Henkle roger (51 résultats)

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : VG. Etat de la jaquette : VG. 1st Edition. 1st edition, 1st printing, Stanford University Press hardcover w/ DJ, 1994. Book is VG, w/ clean text, tight binding; gift inscription on ffe page. DJ is VG, w/ light edge/shelf wear (no tears or chips). Free delivery confirmation.

Hardcover. Etat : Good. Cover and edges show light wear. Pages are clean and intact.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

softcover. Etat : Good. Ex-library copy with usual markings. Cover and edges shows light shelf wear. Pages are clean and intact.

Hardcover. Etat : Almost Like New. Etat de la jaquette : Very Good +. First Priinting. Book is a clean tight unmarked copy. Library Grant stamp on front end paper.

Etat : Good. Limited edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Soft cover. Etat : Very Good. 92 pages. Barbara Everett "In searck of Prufrock " / P G Mudford "T.S. Eliot's plays and the tradition of 'High Comedy'" / Donald Crompton "George Orwell's autobiographical writings and the early novels - False Maps of the world" / Roger B Henkle "From Pooter to Pinter: Domestic Comedy and Vulnerability" (U.P.). …

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. In English.

Etat : New.

Hardcover. Etat : Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hardcover. Etat : Very Good +. Etat de la jaquette : Very Good +. Not Indicated. Some Foxing On Top Edge, And One Edge Tear On Back Of Jacket, Otherwise In Very Nice Condition. Comedy Cannot Be Understood As An Abstract Critical Concept, Argues Roger Henkle; It 'Must Be Studied In Specific Cultural And Historical Contexts. From This Point Of View He Examines The Development Of Literary Comedy In Nineteenth-Century England, And Shows How Comic Modes And Techniques Were Used To Express And Release The Tensions Of The Middle Class During Periods Of Both Rapid Cultural Change And Relative Stability.…

Super octavo, illus purple & black glossy heavy card boards, xvi + 208pp, VG+ (v. slight rubbing to boards).

Etat : As New. Unread book in perfect condition.

Hardcover.

Soft cover. Etat : Very Good. 373 pages, very good condition paperback.

Etat : New. Satisfaction Guaranteed or your money back.

Etat : New. In English.

Etat : very good. Etat de la jaquette : very good. 8vo pp.373.sticker on FEP. book.

Hardcover. Etat : Brand New. reprint edition. 296 pages. 9.50x6.25x1.00 inches. In Stock.

Gebunden. Etat : New. Featuring the interplay of fictions and the real world, these 12 essays explore and expand ideas of what fictions and reality might be. They for the most part concern themselves with aspects, examples, and problems of the novel as the principal form of f.

Hardback. Etat : New. The subject of this book is the relationship Henry James alludes to when he celebrates the novel's "large, free character of immense and exquisite correspondence with life." Featuring the interplay of fictions and "the real world," its twelve essays explore and expand ideas of what fiction and reality might be. They ask such questions as: How does fiction communicate truth about the world? What is the connection between perceived historical reality and the linguistic form of narration? How does writing formulate or mediate the tensions between public and private life? What exactly do people at a given time want and get from a particular novel? How does a novelist's life give form to a novel? How are reality, the novel knowledge, and the practice and form of fiction known as realism related and what might realism mean as today's critics reconstruct it? In the wake of Ian Watt's pioneering work, we tend to think of such questions as questions about the novel, and with the exception of the two framing pieces, these essays concern that genre. Tzvetan Todorov opens the volume by examining wildly imaginative accounts written about early global exploration. The next three essays focus on works by Charles Dickens - Michael H. Levenson on David Copperfield, Robert M. Polhemus on The Old Curiosity Shop, and Roger B. Henkle on Dombey and Son. They emphasize the role of cultural psychology in the writing and reception of this most popular of nineteenth-century novelists and stress the novel's historical function in mediating between "inner" and "outer" life. Next come three studies of realism: by John Bender on the political and epistemological implications of power and violence inherent in realist prose fiction - specifically, in Godwin's Caleb Williams, by George Dekker on the dialectical interplay of conceptions of fiction and realism by Henry James and Robert Louis Stevenson; and by William M. Chace on Joyce's realism in Ulysses. Joseph Frank and Thomas C. Moser follow with studies of Dostoevsky and Faulkner that relate key biographical experiences to Crime and Punishment and The Sound and the Fury. Next, Juliet McMaster uses Jane Austen's The Watsons to illustrate how criticism can reconstruct an unfinished work, and John Henry Raleigh shows how the reality of a fictional text (Frederic Manning's Her Privates We) can come to have striking evidential power and effect. The final piece by Edward V. Said, returning us to ideas of travel and representation of life on the margin, shows the continual intertwining and merging of theory and fiction.…

Etat : New. pp. 312.

