Johnson james weldon editor (38 résultats)

Paperback. Etat : New. Excellent condition. Interior is tight, bright, and clean; no underlining, notes, or highlighting. The binding is smooth and solid. The paperback cover is clean and sticker-free. Minor scuffing and/or corner bumps on the paperback covers due to shelf wear. 100% Satisfaction Guaranteed. All items are carefully enclosed with bubble wrap. We ship promptly and worldwide via US Post and will email you a tracking number.…

Etat : As New. Unread copy in mint condition.

Etat : New. Brand New.

Etat : As New. Unread copy in mint condition.

Etat : New. Brand New.

Paperback. Etat : Very Good. Owner note inside cover. Price sticker back cover.

Paperback. Etat : Very Good. Trade paperback, light fading, light shelf wear to exterior; very good cond ition with clean text, tight binding.

Soft cover. Etat : Very Good. First Edition. Very good in original wrappers chipped at the bottom of the spine and foxing on the edges.

Paperback. Etat : As New. None. A clean, unmarked copy.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Brand New. 147 pages. 8.25x5.25x0.50 inches. In Stock.

Paperback. Etat : Brand New. 224 pages. 8.25x5.00x0.50 inches. In Stock.

Paperback. Etat : Brand New. revised edition. 300 pages. 8.00x5.50x0.75 inches. In Stock.

Hardcover. Etat : Good. 1931, New York. A Good- copy. 8vo., 300 pp., bound in publishers brown cloth. Minor signs of shelf wear. Previous owners notes throughout. Binding solid and still a Good reading copy.

Soft cover. Etat : As New. Etat de la jaquette : None, As Issued. 1st Edition. 1st Printing. 32 pages. Published in 2023. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was sold commercially. There is no ISBN. The Exhibition Catalog is now rare. An austerely elegant production by Stephen Daiter Gallery: Regular-sized volume format. Pictorial softcovers, as issued. Photographs and text by Dawoud Bey. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at Paris Photo from November 9 through 12, 2023. Presents Dawoud Bey's "Stony The Road". The third and final sequence of his American Slavery Project. It began with "Night Coming Tenderly, Black" and was followed by "In This Here Place". The present 16-plate sequence revisits the Virginia Slave Trail, which led to the hub of the vast slavery trade in Richmond, Virginia, where African men, women, and kids, held in animal cages, were transported, then sold off at auctions to their eventual white owners. Today, African-Americans (and whites) prefer to remember the "Happy Ending": The Underground Railroad, in sustained meditations in art, literature, music, and photography, because that was about heroic struggle, liberation, and freedom. The Virginia Slave Trail is - not just about - pure evil, an ineradicable stain in American history. In these ironically lyrical, serenely beautiful images of the James River and the Virginia Wild, Dawoud Bey reminds - and refuses to make us forget - where the slaves LITERALLY first set foot on American soil. The title comes from James Weldon Johnson's' great poem, "Lift Every Voice And Sing": "Stony the road we trod / bitter the chastening rod". Taken together, "Night Coming Tenderly, Black", "In This Here Place", and "Stony The Road", constitute a major American photographic achievement of our time. An absolute "must-have" title for Dawoud Bey collectors. This title is a contemporary art photography classic. As far as we know, this is the only copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is neither a full-fledged book nor a monograph. But it is an indispensable sequence in Bey's oeuvre, presented in its 16-plate entirety, beautifully produced. A rare copy thus. 16 Plates. One of the most brilliant American photographers of our time. A fine copy. (SEE ALSO OTHER DAWOUD BEY TITLES IN OUR CATALOG). no.…

Hardcover. Etat : Very Good. Etat de la jaquette : N/A. 190pp. Blue cloth-covered boards; black design on front, black titles on front and spine. 4to. Sun-faded, lightly rubbed corners, rubbed spine ends with cloth wearing. Top text block edge tanning, remaining edges starting to tan. Free endpapers starting to tan; pages ageing, volume shaken. Otherwise, internally neat and clean.…

Hardcover. Etat : Very Good. None. First Edition. A very early printing in the same format and quality, bound in light brown cloth with black titles. With a long original introduction by Johnson and musical arrangements by J. Rosamond Johnson with additional numbers by Lawrence Brown. One of the most famous books of Negro Spirituals, with full musical notations. A near fine copy, clean and unmarked. Uncommon.…

Cloth. Etat : Very Good +. 1st edition, 5th printing. 1st edition, 5th printing, 1928. A Very Good + copy. 4to., 187 pp., chiefly illustrated with musical score. Tan cloth with green and brown design. Minor signs of shelf wear, with a slightly dulled spine. Text appears unmarked. Dust jacket folded inside rear cover - torn and chipped.…

Hardcover. Etat : Very Good. No Jacket. Excellent condition, firmly bound and clean, a little tanning on end papers. Previous owner's name and date, 1925, at the top of the front end paper.

