Herskowitz richard (34 résultats)

Paperback. Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Etat : Good. 40pp. 24cm. Black and white photographic illustrations. Filmography at end. Soft covers. A good clean copy.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : NEW.

Softcover. Siena & BW illus. stapled wraps, 40 pp., BW illus. Issued in conjunction with a 1990 exhibition of work rendered by Dutch documentary filmmaker and photographer Johan van der Keuken (1938-2001). With an essay by Berenice Reumaid, comments from the artist, and fragments of an artist interview conducted by Vincent Nordon. Includes a complete bio-filmography and many BW illustrations of van der Keuken's creativity. A nice introduction to someone you may not know. VG- (Slight mark at the bottom edge of the front cover, otherwise clean.).…

Softcover, staple-bound, 16 pages; very good condition; light rubbing to covers; no internal marks.

Paperback. Etat : New.

Paperback. Etat : new. Paperback. In the 1960s, filmmaker James Blue embarked on a Ford Foundation-funded odyssey across three continents. His mission was to interview over sixty directors about their methods for unlocking the exciting potential of cinematic performance as revealed by Italian neorealism: coaxing authentic human behavior from people who have never acted. Now, six decades later, editor Richard Herskowitz has fulfilled Blue's vision with this landmark collection.Volume One of Directing the Non-Actor brings together, along with a comprehensive account of Blue's motivations, process, and findings, extraordinary conversations with Jean Renoir, Robert Bresson, Jean-Luc Godard, Satyajit Ray, and others, and revelatory testimonies from the non-actors themselves. What emerges is a master class in the craft of capturing life on screen: from Bresson's exacting control to Godard's improvisatory freedom, from Italian neorealism's streets to Quebec's New Wave.Essential reading for filmmakers, scholars, and anyone captivated by the mysterious space where cinema meets reality.Directors interviewed: John Boorman, Robert Bresson, Shirley Clarke, Milos Forman, Jean-Luc Godard, Gilles Groulx, Susumu Hani, Claude Jutra, Paul Morrissey, Satyajit Ray, Jean Renoir and Jacques Rozier. Actors interviewed: Carroll Baker, Warren Beatty, Richard Grenier, Johanne Harrelle, Francois Lafarge, Macha Meril, Jean-Baptiste Thierree, Barbara Ulrich and Anne Wiazemsky. Directing the Non-Actor: The James Blue Interviews, Volume One gathers filmmaker James Blue's remarkable conversations with directors from Europe, North America, and Asia on the craft of working with non-professional performers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : New.

Paperback. Etat : New.

Paperback. Etat : new. Paperback. In September 1965, American filmmaker James Blue arrived in Venice and Rome on a mission: to learn the secrets of directing non-actors from the masters of Italian cinema. Sponsored by the Ford Foundation, Blue secured rare, candid conversations with the greatest directors of the neorealist movement and its heirs-from Roberto Rossellini and Vittorio De Sica to Federico Fellini, Pier Paolo Pasolini, and Bernardo Bertolucci. Together, they explore improvisation and instinct, the power of the untrained face, and the revolutionary idea that anyone-given the right director-can come alive on screen.Volume Two of Directing the Non-Actor is an indispensable document of a golden era in world cinema. The book opens with the revelatory, behind-the-scenes orientation to neorealism's origins, achievements, and aftermath conducted for Blue early in his visit by the well-connected screenwriter and critic Tullio Kezich.Film directors and screenwriters Interviewed: Bernardo Bertolucci, Renato Castellani, Gianfranco De Bosio, Vittorio De Seta, Vittorio De Sica, Federico Fellini, Tullio Kezich, Ermanno Olmi, Pier Paolo Pasolini, Francesco Rosi, Roberto Rossellini and Cesare Zavattini. Directing the Non-Actor: Volume Two presents James Blue's remarkable conversations with the leading figures of Italian cinema, exploring the techniques that made non-professional performers central to neorealism. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : new. Paperback. Volume Three of filmmaker and educator James Blue's interview project gathers together the wide-ranging conversations he conducted with some of documentary cinema's most influential voices, from British pioneers Paul Rotha and Basil Wright to cinema verite revolutionaries Richard Leacock, the Maysles Brothers, and Jean Rouch.This final volume of the series turns the central question of Blue's interview project-how do filmmakers coax authentic, compelling performances from non-actors?-toward the documentary tradition itself, revealing that the boundary between staging and spontaneity has always been more porous than purists admit. Across three sections spanning classical and staged documentary, faux documentary, and observational cinema, Blue's probing dialogues illuminate the passionate ideological battles of the 1960s and '70s between "Protestant" verite absolutists and those who embraced a more "Catholic" openness to interviewing, reenactment, and provocation. The result is an unparalleled record of filmmakers grappling honestly with questions of truth, performance, and craft-and an indispensable resource for anyone who wants to understand how documentary cinema thinks about the real.Directors and critics interviewed: John Boorman, Kevin Brownlow, Shirley Clarke, David Hancock, Stanley Jackson, William Klein, Gerald Krell, Richard Leacock, Terence Macartney-Filgate, Louis Marcorelles, Albert and David Maysles, Edgar Morin, Paul Rotha, Jean Rouch, George Stoney, Johan van der Keuken, Peter Watkins and Basil Wright. Directing the Non-Actor: Volume Three gathers James Blue's remarkable interviews with leading documentary filmmakers, exploring truth, performance, and the creative tensions between observation and intervention in nonfiction cinema. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

