Jean varda (23 résultats)

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : VG+. 1st Edition. very slight edge wear, clean copy.

Etat : New. 1st edition. Waiting for the love to return / waiting for the love to return / storm clouds blowing past / shedding water on grateful earth / I am only these mountains / carved from light and shadow. Mint new copy. Rare. 5-1.2 x 8-1/2, 46 pp Trade paperback in glossy b/w illus wraps.

Soft Covers. Etat : Good +. First English Edition. One of 1200 copies. Translations by Bly, Kinnell etc. Jean Varda (illustrateur).

Soft cover. Etat : Good. Edition Not Stated. Wear, handling to wraps, 1/4" tear to front, exterior side cover. Varda, Jean (cover) (illustrateur).

Soft cover. Etat : Very Good. 2nd Edition. These 152 pages constitute volume 5 in the author's `continuous novel '. READ more about : particles of delight, Golconda, fireworks, intimate drama, communion of smiles, painted nails, worn valises, beggars, and tin slabs. UNillustrated. Cond : White paper wrapper with rose-coloured titling. Abstract art cover reveals four human figures. Tight in binding. No names nor marks. Light general wear and soiling. Very good reading copy. QUote (p. 62) : " ._._. where one knew that scenes of horror had taken place, acquired in the sun, under streams of ivy gently bleached by time, a serenity, a passivity, a transmutation into resignation which included forgiveness of man's crimes against man. In time man will ._._._. . ". Jean Varda (cover) (illustrateur).…

Couverture souple. Etat : Assez bon. Institut Coopératif De L'École Moderne, 1967. 1 volume broché(s) format In-8 correct.

Soft cover. Etat : Fine. 1st Edition. Yvan Goll (1891-1950) , was French-German poet who wrote in both German and French. Goll had close ties with German expressionism and French surrealism and beautifully expressed in his poetry. Goll knew many languages; and each was a door which he could sometimes open. What he discovered he set down endlessly in poems, letters, plays and lyrical novels. Yvan Goll's works have been translated here by Robert Bly, George Hitchcock, Galway Kinnell and Paul Zweig. The book is edited by Paul Zweig. Jean Varda has illustrated the book with four very interesting full page surrealist color prints. Poems are written in French and German, introduction is written in English. Limited to 1200 copies. jean Varda (illustrateur).…

Etat : New. Print on Demand.

Spiral bound. Etat : Very Good. First Edition. VERY GOOD Condition PAPERBACK.PRINTED BY ANDERSON, RITCHIE & SIMON ; .WHITE TITLES ON BLUE PAPER COVERS BOUND WITH WHITE PLASTIC COMB BINDING (UNDER PAPER SPINE COVER) ; 147+pg pages. Illustrated by RIVKIN, JAY BLUE & WHITE ILUST. (illustrateur).

Etat : Good. One folded sheet of Curtis Rag paper, with announcement and poem by Dante Gabriel Rossetti. Good, with some wrinkling.

Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Nîmes: Expressions contemporaines. Directrice: Monique de Gouvenain. Un volume 15x22cm broché de 192 pages illustrées de hors texte en noir sur papier couché. Bon état. Revue d?art et de littérature nîmoise animée par Monique de Gouvenain, qui compte 10 numéros parus en 8 livraisons du premier trimestre 1985 à février 1990. Livres.…

soft cover. Etat : as new. first edition. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Visions du Capitole par Cyril Béghin - Claude de Givray, entre Ferreri et Carbonnaux par Luc Moullet - Piquante promenade dans les ruines de la Nouvelle Vague par Jean-Paul Fargier - La Mélangite, le « western mental » d'Agnès Varda par Bernard Bastide - La Mélangite ou les Amours de Valentin. Synopsis par Agnès Varda - « The girl with a past ». Clairvoyance d'Ida Lupino par Marie Anne Guerin - Des corps dans l'espace. Le cinéma comme connaissance charnelle par Annette Michelson - Réflexions autour de Shining par Pip Chodorov - Les sentiments mitigés que m'inspire l'art vidéo par Eric de Kuyper - Le monde ouï. Retour sur une lecture de Stanley Cavell par Jean-Michel Durafour - Jean-Louis Leutrat, un cinéma de paramnésie par Alban Pichon - L'arche de Noé, 15. Le Fleuve de Jean Renoir par Hervé Gauville - Murnau en Alaska par Janet Bergstrom - Noa Noa sur le Wannsee. Tabou, Les Hommes, le dimanche et le paradis perdu du cinéma muet par J. Hoberman - Flying Man par Agnès Geoffray.…