Original Cloth. Second printing. Spine ends lightly rubbed; gift inscription dated "Dec 25th 1925.".

Cloth. Etat : Good +. 1st edition. 1st edition, 1925 with no later printing notations. A Good + copy. 4to., 187 pp., chiefly illustrated with musical score. Tan cloth with green and brown design. Boards lightly soiled, with a slightly dulled spine. Church stamp on end pages. Water ring on front cover. Text appears unmarked.…

Hardcover. Etat : Good. Etat de la jaquette : N/A. 186pp, mostly musical scores. Brown cloth-covered boards; blind-embossed design on front, gilt titles on spine. 4to. Rubbed corners and spine ends; mottled front, wear to boards, cloth on rear rippled. Text block edges tanning. First and last pages tanning, pages starting to age, volume shaken. Otherwise internally neat and clean.…

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Hardback. No Dustjacket. No Statement Of Later Printing On Copyright Page. Owner's names on front two endpapers. Tight sound reading copy in good condition with staining to covers and spine and some browning to interior pages.

Paperback. Etat : Brand New. 266 pages. 8.43x5.85x0.73 inches. In Stock.

1959. Harcourt, Brace & World. Paperback Good.

hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Oxford University Press, 1995; complete two-volume set, both first printings; [18], 306pp., [16], 457pp. Both in excellent condition: bindings tight, sturdy, and square; red cloth boards very good; black titling bright and bold. Ends of spine bumped. Exterior shelfwear to jackets is very minor. Interiors both free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota; due to the size/weight of this set, additional shipping charges may apply.…

Hardback. Etat : VG-. No Dw. 2nd Printing. Book is in very good minus condition with minor but noticeable signs of wear and/or age.

Hardcover. Etat : Brand New. 266 pages. 8.90x6.20x1.00 inches. In Stock.

Soft cover. Etat : Near Fine. 1st Edition. Near Fine - very. See scans and description. San Francisco: Sierra Club, 1941. The February, 1941 issue of the Sierra Club Bulletin, that being Volume XXVI, Number 1. Tall octavo (9 1/4"), printed perfect-bound wraps, 193 pp. (158 pp. numbered, 34 plates, one onionskin). Quite Near Fine, with in fact no salient flaws to point to; this example is, in all likelihood, in the same condition in which it was originally received in 1941. See all scans. This issue feature a 16-plate section of majestic photos of the King's Canyon National Park by Cedric Wright (as well as two other Wright plates elsewhere); a fold-out reproduced map of the San Joaquin Valley, originally created by Lieutenant Jose Maria Estudillo in 1819; and onionskin foldout map of the Mt. Whitney Region, executed by the Sierra Club itself, new for this issue; an 1875 article on the King's River Valley by John Muir, originally published in The Daily Evening Bulletin; two 1875 photos by W.E. James which may be the first photographs ever taken in the King's Canyon National Park; sketch-illustrated pieces on climbing and camping; and a lot more. See scan of contents page. Photographers: Cedric Wright; David R. Brower; Weldon F. Heald; Henry E. Timby; David Burd; Raffi Bedayan; Spencer Austin; Richard M. Leonard; Thomas Morley; W.E. James. Writers of the above-mentioned pieces and others on Mountain Wind, King's River Sierra, Mount Avon, End of the Rope, High and Dry, Little Gem Company, Snowpatch, the legislative history of Sequoia and King's Canyon National Park, Botany, Mountain Photography, and Mountaineering Notes include: Francis P. Farquhar; John Muir; Ansel Adams; Joseph N. LeConte; Norman Livermore; Charlotte E. Mauk; Weldon F. Heald; Blanche Stallings; Fritz Lippmann; John Thomas Howell; May Pridham; Cedric Wright; Bestor Robinson; Leland Curtis; John D. and Ruth Mendenhall; Arthur B. Johnson; Braeme Gigas; Howard Koster. Ships in a new, sturdy, protective box - not a bag. LSC2. Cedric Wright; David R. Brower; Weldon F. Heald; Henry E. Timby; David Burd; Raffi Bedayan; Spencer Austin; Richard M. Leonard; Thomas Morley; W.E. James (illustrateur). …