[16] pp.; 21.6 x 28 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 9 - November 12, 1988. Organized and with text by Richard Herskowitz. Artists and arts organizations included in the show include Department of Media Study, Barbara Lattanzi, Hallwalls Contemporary Arts Center, Tony Conrad, Squeaky Wheel Media Collective, and Julie Zando. Texts by Barbara Lattanzi, Chris Hill, Tony Conrad, and Julie Zando. Very Good. 5.4 cm. crease to top right corner of publication with additional edge wear. Yellow foxing of covers. Contents clean and unmarked.…

Hardcover. Etat : new. Hardcover. In September 1965, American filmmaker James Blue arrived in Venice and Rome on a mission: to learn the secrets of directing non-actors from the masters of Italian cinema. Sponsored by the Ford Foundation, Blue secured rare, candid conversations with the greatest directors of the neorealist movement and its heirs-from Roberto Rossellini and Vittorio De Sica to Federico Fellini, Pier Paolo Pasolini, and Bernardo Bertolucci. Together, they explore improvisation and instinct, the power of the untrained face, and the revolutionary idea that anyone-given the right director-can come alive on screen.Volume Two of Directing the Non-Actor is an indispensable document of a golden era in world cinema. The book opens with the revelatory, behind-the-scenes orientation to neorealism's origins, achievements, and aftermath conducted for Blue early in his visit by the well-connected screenwriter and critic Tullio Kezich.Film directors and screenwriters Interviewed: Bernardo Bertolucci, Renato Castellani, Gianfranco De Bosio, Vittorio De Seta, Vittorio De Sica, Federico Fellini, Tullio Kezich, Ermanno Olmi, Pier Paolo Pasolini, Francesco Rosi, Roberto Rossellini and Cesare Zavattini. Directing the Non-Actor: Volume Two presents James Blue's remarkable conversations with the leading figures of Italian cinema, exploring the techniques that made non-professional performers central to neorealism. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Etat : new. Hardcover. Volume Three of filmmaker and educator James Blue's interview project gathers together the wide-ranging conversations he conducted with some of documentary cinema's most influential voices, from British pioneers Paul Rotha and Basil Wright to cinema verite revolutionaries Richard Leacock, the Maysles Brothers, and Jean Rouch.This final volume of the series turns the central question of Blue's interview project-how do filmmakers coax authentic, compelling performances from non-actors?-toward the documentary tradition itself, revealing that the boundary between staging and spontaneity has always been more porous than purists admit. Across three sections spanning classical and staged documentary, faux documentary, and observational cinema, Blue's probing dialogues illuminate the passionate ideological battles of the 1960s and '70s between "Protestant" verite absolutists and those who embraced a more "Catholic" openness to interviewing, reenactment, and provocation. The result is an unparalleled record of filmmakers grappling honestly with questions of truth, performance, and craft-and an indispensable resource for anyone who wants to understand how documentary cinema thinks about the real.Directors and critics interviewed: John Boorman, Kevin Brownlow, Shirley Clarke, David Hancock, Stanley Jackson, William Klein, Gerald Krell, Richard Leacock, Terence Macartney-Filgate, Louis Marcorelles, Albert and David Maysles, Edgar Morin, Paul Rotha, Jean Rouch, George Stoney, Johan van der Keuken, Peter Watkins and Basil Wright. Directing the Non-Actor: Volume Three gathers James Blue's remarkable interviews with leading documentary filmmakers, exploring truth, performance, and the creative tensions between observation and intervention in nonfiction cinema. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : new. Paperback. In September 1965, American filmmaker James Blue arrived in Venice and Rome on a mission: to learn the secrets of directing non-actors from the masters of Italian cinema. Sponsored by the Ford Foundation, Blue secured rare, candid conversations with the greatest directors of the neorealist movement and its heirs-from Roberto Rossellini and Vittorio De Sica to Federico Fellini, Pier Paolo Pasolini, and Bernardo Bertolucci. Together, they explore improvisation and instinct, the power of the untrained face, and the revolutionary idea that anyone-given the right director-can come alive on screen.Volume Two of Directing the Non-Actor is an indispensable document of a golden era in world cinema. The book opens with the revelatory, behind-the-scenes orientation to neorealism's origins, achievements, and aftermath conducted for Blue early in his visit by the well-connected screenwriter and critic Tullio Kezich.Film directors and screenwriters Interviewed: Bernardo Bertolucci, Renato Castellani, Gianfranco De Bosio, Vittorio De Seta, Vittorio De Sica, Federico Fellini, Tullio Kezich, Ermanno Olmi, Pier Paolo Pasolini, Francesco Rosi, Roberto Rossellini and Cesare Zavattini. Directing the Non-Actor: Volume Two presents James Blue's remarkable conversations with the leading figures of Italian cinema, exploring the techniques that made non-professional performers central to neorealism. