Huizing colin (34 résultats)

Softcover, 180 pages; in English and Dutch; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Etat : Fine. Etat de la jaquette : Fine. 166pp., colour and b/w illus., index, biographies. Exhibition catalogue. Excellent tight clean copy. GL.

Etat : as new. Rotterdam : nai010 publishers & Schiedam : Stedelijk Museum Schiedam, 2019. Paperback. 165 pp. Ills. As one of the greatest pioneers of international conceptual art, Italian artist Piero Manzoni (1933-1963) maintained strong ties with the Netherlands. The unlocking of his intensive correspondence with Rotterdam gallery owner Hans Sonnenberg has revealed the extent of Manzoni's influence on the post-war avant-garde in the Netherlands. During his short artistic career Piero Manzoni produced more than a thousand canvases, sculptures and other objects. He radically rejected the conventional context of the work of art, even integrating the body of the artist in the work. He also created so-called Achromes, literally: 'without colour.' Manzoni considered the surface of the canvas to be a space of unlimited possibilities. It no longer accommodated the illusion of the painted representation, or the artist's personal expressive gesture, but it became an autonomous entity instead. Manzoni's work was of great influence on artists associated with the Dutch nul-groep and the international ZERO movement. Manzoni in Holland is the untold story of the special relationship that one of the most prominent avant-garde artists of the twentieth century had with the Netherlands. Condition : as new copy. ISBN 9789462085053. Keywords : ART.…

Paperback, met flappen, nette staat, 204 pagina's.

Hardcover. Etat : Very Good. Nederlandse kunstboek, Het (HET . BOEK) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

softcover. Etat : Sehr gut. 166 p. ISBN: 9789462085053 Sprache: Englisch Gewicht in Gramm: 293.

Hardcover. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Etat : Very Good.

Soft cover. Etat : Fine. 1st Edition. Softcover, 111 pages : illustrations (chiefly colour) ; 26 cm. Very good/fine, clean, crisp, no internal marks. Text in English and Dutch. Catalog of an exhibition held at Stedelijk Museum, Schiedam, 29 June 2013 to 12 January 2014.

softcover. Etat : Gut. 192 p. ISBN: 9789056628383 Sprache: Englisch Gewicht in Gramm: 793.

Etat : Very Good.

stiff card. Study of the principles and aesthetics of the Dutch Nul Group, with focus on their collaborations with contemporaries such as the German Zero, the French Nouveau Realisme, Italy's Azimut Group, and the Japanese Gutai Group, as well as individual artists Yves Klein, Yayoi Kusama, and Lucio Fontana; essays by various authors; published in conjunction with the Nul Group exhibition at Stedelijk Museum; b&w illustrations throughout; stiff-card wraps with french flap to front, twice die-cut; Very Good and clean throughout; front cover foxed around edges. . 190pp. 4to. Very Good in lightly rubbed/foxed wraps Very Good in lightly rubbed/foxed wraps. profusely illustrated (illustrateur).…

Etat : Very Good.

Soft cover. Etat : New. nai010 uitgevers/publishers, Rotterdam, 2011.

Etat : Good. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ON 66-1 + ON 62-9. …

Soft cover. Etat : As New. 1st Edition. Softcover, 190 p. : illustrations ; 27 cm. Very good/as new.

Soft cover. Etat : Fine. Text in dutch, 8vo, soft cover with flaps, 166 pages, illustrated, fine copy.

Soft cover. Etat : Very Good. Text in dutch, 4to, soft cover with flaps, 192 pages, illustrated, very good copy.

Soft cover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Softcover with dust jacket, 166 pages : illustrations (some color), facsimiles, portraits ; 22 cm. Very good. Text in Dutch.

Hardcover. Etat : Very Good. 1st Edition. Hardcover, 271p : illustrations (chiefly in color) ; 23 cm. Very good, light age-toning boards and page-edges. Text in English. The relationship between man, culture and nature is increasingly becoming a subject of (artistic) research within the visual arts a theme on which herman de vries has been working for decades. For more than 60 years now he has been developing a highly versatile oeuvre in which art, science and philosophy are confronted with the world's, and especially nature's reality. De vries' recent work dominates his presentation in Venice, as it does in the book 'to be all ways to be'. The book's guideline is a dialogue between de vries and Jean-Hubert Martin about the works on show in Venice.…

hardcover. Etat : Very Good.

Soft cover. Etat : As New. 1st Edition. Original stiff wrappers, 180p, illustrations (some in color), 24 cm. Fine/as new, still in publishers shrink wrap. Text in English and Dutch. Publishers note: "Richly illustrated publication about the spatial ideas of Lucio Fontana. Lucio Fontana (1899-1968) is one of the most important avant-garde artists of the twentieth century and continues to inspire artists, designers and architects. He is known for his iconic monochromatic paintings with vertical cuts. Lucio Fontana: The Conquest of Space highlights the ideas of Fontana's Concetto spaziale and shows how these spatial notions took shape not only in his slashed canvases, but also in his sculpture, jewellery and installations. For Fontana, there was no fundamental distinction between the visual arts, architecture and design: he was a sculptor by trade and did not allow himself to be limited by disciplines in his conception of space. He was one of the first visual artists to create spatial installations with floating sculptures and neon lights, and to collaborate with architects and designers. With photography by Anuschka Blommers and Niels Schumm, and texts by Colin Huizing and Paulo Campiglio, this publication is an indispensable overview of Fontana's innovative spatial views on art. Exhibition 2 October 2021 - 23 January 2022 Design Museum Den Bosch Lucio Fontana - The conquest of space.' Bund in box. …

Soft cover. Etat : Very Good. Text in english, 4to, soft cover with flaps, 192 pages, illustrated, very good copy.

hardcover. Etat : Very Good. VG white boards with black lettering along spine. Binding and hinges tight and slightly cocked; contents clean and unmarked. No dust jacket. 272pp. Rare. Crease at tail of spine. Bump to one corner.

Etat : As New.

Hardcover. Etat : New. New book in shrinkwrap.

Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Hardcover. Etat : New.

Paperback. Etat : New. The legendary art collective Nul was founded in Amsterdam in 1961. Its members--Armando, Jan Henderikse, Henk Peeters, Jan Schoonhoven and (briefly) Herman de Vries--revolutionized Dutch art, allying themselves with the German Zero group, the French Nouveau RÃ alistes and the Japanese Gutai group, as well as with artists such as Yves Klein and Lucio Fontana. Alongside these groups, Nul set the tone for the climate of the European avant-garde in the 1960s. The group collaborated on manifestos, happenings and publications, and individually produced serial, minimalist sculptures, installations and assemblages, which they exhibited collectively. Nul = 0 accompanies the Stedelijk Museum's 2011 survey of the movement, offering extensive historical analysis through interviews, essays, archival photographs and an illustrated chronology. Featuring a die-cut cover (with two concentric zeroes), it constitutes a definitive overview of Nul's activities, its kindred spirits and its legacy.…

Zwolle, Waanders, 2000. 17 x 12,5 cm. Gebonden. Hardcover. Rijk geïllustreerd in kleur en z/w. UITSTEKEND EXEMPLAAR [Art / Dutch art general [Algemene Nederlandse Kunst] ].