First Edition. Archive of research materials used by William F. Van Wert in preparing his dissertation "The Theory and Practice of the Cine-Roman" (Arno Press, 1978). Included are responses to a questionnaire and an album of film stills. Focusing on the filmmakers of the Rive Gauche movement, which slightly preceded the French New Wave and ran parallel through the 1960s, Van Wert wanted to explore the literary influence on the works of the movement's principle filmmakers, an aspect he felt separated them from their "Cahiers" counterparts. He sent the directors a twenty-question survey, to which he received amicable responses from Alain Robbe-Grillet, Henri Colpi, and Jean Cayrol. Alain Robbe-Grillet provides a generous response directly on the questionnaire, with his comments in blue and red manuscript ink throughout. He describes his reactions to contemporary filmmakers, how Godard's works were influential but the work of Truffaut and Chabrol were absolutely not, and numerically ranking the importance of each aspect of filmmaking, such as the editing, soundtrack, and directing actors, and signs his form, "bien cordialement / Robbe-Grillet" at the top right corner of the first leaf. Jean Cayrol responds with a two-leaf typed letter signed. Cayrol, who collaborated with Alain Rensais on "Night and Fog" (1955) and "Muriel" (1963), invites Van Wert to tape a conversation in Paris because of an expressed difficulty in easily articulating his ideas in writing. Henri Colpi responds with a four leaf, six page autograph letter signed on his printed stationery (some leaves recto and verso, some recto only). Colpi was the director of the 1961 Palme d'Or winning "Une aussi longue absence," and writes the most thorough response, addressing each of Van Wert's questions in detail. Included are 142 original 4 x 6 inch vernacular photographs taken during screenings held by Van Wert using prints obtained from Grove, New Yorker Films, and others. The photos were ostensibly used as visual references by Van Wert while researching the films referenced in his book. Included are photographs from three films: "L'Immortelle" (Robbe-Grillet, 1963), "L'Opera mouffe" (Agnes Varda, 1958), and "Night and Fog" (Resnais, 1955). Photographs Fine, housed in the photo binder used by Van Wert, binder Very Good plus with minor chipping and light soiling. Letters 8.5 x 11 inches to 8.5 x 11.5 inches. Very Good overall, housed in a supplied binder. Also included as reference are Van Wert's books "The Theory and Practice of the Cine-Roman," First Edition, Near Fine with minor rubbing, and a later printing of "The Film Career of Alain Robbe-Grillet," Very Good in wrappers. Criterion Collection 238. Vogel US.…

Paris : Union française des oeuvres laïques d'éducation par l'image et par le son. Directeur : Robert Dader. Un volume 27x20,8cm agrafé sous couverture illustrée : Agnès Varda sur le tournage de Cléo de 5 à 7. 44 pages illustrées en noir. comprend un dossier sur La Pointe courte, de Agnès Varda : présentation biographique d'Agnès Varda, contenu du film : dialogues et analyse par Michel Tardy. Bibliographie. Bon état. Livres. …

[2] pp.; 27.8 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; mimeograph; Double sided program for films presented at Film-Makers' Cinematheque from April - March, 1965. Films presented include "Forty Guns" and "Shock Corridor" by Samuel Fuller; "The Frantic, Pedantic, Semantic, Antic," by Ira Schneider; "A Fall Trip Home," by Nathanael Dorsky; "Ningen Dobutnen," by Yoji Kuri; "Love," by Takahiko Iimura; a new film by Andy Warhol; "Gardens of Tivoli," by Arthur Tress; the premiere of "The Lark" by Rudy Burkhardt; "Fireworks," "Eaux d' Artifice," "Inaugeration of the Pleasure Dome," "Scorpio Rising," by Kenneth Anger; Mike and George Kuchar retrospective including "A Reel of Home Movies," "The Slasher," "The Naked & the Nude," "The Thief and the Stripper," "I was a Teenage Rumpot," "Pussy on a Hot Tin Roof," "The Lurk," by Rudy Burckhardt; the premiere of "Sins of the Fleshapoids," by Mike Kuchar; Harry Smith retrospective; films of Jerry Joffen; Sidney Peterson retrospective including "Cage," "Lead Shoes," "Mr. Frenhofer & the Minotaur," "Petrified Dog," "Potted Psalm,"; "O, Dreamland," by Lindsay Anderson; "Guernica," by Alain Resnais; "Nu," by Anonioni; "Opera Mouffe," by Agnes Varda; "Pacific 231," by Jean Mitry, "Symphony in No B Flat," by Rudolfo Khun; "World of Paul Delvaux," by Henri Storck; "Hallucinations," by Peter Weiss; "As is Played Today," Joseph Anderson; "The Path," by Richard Meyers; "Private Life of A Cat," by Alexander Hammid; "Object Lesson," by Ch. Young; Odds & Ends," by Jane Belson Conger; "Smoke," by Joseph Kramer; "Krushchev," by Robert Lebar and Howard Kaplan "Metanoia," by Ilya Bolotowski, and Herbert Vessely. Recto contains text of program, verso printed with blue monochrome advertisement for soundtracks by mimeograph design company The Verbatim Service Company, owned and operated by Dick Kern. Good. 1 cm. loss to lower right corner; 1.2 cm. loss to upper left corner; 9 mm. loss to upper right corner; 4 mm. tear to lower left corner. Paper yellow and brittle with age. …

