Hutton molly (24 résultats)

Etat : Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Etat : Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Etat : good. Signs of wear and consistent use.

hardcover. Etat : Very Good. San Francisco Museum of Modern Art, San Francisco [Published date: 2002]. Softcover, 112 pp; full color illustrations; 27 cm. Edited by Chad Coerver. Introduction by Madeleine Grynsztejn, Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA. In very good condition. Illustrated paper covers with French flaps featuring Les valeurs personnelles (1952) by Rene Magritte on front and Still Life (Apur) (2001) by Sarah Sze on rear; light edgewear and faint surface scuffing to covers. Binding tight. Pages clean and unmarked. This catalog introduces the outstanding holdings of the San Francisco Museum of Modern Art's painting and sculpture collection, with essays by Janet Bishop, Julia Bryan-Wilson, Madeleine Grynsztejn, Molly Hutton, Clara Kim, Tara McDowell, and John S. Weber. It surveys landmark works representing the museum's growth since its 1995 move to the Mario Botta-designed building, tracing the evolution of twentieth- and twenty-first-century modern and contemporary art. Artists represented include Matisse, Derain, Braque, Marc, Jawlensky, Beckmann, Duchamp, Miro, Klee, Brancusi, Cornell, Pollock, Rauschenberg, Johns, Warhol, Stella, Kelly, Lichtenstein, Diebenkorn, Calder, Hesse, Nauman, Serra, Koons, Kiefer, Richter, Walker, and many others.…

Etat : Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : Near Fine. 1st Edition. Near fine. Bright and clean wraps with only light shelf wear. A clean and tight copy with little signs of use or reading. Internally, a previous owner plate on half-title. The edition is otherwise unmarked and remains in excellent condition.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Stiff Wrappers. Etat : Fine Condition. 80 pages 46 illustrations in color. Stiff Illustrated wraps. Director's Foreword by David A. Ross. Published on the occasion of the exhibition from the San Francisco Museum of Modern Art, San Francisco CA October 7, 2000-January 15, 2001. Book.

Hardcover. Etat : Fine. 1st Edition. Book is in fine condition. 100pp with colour illustrations.

Soft cover. Etat : Near Fine. Limited Edition. This catalogue was prepared for an exhibit that ran from September 13, 2008 till January 18,2009 at the University at Buffalo Anderson Gallery. The publication was limited to 1500 copies. The volume has 48 pages and is 8 1/2 by 11 1/2 inches. Included are writings by Sandra H. Olsen, Amber Smith, Klaus Kertess, as well as both color image of the artist's work and some black-and-white images. There are a few nicks to the spine an edges, but the spine remains without creases, and there are no highlighted, underlined or notated passages. The covers and interior remain bright and clean.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Paperback. Dissertation. copied from microfilm by UMI; blue paper wraps, 217 pp., few BW illus. Dissertation. "Examines the ways in which several artists associated with the Ashcan School (George Bellows, Robert Henri, George Luks, Everett Shinn, and John Sloan) sought in their works to make sense out of the unsettled, rapidly changing urban environment in which they lived by providing interpretative discussions of inidividual works of art and attending to the various cultural discourses which constructed the ways in which these artists look at, chose to depict, and most importantly to comprehend or conceptualize, their environment." (abstract). VG (As usual with dissertation copies: BW illus. are muddy or are missing due to copyright restrictions.).…

Paperback. Etat : New. In shrink wrap. Looks like an interesting title.

hardcover. Etat : Like New. Looks brand new and unread but has a short (3/4") closed tear (now repaired internally with clear tape) to the bottom edge of the front panel of the jacket. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. …

Large Paperbound. Etat : Fine. First Edition.