, some marginal age toning and wear, but the image in very good condition. An idyllic view of traditional life drawn on the spot, "From nature" by Wilhelm Heine, with figures after daguerrotypes by Eliphalet Brown, prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". The expedition visited the then independent kingdom of Lew Chew (Ryukyu) in 1854, where famously Perry signed a trade agreement on July 11th. In 1875 Japan posted a military garrison in Lew Chew, annexing the Islands in 1879. Perry's Narrative goes into considerable detail about traditional life and customs on Lew Chew [Ryukyu].

Tinted lithograph, 15 x 23. 8 cm; 21.9 x 28.9 cm (sheet), upper and lower edge creased, but the image in very good condition. View prepared for ''The Narrative of the Expedition of an American Squadron to the China Seas and Japan: performed in the years 1852, 1853, and 1854.'', by Wilhelm Heine with figures based on the daguerrotypes by Eliphalet Brown. The expedition visited the then independent kingdom of Lew Chew (Ryukyu) in 1854, where famously Perry signed a trade agreement on July 11th. The American flag can be seen flying atop the building in the middle ground, but it is almost an afterthought: the focus of the picture are the Lew Chew coolies and the landscape.

Tinted lithograph 15.2 x 22.6 cm, 22.8 x 28.8 cm (sheet), edges a little age-toned, lower edge ragged, but the image in very good condition. Detailed view by the expedition artist, Wilhelm Heine prepared for Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry's Narrative dwells on all aspects of Lew Chew life, with keen interest in their commerce and manufactured goods. The expedition visited the then independent kingdom of Lew Chew (Ryukyu) in 1854, where famously Perry signed a trade agreement on July 11th. In 1875 Japan posted a military garrison in Lew Chew, annexing the Islands in 1879.

Tinted lithograph 15.1 x 22.3 cm, 22.4 x 28.8 cm (sheet), lower edge creased and a trifle ragged, but the image in very good condition. A tranquil view of Napha, Lew Chew, (Ryukyu) Japan, prepared for the official account "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry's fleet can be seen at anchor in the distance. The expedition visited the then independent kingdom of Lew Chew (Ryukyu) in 1854, where famously Perry signed a trade agreement on July 11th. In 1875 Japan posted a military garrison in Lew Chew, annexing the Islands in 1879.

Tinted lithograph with original hand colour 22.5 x 15.2 cm, 28.8 x 22.3 cm (sheet), outer edge a little age-toned, and inner edge a trifle ragged, but the image in very good condition. A fine view of a Shinto Temple in Simoda (Shimoda) on the southeastern Izu peninsula, after a painting on the spot ("from nature") by William Heine and prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". In the foreground two men are abasing themselves before a passing noble or priest. Perry visited Shimoda in April 1854, staying for three weeks and as his account bears witness was much impressed by the traditional way of life.

Tinted lithograph with original hand colour 15 x 22.3 cm, 22.5 x 28.8 cm (sheet), some offsetting to the lower edge of the image, lower margin a trifle ragged, and a few marginal spots, but the image in very good condition. A finely detailed view of the interior of a Buddhist Temple in Simoda (Shimoda) showing monks at prayer, after a painting on the spot ("from nature") by William Heine and prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry visited Shimoda in April 1854, staying for three weeks and as his account bears witness was much impressed by the traditional way of life.

Tinted lithograph 15.1 x 22.7 cm, 22.8 x 28.8 cm (sheet), edges a little age-toned, lower edge ragged, but the image in very good condition. A relaxed view following a reception for Commodore Perry at Shuri Castle in Okinawa in June, 1853, prepared for the official account by Perry & Hawks, "Narrative of the Expedition of an American Squadron to the China Seas and Japan.".

Tinted lithograph, 15 x 22.4 cm, (image), 22.7 x 28.9 cm (sheet), marginal edge wear and discolouration, lower edge creased and chipped, but in good condition. A beautiful composition by William Heine, prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry visited Hakodate in May-June 1854, his squadron can be seen at anchor in the distance.

Tinted lithograph 15.2 x 22.7 cm, 22.8 x 28.8 cm (sheet), edges a little age-toned, lower edge ragged, but the image in very good condition. View by official artist, Wilhelm Heine of the representation by Commodore Perry to Shuri Castle in Okinawa in June, 1853, prepared for the official account by Perry & Hawks, "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Heine has included himself sketching the scene to the lower left.

Tinted lithograph 15.2 x 22.6 cm, 22.1 x 28.8 cm (sheet), edges a little age-toned, lower edge ragged, but the image in very good condition. View by official artist, Wilhelm Heine of the representation by Commodore Perry to Shuri Castle in Okinawa in June, 1853. It was an impressive, and intended, show of force, not lost on the Japanese hosts. The view depicts the Shureimon Gate: shurei meaning "observing manners" or courtesy: a highly symbolic image prepared for the official account by Perry & Hawks, "Narrative of the Expedition of an American Squadron to the China Seas and Japan.".

