Jacquelyn d serwer (14 résultats)

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. A bit of shelf wear to the lower front edge of the jacket else about As New. Clean and unmarked. First printing, full number line. No additional standard domestic postage for this heavy book. "Addison N. Scurlock (June 19, 1883 December 16, 1964) was an American photographer, founder of The Scurlock Studio, and businessman who became prominent in the early and mid-20th century for photographing Black Washington.The work of Addison N. Scurlock and the Scurlock Studio was affiliated with ideas about pride and progress of the New Negro. The location of the studio in Scurlock's home community and its location in Washington, D.C., facilitated this. The Black elite in Washington and everyday African Americans were aware of the power of both photography and capturing their image in positive ways. Scurlock, not only shot portraits, but also events such as church picnics, meetings, and high school graduations."--Wikipedia. Every effort is made to ship all books and other items within 24 hours. Clean recycled packing material will be used when possible. The Book Shed has a been a member of the Vermont Antiquarian Bookseller's Association since 1997. An online bookseller with a bookshop sensibility. …

Hardcover. Etat : Near Fine. Hardcover, 72 pgs. 9.5 x 11.5 in. Essay, numerous color plates. Faint surface wear to cover, else fine.

Hard Cover. Etat : Very Good. Etat de la jaquette : Very Good. Hardback Edition. 290 x 240mm. pp. 224. English text. Hardback edition of 'The Scurlock Studio and Black Washington: Picturing the Promise'. A fascinating collection of photographs portraying the optimism and resiliency of those in segregated black society. Colour, sepia and black and white photographic illustrations throughout. Bound in original pictorial boards. Housed in pictorial dust jacket. A little light wear, otherwise clean. Binding strong. Not price-clipped. No ownership inscription or underlining. See images. 1.48kg. Extra postage overseas.…

Hardcover. Etat : Near Fine. Qto., 72 pages, colour illustrated. Looks unused, a Near Fine copy.

Hardcover. Etat : Very good. Etat de la jaquette : Very good. Presumed First Edition, First printing. 224 pages. Oversized book, measuring 11-1/4 inches by 9-1/4 inches. Illustrated endpapers. Includes Foreword by Deborah Willis, Remembering Black Washington by Lonnie G. Bunch III; Portraits, with reflections by Jeffrey John Fearing, Brian Gilmore, Marya A. McQuirter, and Hilary Scurlock. Sources. Index. The book features essays from 25 contributors including Dorothy Height (Chair and President emerita of the National Council of Negro Women); Charlene Drew Jarvis, President of South-Eastern University, Washington, D.C. and formerly a member of the D.C. City Council; E. Ethelbert Miller, poet and Director of the African American Resource Center, Howard University; A. J. Verdelle, novelist and essayist; and Deborah Willis, photographer, historian, professor, and Chair of the Department of Photography and Imaging at the Tisch School of the Arts, New York University. Nearly a century's worth of Scurlock photographs combine to form a searing portrait of black Washington in all its guises-its challenges and its victories, its dignity and its determination. Beginning in the early twentieth century and continuing into the 1990s, Addison Scurlock, followed by his sons, Robert and George, used their cameras to document and celebrate a community unique in the world, and a stronghold in the history and culture of the nation's capital. Through photographs of formal weddings, elegant cotillions, ballet studios, and quiet family life, the Scurlocks revealed a world in which the black middle class refused to be defined or held captive by discrimination. From its home on the vibrant U Street corridor, the Scurlock Studio gave us indelible images of leaders and luminaries, of high society and working class, of Washingtonians at work and at play. In photograph after photograph, the Scurlocks captured an optimism and resiliency seldom seen in mainstream depictions of segregated society. Luminaries such as Duke Ellington, Ralph Bunche, Mary McLeod Bethune, Alain Locke, Martin Luther King, Jr., and Lois Mailou Jones testify to the intellectual and cultural vibrancy that was unique to Washington and an inspiration to the nation. Photographs of a Peoples Drugstore protest and Marian Anderson's Easter morning concert at the Lincoln Memorial remind us that the struggle for equality in black Washington began long before the civil rights movement of the 1960s. Offering a rich lens into our past, The Scurlock Studio and Black Washington is a powerful trigger of personal and historical memory.…

Hardcover. Etat : Very Good. No Jacket. 1st Edition. 1st edition. Hardbound, no dust jacket.

hardcover. Etat : Very Good. Hardcover--cover shows slight wear--otherwise, excellent condition.

HARDCOVER. Etat : As New. 1st Edition. Very large 4to in colour printed boards, 87pp on thick glossy art paper, colour plates (some folding) etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Etat : Used: Good. Ships Out Tomorrow.

Etat : Very Good +. First Edition. Berkeley, CA / Washington, DC: University of California Press / Corcoran Gallery of Art, 2005. First Edition, wrapper issue. Quarto (28cm); photo-illustrated wrappers retaining $34.95 price sticker at rear; xviii + 222pp, including chronology, bibliography, and index; color photographs throughout. Wraps lightly bumped at spine ends and corners. Textblock, endsheets, and interior pages clean. Very Good or better copy of this scarce catalog. Signed and dated by Gilliam at title page. Title page shows a second signature, presumably belonging to Jonathan B. Pinstock. Gilliam, a leading figure in the Washington (DC) Color School, ignited his greater renown in 1968 by hanging his canvases like draped shawls rather than squaring them up on stretcher bars. This catalog was published on the occasion of his retrospective, which was on display at the Corcoran Gallery of Art from October 15th, 2005 to January 22nd, 2006, and thereafter traveled to Louisville, Savannah, and Houston. . Signed.…