Holmquist anders (35 résultats)

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Paperback. Etat : New.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New.

Paperback. Etat : Fair. First Edition; First Printing. First Edition, First Printing ("First Published" with date on copyright page). Fair only. With creasing and tidemarks to cover (Tidemarks about 1/2 inch from spine. ) Interior unaffected by H20. Photography; 12mo 7" - 7½" tall.

Paperback. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

paperback. Etat : Acceptable. With staining to covers and front cover beginning to separate from text block. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Standard-sized.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Acceptable. Meets the acceptable condition guidelines. Has wear. Five star seller - Buy with confidence.

Etat : New. In English.

Etat : New.

Etat : As New. Unread book in perfect condition.

Octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

Hardcover. Etat : Very Good-. First Edition. B & W photos; 8vo 8" - 9" tall; 128 pages; 1969 Outerbridge & Dienstfrey. Hardcover first edition, soundly bound in glazed pictorial paper-covered boards. A fascinating photographic essay capturing the American counterculture of 196869. Comprises approximately 128 unnumbered pages, richly illustrated with black-and-white photographs documenting the hippie movement, including striking, well-composed scenes from Haight-Ashbury, communal living, and Woodstock. Light rubbing and wear to board edges, with some shelf soiling to the rear board surface. A two-inch-wide rectilinear swath along the front edge of the rear board lacks its glossy finishpossibly the result of a removed publisher's band or overlay. Uncommon in the hardcover edition. VG.…

Paperback. Etat : new. Paperback. Captain James Clayton of the Joint Renovamen Exploratory Fleet has arrived in orbit of the potential colony planet of Geneva. In rescuing Fred Cooper-the sole survivor of the exploratory vessel that first came to study Geneva-he learns that Geneva is already inhabited by humans who have lost all the technological knowledge that allowed them to flee Earth in its final days. Now, Geneva and its inhabitants are caught between the Renovamen and an unknown alien force and Clayton fears that even a Renovamen victory might lead to the subjugation of the Genevans. Weeks from reinforcements and facing an enemy of unknown strength and origin, he will be hard pressed to keep his crew safe, let alone an entire planet.Focusing his attention on the war in space, Clayton sends Major Brooklyn Kobayashi of J-REF Marine Corps to build trust with the Genevans. Acting as Kobayashi's guide and translator, Fred struggles with the responsibilities placed on him not only by Clayton and Kobayashi but the Genevans as well, for they consider him a holy messenger. Fred must contend with his beliefs regarding violence and religion and discover if he has what it takes to be both messenger and mediator. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : New.

Paperback. Etat : New.

Soft cover. Etat : Very Good. 1st Edition. Used.Cardcovers.1st printing in softback.Gift inscription to endpapers.No foxing or tanning.Mild handling marks to lower covers.A little creasing to head of spine.Generally very good with minor faults .

Hardcover. Etat : Very Good. 1st Edition. Uncommon hardcover issue of this coast-to-coast photographic essay of the American hippie movement, heavy on the Haight-Ashbury scene, and with numerous images from the 1969 Woodstock festival. Photographed by the Swedish-born Holmquist, who later turned to a career of amateur vexillography. With an introduction by essayist and activist Peter Marin. 128pp; b&w photo-illus. Glossy photo-illustrated boards, lacking a jacket as issued. Bumping to bottom fore-corners and spine ends; light rubbing and soiling to boards. Very good.…

Soft cover. Etat : Very Good. 1st Edition. Olafur Eliasson The Blind Pavilion (50th Venice Biennale, Danish Pavilion, 2003). Text by Frederic Brown, Rodney Cotterill, Karl Holmquist, Frida Björk Ingvarsdóttir, Jakob Jakobsen, Svend Madsen, Anders Munch, Ingo Niermann, Gitte Yrskou, Andrzej Przywara, Israel Rosenfield, Adam Szymczyk, and Sheena Wagstaff. Published on the occasion of the 50th Venice Biennale, Danish Pavilion, 2003. Unconventionally designed catalogue for Olafur Eliasson's The Blind Pavilion, representing Denmark at the 50th Venice Biennale in 2003. Features a metal spiral binding with a folded poster wrap-around cover. Includes critical texts and reflections by an international roster of contributors, offering a rich interdisciplinary perspective on Eliasson's immersive and perception-based installations. Spiral-bound. Condition: Very Good. Unpaginated. Light shelf wear to exterior; internally fineclean, crisp, and unmarked. A distinctive and collectible publication reflecting the conceptual nature of the artist's work and the exhibition itself. …

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Soft cover. Etat : Fine. 1st Edition.

Softcover/Paperback. Etat : Fair. Quite worn on the edges and corners, aswell as a chip on the spine. The endpaper has an inscription. Pages within are excellent.