Tinted lithograph, 15.1 x 22.4 cm, (image), 22.7 x 28.9 cm (sheet), marginal edge wear, lower edge creased and chipped, but in good condition. A view by Wilhelm Heine, on the spot ("From nature"), prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry's expedition visited Simoda (Shimoda) in April-May 1854, his squadron can be seen at anchor in the harbour. Heine's composition records interaction between members of the expedition and the local population. "Vandalia" Bluff, was named for one of Perry's squadron, hinting at the gunboat diplomacy employed to gain access to Japanese ports. The sloop Vandalia was present at Commodore Perry's entrance into Tokyo Bay on 13 February 1854, and in 1855 was employed to protect American interests in China during the Taiping Rebellion.

Tinted lithograph 15.1 x 22.1 cm, 22.1 x 28.7 cm (sheet), edges a little age toned and creased, but the image in very good condition. View by Wilhelm Heine prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry's expedition visited Simoda (Shimoda) in April-May 1854. The view records the funeral of a young American sailor, who perished in an accident aboard the vessel Powhatan (Perry's flagship, a steam frigate, seen at anchor in the background, along with two three other vessels).

Tinted lithograph 21.8 x 15.4 cm, 28.9 x 21.7 cm (sheet), edges a little age-toned, one corner stained, but the image in very good condition. A view of the famous Whampoa pagoda rendered on the spot ("From nature") by William Heine with figures from a daguerrotype by Eliphalet Bronwn, prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry visited Whampoa on the Canton river in 1853, and his narrative noted in addition to the pagoda's religious significance, "its usefulness as a land mark by foreign vessels for they steer and anchor by its bearings.".

Tinted lithograph 15 x 22.4 cm, 22.4 x 28.8 cm (sheet), edges a little soiled and lower edger ragged, but the image in very good condition. Fine view from Webster Island, looking towards Yedo (Tokyo) , by Wilhelm Heine rendered on the spot, ("from nature"), prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Mt Fuji can be seen in the distance.

Tinted lithograph 15 x 22.5 cm, 22 x 28.8 cm (sheet), edges a little soiled and creased, but the image in very good condition; a vivid impression. Fine detailed view by Wilhelm Heine rendered on the spot, ("from nature"), the lithograph with beautifully rendered tonal contrast, prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". In March 1854, Perry had won access to the Japanese ports of Shimoda and Hakodate for American vessels, with the sigining of the Kanagawa Treaty, effectively beginning a process of opening Japan to the West. This fine lithograph is particularly appealing for the depiction of two cultures amiably interacting (despite Perry's gunboat diplomacy) with the charming added detail of a dog pausing on its way.

Tinted lithograph with original hand colour 16 x 24.6 cm, 21.9 x 28.9 cm (sheet), edges a little age-toned, but in very good condition. A beautifully composed view of a Temple in Simoda (Shimoda) on the southeastern Izu peninsula, after a painting on the spot ("from nature") by William Heine and prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry visited Shimoda in April 1854, staying for three weeks and as his account bears witness was much impressed by the traditional way of life.

Tinted lithograph 22.5 x 15.4 cm, 21.7 x 28.9 cm (sheet), edges a little age-toned, one corner stained, but the image in very good condition. A tranquil view rendered on the spot ("From nature") by William Heine with figures from a daguerrotype by Eliphalet Bronwn, prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Perry visited the Canton river in 1853, and his narrative noted local features including sites of religious significance.

Pair of tinted lithographs, 15.3 x 22. 9 cm; 22 x 28.7 cm (sheet) and 15.1 x 22.6; 22.5 x 28.7 cm (sheet); lower edge of on ragged with paper adhesions, marginal age toning and a small corner stain affecting top corner of one view, but the images in very good condition. A pair of views drawn on the spot, " From nature" by Wilhelm Heine, with figures after daguerrotypes by Eliphalet Brown, prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Heine and Brown, the artists, may be seen conferring in the middle ground of one view.The expedition visited the then independent kingdom of Lew Chew (Ryukyu) in 1854, where famously Perry signed a trade agreement on July 11th. In 1875 Japan posted a military garrison in Lew Chew, annexing the Islands in 1879. Perry's Narrative goes into considerable detail about these views: ?Picturesque crags studded the hillside?Over it towered a tall crag, rent through the centre and surmounted with a square rock, like a ruined tower [and] on a spot commanding a fine view of the bay, [we] found a handsome Cunq-qua, in an enclosure planted with trees. A dignitary of some kind welcomed us, and we were plied with small cups of excellent tea??

Tinted lithograph 16.2 x 24cms (image including rule); 21.4 x 29cms (sheet), edges a little age-toned, but the image in very good condition. A tranquil view of Hong Kong as a small town drawn "from Nature" by William Heine, with figures after daguerrotypes by Eliphalet Brown and prepared for Commodore Perry's "Narrative of the Expedition of an American Squadron to the China Seas and Japan.". Stone quarrying for building can be seen in the foreground--in a landscape which is now Victoria Park. Lithographed by Sarony & Co. New York.