Jackson robert max (25 résultats)

Hardcover. Etat : Good. Underlining on some pages Satisfaction 100% guaranteed.

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Good. First Edition. New York: The Frank A. Munsey Company. 1923. First edition. Pulp magazine. Pictorial wrappers [about 6.75" x 9.75"], last numbered page is 960 [first numbered page is 801] plus ads at the front [but no ads at the rear], illustrated. Includes the fourth of four parts of "Cherro, Inc" by Jack Bechdolt, the first of six parts of "Without Gloves" by James B. Hendryx, the third of six parts of "Dan Barry's Daughter" by Max Brand, the second of four parts of "Pit of the Golden Dragon" by William Dudley Pelley, the fifith of six parts of "A Gentleman in Pajamas" by Charles Neville Buck, "Brother to the Snake" by Robert W. Sneddon, "The Heathen Sea Cook" by Lieutenant C. Donald Feak, "Uncowed" by Edgar Valentine Smith, "The Extroducer" by Ellis Parker Butler, the poem "In Fiaryland" by Ruth Plumly Thompson, etc. Good copy with cellophane tape across the spine ends, usual edgewear and scattered light chipping to the cover, text paper tanned. mag11.…

Paperback. Etat : Good. This volume, the first integrated analysis of gender inequality's modern decline, tells the story of that progressive movement toward equality over the past two centuries in America, showing that women's status has risen consistently and continuously.

Hardcover. Etat : Very Good. No Jacket. 353 pages. Signature on end paper. Clean hardback. No dust jacket. The Formation of Craft Labor Markets ( In the United States).

Single Issue magazine. Etat : Good. Etat de la jaquette : No Dust Jacket As Issued. First Edition. New York: The Frank A. Munsey Company [A Red Star Magazine]. New York. 1941. First Edition. Pulp magazine. Pictorial wrappers [about 7" x 9.5"], 112 pages, illustrated. Good copy with publication year added to the spine, edgewear including light chipping to the cover, long tear to the rear cover re-inforced with tape to the inside, a check mark to the contents page, paper tanned as usual mag10E.…

Hardcover. Etat : VERY GOOD. 229pp. Ownership stamp from the Department of Sociology - Center for Studies in Demography and Ecology at the University of Washington. Sound, unmarked copy.

Newspaper. 28p., folded tabloid underground newspaper, illustrated with b&w photos, local ads, sex ads, articles, news, columns, evenly toned, address label on front wrap, else very good on newsprint. Cover stories on Seale and a death threat editor Max Scherr received while in hospital for a heart attack (Jane was editor pro-tem for this issue) over an article about a confrontation between David Hilliard & Stew Albert. Part 3 of Ogar's piece "Inside the Stroke Trade" on the burgeoning porn industry. Ogar review of The Magic Theatre production of "Botticelli" & "Witness" by Terence McNally. And a center-spread article by Selkirk on Soledad Prison.…

Newspaper. 28p., folded tabloid underground newspaper, illustrated with b&w photos, local ads, sex ads, articles, news, columns, very good on newsprint. Cover stories on Seale and a death threat editor Max Scherr received while in hospital for a heart attack (Jane was editor pro-tem for this issue) over an article about a confrontation between David Hilliard & Stew Albert. Part 3 of Ogar's piece "Inside the Stroke Trade" on the burgeoning porn industry. Ogar review of The Magic Theatre production of "Botticelli" & "Witness" by Terence McNally. And a center-spread article by Selkirk on Soledad Prison. …