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Etat : new. Paperback. In September 1965, American filmmaker James Blue arrived in Venice and Rome on a mission: to learn the secrets of directing non-actors from the masters of Italian cinema. Sponsored by the Ford Foundation, Blue secured rare, candid conversations with the greatest directors of the neorealist movement and its heirs-from Roberto Rossellini and Vittorio De Sica to Federico Fellini, Pier Paolo Pasolini, and Bernardo Bertolucci. Together, they explore improvisation and instinct, the power of the untrained face, and the revolutionary idea that anyone-given the right director-can come alive on screen.Volume Two of Directing the Non-Actor is an indispensable document of a golden era in world cinema. The book opens with the revelatory, behind-the-scenes orientation to neorealism's origins, achievements, and aftermath conducted for Blue early in his visit by the well-connected screenwriter and critic Tullio Kezich.Film directors and screenwriters Interviewed: Bernardo Bertolucci, Renato Castellani, Gianfranco De Bosio, Vittorio De Seta, Vittorio De Sica, Federico Fellini, Tullio Kezich, Ermanno Olmi, Pier Paolo Pasolini, Francesco Rosi, Roberto Rossellini and Cesare Zavattini. Directing the Non-Actor: Volume Two presents James Blue's remarkable conversations with the leading figures of Italian cinema, exploring the techniques that made non-professional performers central to neorealism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Etat : new. Paperback. Volume Three of filmmaker and educator James Blue's interview project gathers together the wide-ranging conversations he conducted with some of documentary cinema's most influential voices, from British pioneers Paul Rotha and Basil Wright to cinema verite revolutionaries Richard Leacock, the Maysles Brothers, and Jean Rouch.This final volume of the series turns the central question of Blue's interview project-how do filmmakers coax authentic, compelling performances from non-actors?-toward the documentary tradition itself, revealing that the boundary between staging and spontaneity has always been more porous than purists admit. Across three sections spanning classical and staged documentary, faux documentary, and observational cinema, Blue's probing dialogues illuminate the passionate ideological battles of the 1960s and '70s between "Protestant" verite absolutists and those who embraced a more "Catholic" openness to interviewing, reenactment, and provocation. The result is an unparalleled record of filmmakers grappling honestly with questions of truth, performance, and craft-and an indispensable resource for anyone who wants to understand how documentary cinema thinks about the real.Directors and critics interviewed: John Boorman, Kevin Brownlow, Shirley Clarke, David Hancock, Stanley Jackson, William Klein, Gerald Krell, Richard Leacock, Terence Macartney-Filgate, Louis Marcorelles, Albert and David Maysles, Edgar Morin, Paul Rotha, Jean Rouch, George Stoney, Johan van der Keuken, Peter Watkins and Basil Wright. Directing the Non-Actor: Volume Three gathers James Blue's remarkable interviews with leading documentary filmmakers, exploring truth, performance, and the creative tensions between observation and intervention in nonfiction cinema. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Etat : new. Paperback. In the 1960s, filmmaker James Blue embarked on a Ford Foundation-funded odyssey across three continents. His mission was to interview over sixty directors about their methods for unlocking the exciting potential of cinematic performance as revealed by Italian neorealism: coaxing authentic human behavior from people who have never acted. Now, six decades later, editor Richard Herskowitz has fulfilled Blue's vision with this landmark collection.Volume One of Directing the Non-Actor brings together, along with a comprehensive account of Blue's motivations, process, and findings, extraordinary conversations with Jean Renoir, Robert