jay gates (103 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Trade Paperback. Etat : Very Good. Etat de la jaquette : No Dustjacket, As Issued. First Edition. In wraps; illustrated; slight rubbing on spine and edges otherwise Very Good; Covers are clean and bright; square 8vo; unpaginated; illustrated.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. (2001), square 4to, 144pp, index, profusely illustrated in color. VG+ in VG+ dj. From the dj: "DEGAS TO MATISSE: IMPRESSIONIST AND MODERN MASTERWORKS explores the developing taste for modern art in the United States in the first half of the twentieth century through a comparison of the collections formed by two members of the generation that succeeded the Robber Barons. Duncan Phillips, born in 1886, converted his inherited Pittsburgh steel fortune into a museum of modern art in Washington, D.C. Robert Tannahill, born in Detroit in 1893, and independently wealthy from the age of thirty two when he inherited a fortune in J.L. Hudson department store stock, organized exhibitions of modern art in Detroit, and left a great collection to The Detroit Institute of Arts." Includes essays about the two collectors by Karen Wilkin, Stephen Bennett Phillips, and Charles H. Sawyer. A heavy volume; will require additional shipping charges.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Etat : Good. . Satisfaction 100% guaranteed.

Soft cover. Etat : Good. Softcover, 9 1/4 by 8 1/4 inches, 8 pages, illustrated. Covers have only very slight wear, a 1/2 pen mark to front cover and the pages are clean.

Paperback. Etat : Very Good. 160 pages, illustrations (chiefly colour); 26 cm. Published on the occasion of an exhibition organized by the Phillips Collection, Washington, D.C. and held at the Museum of Fine Arts, Houston and four other institutions between September 22, 2002 and Winter, 2004. Firm binding, gently creased spine. Clean inside copy. Another copy available. Includes scholarly essays on Duncan Phillips as a collector. Size: 4to.

2988, Asian Art, Seattle Art Museum, 160 p., very good paperback with gummed label on spine.

Softcover. Etat : Très bon. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Etat : Near Fine. 160 pages, illustrations (chiefly colour); 26 cm. Published on the occasion of an exhibition organized by the Phillips Collection, Washington, D.C. and held at the Museum of Fine Arts, Houston and four other institutions between September 22, 2002 and Winter, 2004. Near fine. Tight, clean copy. Light shelfwear to wraps. *** Includes scholarly essays on Duncan Phillips as a collector. Size: 8vo.

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. PHOTOS (illustrateur). 1st Edition. A VERY RARE TITLE A LOOK AT THE DEVELOPING TASTE FOR MODERN ART IN THE EARLY TWENTIETH CENTURY A LOOK AT THE PHILLIPS AND TANNEHILL COLLECTIONS PUBLISHED IN CONJUNCTION WITH AN EXHIBIT HELD IN DETROIT IN 2000 A BEAUTIFULLY PHOTOGRAPHED LOOK AT THE COLLECTIONS AND THE DISTINCTIONS BETWEEN SECOND GENERATION ART COLLECTORS BOOK IS AS NEW AND APPEARS UNREAD AN EXCELLENT GUIDE TO FRENCH IMPESSIONISM JACKET IS BRIGHT COMPLETE AND UNCLIPPED.

Soft cover. Etat : Fine. 1st Edition, Illustrated Edition. 24 x 22 cms.247 exquisite pages of cat. for the Exhibition of masterpieces from the Phillips collection.one of the excellent Pierre Gianadda series.

Trade Paperback. Etat : Used - Very Good. The Phillips Collection in Washington, D.C. is one of the world's most outstanding art collections. It was the first museum of modern art in the United States and today stands as a legacy to the uniquely enlightened connoisseurship of its founder and creator, Duncan Phillips. Art Beyond Isms features just over 60 of the most important European works from the Phillips Collection. These are mainly 19th and 20th century French paintings, as well as five important paintings by Cezanne. Among the non-French artists, Van Gogh, Kokoscha, Klee and Modigliani are represented. Important proto-modern works by such artists as Constable, El Greco and Goya are also include. Book has minor shelf wear.

Paperback. Etat : Fine. 160 pages, illustrations (chiefly colour); 26 cm. Published on the occasion of an exhibition organized by the Phillips Collection, Washington, D.C. and held at the Museum of Fine Arts, Houston and four other institutions between September 22, 2002 and Winter, 2004. Tight, clean copy. *** "The Phillips Collection, in Washington, D.C., was the first museum of modern art in the United States and today stands as a legacy to its founder and creator, Duncan Phillips." - Publisher. *** CONTENTS: Preface, by Jay Gates; Seeing beautifully: a vision of the whole, by Eliza E. Rathbone; Paintings and sculpture, by Johanna Halford-MacLeod; Chronology; Checklist. Size: 4to. Collectible.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

hardcover. Etat : Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

First printing (per publisher's number line upon copyright page). xviii, 158 pages. Hardcover: H 28.75cm x L 23.75cm. Dust jacket lightly rubbed with bumping at edges; slight ding at upper spine with small chip at head. Dark olive boards; minor ding at upper spine with scuffing at ends. Interior pages are bright and clean. Binding is firm. A very good+ copy in a very good+ dust jacket. With color and b/w illustrations throughout. Published in conjunction with an exhibition opening at Washington, DC's Phillips Collection from April 17 to July 18, 1999 thereafter touring through May 2000 to The Georgia O'Keeffe Museum, the Dallas Museum of Art, and the San Francisco Fine Arts Museums. Please note that this book has an approximate shipping weight of 3.5 pounds (1.58 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 0300079354.

Etat : New.

Etat : Very Good. Very Good condition. (Deer, Hunting) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Etat : As New. Signed Copy First edition copy. . Signed by Haldeman, Liu and Nagata on respective chapter titles. From the library of science fiction and fantasy writer, editor, publisher and prolific book reviewer D. Douglas Fratz. (sci-fi, anthology).

Etat : New. In.

Paperback. Etat : New.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback. Etat : New. Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs.Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. Larissa Tracy is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren.

Paperback. Etat : Very Good. Unmarked. Illustrated. Examines an exhibition of 28 works in the collection. 42p.

Paperback. Etat : New. Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs.Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. Larissa Tracy is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren.

paperback. Etat : Very Good.

Paperback. Etat : New.

Hardcover. Etat : As New. Etat de la jaquette : Laminated. Articles by different contributors, b & w illus.

Etat : Very Good. Hardcover, 180 pages. Color illustrated. Record # 361523.