SingleIssueMagazine. Etat : Very Good. Vol. 2, No. 10. Edited by John McCloud. Cover art is uncredited. Includes "Hit and Run" (novel) by Richard Deming; "The Hero" (novelette) by Floyd Mahannah; "The Red Tears" (novelette) by Jonathan Craig; "A Bachelor in the Making" by Charles Jackson; "Pretty Boy" by Hal Ellson; "Diary of a Devout Man" by Max Franklin; "Two Little Hands" by Fletcher Flora; "A Life for a Life" by Robert Turner; "The Housemother Cometh" by Hayden Howard; "To a Wax Doll" by Arnold Marmor; "Twilight" by Hal Harwood; "For a Friend" by Bob McKnight; "Judgment" by G. H. Williams; "Manslaughter" by Henry Ewald; "No half Cure" by Robert E. Murray; "Opportunity" by Russell E. Bruce. Features: "What's Your Verdict?" by Sam Ross; "Crime Cavalcade" by Vincent H. gaddis; "Portrait of a Killer" by Dan Sontup; "Mugged and Printed". Illustrated by Houlihan, James Sentz, Dick Shelton, Dick Francis, Sussman, and others. Crasing; tanning; minor pulls to front. Book.…

36 pp.; 25.3 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The Museum of Modern Art Bulletin documenting MoMA's 25th Anniversary Exhibition "Paintings From Private Collections with Six Important Gifts." Introduction by Alfred H. Barr Jr. "Six Important Gifts" includes works by Paul Cezanne (from David Rockefeller), Henri Matisse (from Mr. and Mrs. Samuel A Marx, and Mr. and Mrs. John Hay Whitney), Joan Miro (from Armand G. Erpf), Jack Levine (from Joseph H. Hirshhorn), and Paul Klee (from Mr. and Mrs. Stanley Resor). "Paintings From Private Collections" includes works by Balthus, Max Beckmann, Pierre Bonnard, Georges Braque, Charles Burchfield, Giorgio de Chirico, Henri-Edmond Cross, Edgar Degas, Robert Delaunay, Andre Derain, Raoul Dufy, Thomas Eakins, Lyonel Feininger, Paul Gauguin, Vincent van Gogh, Juan Gris, Marsden Hartley, Winslow Homer, Roger de la Fresnaye, Wifredo Lam, Fernand Leger, Kasimir Malevich, Edouard Manet, John Marin, Albert Marquet, Amedeo Modigliani, Piet Mondrian, Pablo Picasso, Jackson Pollock, Pierre-Auguste Renoir, Georges Rouault, Henri Rousseau, Albert Pinkham Ryder, Georges Seurat, Ben Shahn, Paul Signac, Chaim Soutine, Rufino Tamayo, Bradley Walker Tomlin, Henri de Toulouse-Lautrec, Maurice Utrillo, Jacques Villon, Maurice de Vlaminck, Edouard Vuillard, and Max Weber. These works lent by Hay Whitney, Nelson A. Rockefeller, David Thompson, A. Conger Goodyear, Laurance Rockefeller, William Paley, Edsel Ford, Jame Thrall Soby, Armand Bartos, among others. Includes installation images and checklist. Fair / Good. Wear to covers and spine. Contents clean and unmarked.…

Paperback. Etat : Brand New. reprint edition. 316 pages. 8.75x6.00x0.80 inches. In Stock.

Etat : New. pp. 330 Reprint edition.

Etat : New. pp. 330.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : New. This volume, the first integrated analysis of gender inequality s modern decline, tells the story of that progressive movement toward equality over the past two centuries in America, showing that women s status has risen consistently and continuously.

Encuadernación de tapa blanda. Etat : Bien. Etat de la jaquette : Bien. Issue edited by John Coplans. Essays "Mark di Suvero," by Carter Ratcliff; "Digressions on the Photographic Agony," by Hollis Frampton; "Robert Smithson's Development," by Lawrence Alloway; "Atget's Trees," by Max Kozloff; "Jungian Aspects of Jackson Pollock's Imagery," by Judith Wolfe; "Eva Hesse: Last Words," by Robert Pincus-Witten; "Man Ray as Film Maker," by Steven Kovács; "The Venice Film Festival," by Manny Farber and Patricia Peterson; "Book Review," by lawrence Alloway. Reviews by Peter Plagens. Includes ad for show of Han's Haacke's banned Guggenheim work at The New York City Cultural Center. …