Buch. Etat : Neu. Neuware - The subject of this book is the relationship Henry James alludes to when he celebrates the novel's 'large, free character of immense and exquisite correspondence with life.' Featuring the interplay of fictions and 'the real world,' its twelve essays explore and expand ideas of what fiction and reality might be. They ask such questions as: How does fiction communicate truth about the world What is the connection between perceived historical reality and the linguistic form of narration How does writing formulate or mediate the tensions between public and private life What exactly do people at a given time want and get from a particular novel How does a novelist's life give form to a novel How are reality, the novel knowledge, and the practice and form of fiction known as realism related and what might realism mean as today's critics reconstruct it In the wake of Ian Watt's pioneering work, we tend to think of such questions as questions about the novel, and with the exception of the two framing pieces, these essays concern that genre. Tzvetan Todorov opens the volume by examining wildly imaginative accounts written about early global exploration. The next three essays focus on works by Charles Dickens - Michael H. Levenson on David Copperfield, Robert M. Polhemus on The Old Curiosity Shop, and Roger B. Henkle on Dombey and Son. They emphasize the role of cultural psychology in the writing and reception of this most popular of nineteenth-century novelists and stress the novel's historical function in mediating between 'inner' and 'outer' life. Next come three studies of realism: by John Bender on the political and epistemological implications of power and violence inherent in realist prose fiction - specifically, in Godwin's Caleb Williams, by George Dekker on the dialectical interplay of conceptions of fiction and realism by Henry James and Robert Louis Stevenson; and by William M. Chace on Joyce's realism in Ulysses. Joseph Frank and Thomas C. Moser follow with studies of Dostoevsky and Faulkner that relate key biographical experiences to Crime and Punishment and The Sound and the Fury. Next, Juliet McMaster uses Jane Austen's The Watsons to illustrate how criticism can reconstruct an unfinished work, and John Henry Raleigh shows how the reality of a fictional text (Frederic Manning's Her Privates We) can come to have striking evidential power and effect. The final piece by Edward V. Said, returning us to ideas of travel and representation of life on the margin, shows the continual intertwining and merging of theory and fiction.…

Etat : New. pp. 312.

Hardback. Etat : New. The subject of this book is the relationship Henry James alludes to when he celebrates the novel's "large, free character of immense and exquisite correspondence with life." Featuring the interplay of fictions and "the real world," its twelve essays explore and expand ideas of what fiction and reality might be. They ask such questions as: How does fiction communicate truth about the world? What is the connection between perceived historical reality and the linguistic form of narration? How does writing formulate or mediate the tensions between public and private life? What exactly do people at a given time want and get from a particular novel? How does a novelist's life give form to a novel? How are reality, the novel knowledge, and the practice and form of fiction known as realism related and what might realism mean as today's critics reconstruct it? In the wake of Ian Watt's pioneering work, we tend to think of such questions as questions about the novel, and with the exception of the two framing pieces, these essays concern that genre. Tzvetan Todorov opens the volume by examining wildly imaginative accounts written about early global exploration. The next three essays focus on works by Charles Dickens - Michael H. Levenson on David Copperfield, Robert M. Polhemus on The Old Curiosity Shop, and Roger B. Henkle on Dombey and Son. They emphasize the role of cultural psychology in the writing and reception of this most popular of nineteenth-century novelists and stress the novel's historical function in mediating between "inner" and "outer" life. Next come three studies of realism: by John Bender on the political and epistemological implications of power and violence inherent in realist prose fiction - specifically, in Godwin's Caleb Williams, by George Dekker on the dialectical interplay of conceptions of fiction and realism by Henry James and Robert Louis Stevenson; and by William M. Chace on Joyce's realism in Ulysses. Joseph Frank and Thomas C. Moser follow with studies of Dostoevsky and Faulkner that relate key biographical experiences to Crime and Punishment and The Sound and the Fury. Next, Juliet McMaster uses Jane Austen's The Watsons to illustrate how criticism can reconstruct an unfinished work, and John Henry Raleigh shows how the reality of a fictional text (Frederic Manning's Her Privates We) can come to have striking evidential power and effect. The final piece by Edward V. Said, returning us to ideas of travel and representation of life on the margin, shows the continual intertwining and merging of theory and fiction.…

Etat : New. In English.