James beechey (65 résultats)

Paperback. Etat : Good. Explores Pablo Picasso's lifelong connections with the United Kingdom. This title examines Picasso's enormous impact on British modernism through seven artists in particular for whom he proved an important stimulus: Duncan Grant, Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney. …

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. Explores Pablo Picasso's lifelong connections with the United Kingdom. This title examines Picasso's enormous impact on British modernism through seven artists in particular for whom he proved an important stimulus: Duncan Grant, Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney. …

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Etat : Near Fine. 274 pages, some illustrations in the text, paperback, a near-fine copy [0335151051].

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Etat de la jaquette : 48419747. 1790115948. 9/22/2026 10:25:48 PM.

Paperback. Etat : Very Good.

Softcover, 240 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : fine. 239 pages; 9 1/4 x 11 3/4" With contributions by James Beechey, Andrew Brighton, Christopher Green, Richard Humphreys, Helen Little, John Richardson, and Chris Stephens. Shipping will be slightly extra for this heavy book, please inquire.

Paperback. Etat : Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Etat : Good. mild wear- clean. This is the catalogue published alongside the landmark exhibition that gave the Bloomsbury Group's painters their first major showcase, opening at the Tate Gallery in London in late 1999 before traveling to the Yale Center for British Art and the Huntington Library in California. While Bloomsbury is best known for its literary figures — Virginia Woolf, E.M. Forster, and the circle of thinkers around Bertrand Russell and G.E. Moore — this book turns the focus to the group's equally influential visual artists: Roger Fry, Vanessa Bell, and Duncan Grant, whose experimental, color-driven work helped shape the course of modern British art and design. Richard Shone, longtime Associate Editor of The Burlington Magazine and an authority on early 20th-century British painting, leads roughly 200 catalogue entries covering paintings, portraits, still lifes, and the decorative furniture and applied art produced through Fry's Omega Workshops. The book is heavily illustrated in color throughout, with portraits of figures from the wider Bloomsbury circle — Virginia Woolf, Maynard Keynes, Aldous Huxley, Edith Sitwell — alongside scholarly essays by James Beechey and Richard Morphet placing the work in its social and historical context. A strong addition for collectors of Bloomsbury Group history, Vanessa Bell or Duncan Grant artwork, British modernist art, Tate exhibition catalogues, or Virginia Woolf-adjacent material. Publisher: Princeton University Press / Tate Gallery, 1999. Approx. 293-296 pages, 200 color plates plus black-and-white illustrations. ISBN: 9780691095141. Ships from Georgia, USA. Yes (illustrateur).…

Paperback. Etat : Very Good. NEW EU 5 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Soft cover. Etat : Very Good. Book is in very good condition. 238pp with colour illustrations.

Soft cover. Etat : Fine. No Jacket Issued. 1st Edition. paperback, illustrated, 240 pages, a fine clean copy. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf B247.

paperback. Etat : Near Fine. No Jacket. large paperback, 11 3/42 x 9 2/5", pictorial card covers, a near fine tightly bound copy with a clean and unmarked text, illustrated, 238pp. A large heavy book which, if ordered from certain overseas locations, will attract a request for additional postage.

Stiff Card Paperback. Etat : As New. No. First. 239pp. Colour plates & b&w archive photographs.

Soft cover. Etat : Fine. 1st Edition. 239 pages : chiefly illustrations (chiefly colour) ; 30 cm. Private view invitation loosely inderted. Published on the occasion of the exhibition at Tate Britain, London, Feb. 15-July 15, 2012, and the Scottish National Gallery of Modern Art, Aug. 4-Nov. 4, 2012. …

Hard Cover. Etat : Fine. Etat de la jaquette : Fine. First Edition. cloth, hard cover in dust jacket. no flaws or wear. clean. no markings. no bumps, tears, etc. tight binding.; 111pp., illustrated throughout in color. anthology of mostly brief essays or writings by various individuals on aspects of the bloomsbury group. nicely illustrated. Size: 4to - over 9¾" - 12" tall.…

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Etat : As New. Published to accompany the exhibition at Tate Britain, London, Feb. 15-July 15, 2012, and the Scottish National Gallery of Modern Art, Aug. 4-Nov. 4, 2012. Contents: Picasso and Britain / James Beechey -- The Picassos of British criticism c.1910-c.1945 / Christopher Green -- The politics of Picasso in Cold War Britain / Andrew Brighton -- Cooper's capers and their consequences for Picasso, Penrose and the Tate / John Richardson interviewed by Chris Stephens -- Picasso in Britain 1910-1914 / James Beechey -- Duncan Grant and Picasso / James Beechey -- Wyndham Lewis and Picasso / Richard Humphreys -- Picasso in Britain 1919 / James Beechey -- Ben Nicholson and Picasso / Christopher Green -- Picasso in Britain 1920-1939 / James Beechey, Patrick Elliott, Helen Little and Chris Stephens -- Henry Moore and Picasso / Christopher Green -- Francis Bacon and Picasso / Chris Stephens -- Picasso in Britain 1937-1939 / Helen Little -- Graham Sutherland and Picasso / Chris Stephens -- Picasso in Britain 1945-1960 / Helen Little -- David Hockney and Picasso / Chris Stephens -- The three dancers. 295 x 235 mm. 239 pp., illustrated throughout, mostly in colour. [ISBN: 978-1854378903] Softbound. As NEW.…

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Etat : Very Good. Light shelf wear to extremities.

London, Tate, 2012. Paperback. 240 pp. Uitstekend exemplaar.

hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Very Good in Very Good dust jacket. Gently used with NO markings in text; binding is tight. Pasadena's finest independent new and used bookstore.

Paperback. Etat : new. Paperback. One hundred years on, this book portrays Picasso's legendary 1917 journey to Rome and Naples with Jean Cocteau, Igor Stravinsky and the company of Sergei Diagilhev's Ballet Russes. lt was during this trip that he met and fell in love with the company's leading dancer, Olga Khokhlova, who would become his first wife. In addition to the extraordinary weeks spent in ltaly, which were pivotal for the development of Picasso's art during the postwar years, the monograph also examines his production immediately after, with particular reference to the ballets Parade and Pulcinella, as well as those paintings indebted to the iconographic and cultural worlds to which these ballets introduced him. The book focuses on Picasso's ability to experiment in different genres, from still-life to portraiture, from the playful and decorative collages executed during World War I, to the sophisticated realism of the years of his association with Diagilhev. It also documents the long-term impact of the ltalian journey on Picasso's art. With over 100 works, including iconic paintings, drawings and photographs, Between Cubism and Neoclassicism shows masterpieces and key works of this period, illuminating the classical elements throughout the artist's career. Explores Pablo Picasso's lifelong connections with the United Kingdom. This title examines Picasso's enormous impact on British modernism through seven artists in particular for whom he proved an important stimulus: Duncan Grant, Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…