Vintage reference photograph from the 1967 French anthology film, showing actress Karen Blanguernon. From the archive of film historian and author Joel Finler. An antiwar anthology documentary film by seven prominent directors expressing support for the North Vietnamese army during the Vietnam War. Shot in New York City. 10 x 8 inches. Very Good plus, lightly curled. …

Unbound. Etat : Very Good. One printed leaf folded to make four pages. Two neat horizontal folds and small splits at the ends of the folds, very good or better. Laid in are four mimeographed pages from Dorothy Ross Associates promoting the film, listing credits, a return form for comments, and a page of reviews. A few short tears at the margins, very good or better. A collaborative 1967 film in 13 sequences by six French directors decrying the American involvement in Vietnam and supportive of the North Vietnamese. This material was released, probably in very early 1968, promoting a double premiere in San Francisco and Berkeley.…

Eight vintage reference photographs from the UK release of the 1967 French anthology film. With printed mimeo snipes in English affixed to the verso. Also included with the set is a two-page mimeographally duplicated press pamphlet in English. An anti-war anthology documentary film by seven prominent French directors expressing support for the North Vietnamese army during the Vietnam War. Shot in New York City. 10 x 8 inches. Very Good or better.…

No Binding. Etat : Near Fine. Limited Edition. One of 1000 copies. Loose sheets inside a glossy, toned, and sun-faded seafoam folder with a title pastedown on the front cover. 26 offset lithos of portrait drawings by Varda in oil crayon on faintly lined school notebooks. This copy is from the estate of George Hitchcock, the printer and publisher. According to Hitchcock in the foreward, these portraits "may perhaps be viewed as a Traveller's Demonology." Signed by Varda in black ink on the front flap of the folder. Laid in is a near fine exhibition pamphlet published for a Varda retrospective held at the Little Gallery of Sacramento City College in 1983. Folder itself is in good condition; lithos are near fine. Signed by Author(s).…

No Binding. Etat : Very Good. Folio, green paper portfolio with pasted on title label.PORTFOLIO WORN AND TORN AND SPOTTED, interior clean, 26 loose lithos and title page and a separate essay by Hitchcock, INSCRIBED on the back of the front cover to Jack Micheline "A Michelin la servante au grand coeur cordialement, affectionment, praissiment?? Jean V" the browning of the paper has dimmed the last few words. Condition pretty much matches Micheline's, prob stuffed into the traveling suitcase he carried with him. A remarkable carry over from the West Coast out,jazz, beat scene.NO PHOTOS vvclt2/1.…

Lyon, Editions Ufoleis Rhône 1963, 180x202mm, fascicules brochés sous couvertures illustrées. Revue illustrée consacrée au cinéma contemporain, comité de rédaction : Jean Cayrol, Armand Gatti, Jean-Louis Leutrat, Paul Leutrat, Jean Michaud, Georges Péju, Bernard Pingaud.N°1 : janvier/mars 1963 : un cinéma réel ; Cayrol, Colpi, Durand, Gatti, Marker, Resnais, Varda.N°2 :avril/juin 1963 : le cinéma et la vérité ; Bellour, Sadoul, Dziga Vertov, Michaud, Moussinac, Ivens, Martin, Thirard, Claude Julien, Bory, Rouch, Barthes, Marker.N°3 octobre décembre 1963 : l'amour ; Bellour, Morin, Mesnil, Sullerot, Leenhardt, Astuc, Rozier.Les 3 volumes. Destribats 658. (103248).…