Bresson, Jean-Luc Godard, Satyajit Ray, and others, and revelatory testimonies from the non-actors themselves. What emerges is a master class in the craft of capturing life on screen: from Bresson's exacting control to Godard's improvisatory freedom, from Italian neorealism's streets to Quebec's New Wave.Essential reading for filmmakers, scholars, and anyone captivated by the mysterious space where cinema meets reality.Directors interviewed: John Boorman, Robert Bresson, Shirley Clarke, Milos Forman, Jean-Luc Godard, Gilles Groulx, Susumu Hani, Claude Jutra, Paul Morrissey, Satyajit Ray, Jean Renoir and Jacques Rozier. Actors interviewed: Carroll Baker, Warren Beatty, Richard Grenier, Johanne Harrelle, Francois Lafarge, Macha Meril, Jean-Baptiste Thierree, Barbara Ulrich and Anne Wiazemsky. Directing the Non-Actor: The James Blue Interviews, Volume One gathers filmmaker James Blue's remarkable conversations with directors from Europe, North America, and Asia on the craft of working with non-professional performers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Etat : new. Paperback. Volume Three of filmmaker and educator James Blue's interview project gathers together the wide-ranging conversations he conducted with some of documentary cinema's most influential voices, from British pioneers Paul Rotha and Basil Wright to cinema verite revolutionaries Richard Leacock, the Maysles Brothers, and Jean Rouch.This final volume of the series turns the central question of Blue's interview project-how do filmmakers coax authentic, compelling performances from non-actors?-toward the documentary tradition itself, revealing that the boundary between staging and spontaneity has always been more porous than purists admit. Across three sections spanning classical and staged documentary, faux documentary, and observational cinema, Blue's probing dialogues illuminate the passionate ideological battles of the 1960s and '70s between "Protestant" verite absolutists and those who embraced a more "Catholic" openness to interviewing, reenactment, and provocation. The result is an unparalleled record of filmmakers grappling honestly with questions of truth, performance, and craft-and an indispensable resource for anyone who wants to understand how documentary cinema thinks about the real.Directors and critics interviewed: John Boorman, Kevin Brownlow, Shirley Clarke, David Hancock, Stanley Jackson, William Klein, Gerald Krell, Richard Leacock, Terence Macartney-Filgate, Louis Marcorelles, Albert and David Maysles, Edgar Morin, Paul Rotha, Jean Rouch, George Stoney, Johan van der Keuken, Peter Watkins and Basil Wright. Directing the Non-Actor: Volume Three gathers James Blue's remarkable interviews with leading documentary filmmakers, exploring truth, performance, and the creative tensions between observation and intervention in nonfiction cinema. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Etat : new. Paperback. In the 1960s, filmmaker James Blue embarked on a Ford Foundation-funded odyssey across three continents. His mission was to interview over sixty directors about their methods for unlocking the exciting potential of cinematic performance as revealed by Italian neorealism: coaxing authentic human behavior from people who have never acted. Now, six decades later, editor Richard Herskowitz has fulfilled Blue's vision with this landmark collection.Volume One of Directing the Non-Actor brings together, along with a comprehensive account of Blue's motivations, process, and findings, extraordinary conversations with Jean Renoir, Robert Bresson, Jean-Luc Godard, Satyajit Ray, and others, and revelatory testimonies from the non-actors themselves. What emerges is a master class in the craft of capturing life on screen: from Bresson's exacting control to Godard's improvisatory freedom, from Italian neorealism's streets to Quebec's New Wave.Essential reading for filmmakers, scholars, and anyone captivated by the mysterious space where cinema meets reality.Directors interviewed: John Boorman, Robert Bresson, Shirley Clarke, Milos Forman, Jean-Luc Godard, Gilles Groulx, Susumu Hani, Claude Jutra, Paul Morrissey, Satyajit Ray, Jean Renoir and Jacques Rozier. Actors interviewed: Carroll Baker, Warren Beatty, Richard Grenier, Johanne Harrelle, Francois Lafarge, Macha Meril, Jean-Baptiste Thierree, Barbara Ulrich and Anne Wiazemsky. Directing the Non-Actor: The James Blue Interviews, Volume One gathers filmmaker James Blue's remarkable conversations with directors from Europe, North America, and Asia on the craft of working with non-professional performers. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…