Hardcover. Etat : Sehr gut. 265 Seiten Zustand: Einband mit stärkeren Gebrauchsspuren, ansonsten AKZEPTABLER Zustand. HC1-297-6/8-00632873 Sprache: Deutsch Gewicht in Gramm: 386.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.…

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.…

[1] pp.; 74 x 18.5 cm.; accordion; duotone; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 7th Annual New York Avant Garde Festival presented by Charlotte Moorman held September 28 - October 4, 1969. Performers included Charlotte Moorman, Jon Aldefer, Billy Apple, Ay-o, Norman Bauman, David Behrman, Lois Bernard, Robert Breer, Darlene Butsch, Luis Camnitzer, Jackie Cassen, Jaropolk Cigash, Michael Cooper, Philip Corner, Arthur Corwin, Ian Crofts, Douglas Davis, Lindsay Decker, Ken Dewey, Juan Downey, Sean Emmett, Jeni Engel, Charles Frazier, Frank Gillette, Jimmy Giuffre, Michael Gurian, Al Hansen, Gary Harris, Don Heckman, Piero Heliczer, Bici Hendricks, Geoffrey Hendricks, Jon Hendricks, Dick Hogle, Richard Hyatt, Yukihisa Isobe, Ken jacobs, Poppy Johnson, Ray Johnson, Joe Jones, Kenneth Knowlton, Gilles Larrain, Fred Lieberman, Ernst Lurker, Jackson Mac Low, Max V. Mathews, Preston McClanahan, Jim McWilliams, Peter Neumann, Henry Niese, Andrew Noren, Ralph Ortiz, Nam June Paik, Benjamin Patterson, Lil Picard, John Pierce, Dick Preston, Ely Raman, Jim Raridon, Earl Reiback, Jean Claude Risset, Sal Romano, Paul Ryan, Ira Schneider, Michael Snow, Rudi Stern, Tal Streeter, Sandra Sutton, Aldo Tambellini, Jean Toche, Jerry Tublin, John van Alstine, John Van Saun, Frank Lincoln Viner, Gerald Vis, Laurence Warshaw, Todd Watts, Joyce Wieland, Kenneth Werner, Pat Willard, David Wise, Ted Wolf, Jud Yalkut, and Gary Zeller performing works by Les Levine, Allan Kaprow, Philip Corner, Stan Brakhage, Jean Toche and many others. Very Good. Hand addressed mailed copy with mailing marks and wear including two 7 mm. tears to bottom edge along closure on either side of 1.6 cm. stain from removed tape. 1 cm. glue staining on verso from closure. Otherwise clean and unmarked.…

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.…

Paperback. Etat : new. Paperback. Men and women remain unequal in the United States, but in this provocative book, Robert Max Jackson demonstrates that gender inequality is irrevocably crumbling. Destined for Equality, the first integrated analysis of gender inequality's modern decline, tells the story of that progressive movement toward equality over the past two centuries in America, showing that women's status has risen consistently and continuously.Jackson asserts that women's rising status has been due largely to the emergence of modern political and economic organizations, which have transformed institutional priorities concerning gender. Although individual politicians and businessmen generally believed women should remain in their traditional roles, Jackson shows that it was simply not in the interests of modern enterprise and government to foster inequality. The search for profits, votes, organizational rationality, and stability all favored a gender-neutral approach that improved women's status. The inherent gender impartiality of organizational interests won out over the prejudiced preferences of the men who ran them.As economic power migrated into large-scale organizations inherently indifferent to gender distinctions, the patriarchal model lost its social and cultural sway, and women's continual efforts to rise in the world became steadily more successful. Total gender equality will eventually prevail; the only questions remaining are what it will look like, and how and when it will arrive. This volume, the first integrated analysis of gender inequalitys modern decline, tells the story of that progressive movement toward equality over the past two centuries in America, showing that women's status has risen consistently and continuously. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…