Jones david illus (23 résultats)

Hardcover. Etat : Very Good. No Jacket. First edition. 45pp, 6 x 9 inches, ex-lib. Ann Baum, Annie Bennett, C Howell-Jones, Tony Morris (illustrateur).

Hardcover w/DJ. Etat : Very Good/Very Good. First Edition. Alberta, CAN: Fifth House Ltd / Fitzhenry & Whiteside. Very Good/Very Good. (2006). First Edition. Hardcover w/DJ. Sm 4to., 178 pp., shelfwear . Black & White/Color Illus. & Photos (illustrateur).

Soft cover. Etat : Very Good. No Jacket. 1st Edition. paperback in very good condition, not ex-library. There are no names, clean cream pages, a thin texta line across bottom closed page edges, tight binding with uncreased spine and clean stiff card covers with slight dogears. David is not looking forward to the summer holidays with his awful relatives. Then Luke turns up, full of jokes and plansstrangely he appears whenever David strikes a match. Another excellent inventive and exciting story from Diana Wynne Jones. Please ignore abe's shipping estimate, as I will charge shipping at cost - Australia Post rates.…

Soft cover. Etat : Very Good. No Jacket. 1st Edition. paperback in very good condition, not ex-library. There are no names, clean cream pages, tight binding with uncreased spine and clean stiff card covers, slight dogears on the back. When Vivian is evacuated from London is 1939, instead of arriving in the British countryside she turns up in Time City, a place that exists outside time and space. Another excellent inventive and exciting story from Diana Wynne Jones. Please ignore abe's shipping estimate, as I will charge shipping at cost - Australia Post rates.…

Etat : Very Good. 1960. Hardcover. Good copy in original cloth covers. Tear on FFEP. Light nicks, remains a good copy. . . . .

Etat : Very Good. 1960. Hardcover. Good copy in original cloth covers. Tear on FFEP. Light nicks, remains a good copy. . . . . Books ship from the US and Ireland.

Hardcover w/DJ. Etat : Good/Good. Reprint. Sydney: Reed. Good/Good. 1991. Reprint. Hardcover w/DJ. Sm 4to., 278pp., Shelf wear; foxing on top edge; pages clean and unmarked. . Black & White/Color Illus. & Photos (illustrateur).

Etat : Good. David Jones: Artist and Writer. Illus (illustrateur).

Cloth w/DJ. Etat : VG/G. First Edition. Woodland Hills, CA: Windsor Publications. VG/G. (1982). First Edition. Cloth w/DJ. 4to., 224 pp., Dj rubbed, frayed, shelfwear . Black & White/Color Illus. (illustrateur).

Octavo hardcover (VG+) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.…

Brown hardback cloth cover. Etat : Very Good. Reprint. VG : in very good condition with faded dust jacket. Edge-block lightly foxed. 230mm x 150mm (9" x 6"). xxii, 591pp. JOnes, Wendy (illustrateur).

Etat : Very Good. 1970. Hardback. One volume from the 'Books That Have Changed Man's Thinking' series. Fine in fine quarter leather bindings, highly decorated gilt titles to spine, and elaborate gilt decoration to front cover. Covers showing very light shelfwear. Decorated end papers. Lightly toned, a little spotting to edges, text and illustrations crisp and clear and remains a fine copy. . . . . …

Soft cover. Etat : Very Good. 1st Edition. Ariel poem 13.stapled wrappers.very good.(H21/5).

Etat : Very Good. 1970. Hardback. One volume from the 'Books That Have Changed Man's Thinking' series. Fine in fine quarter leather bindings, highly decorated gilt titles to spine, and elaborate gilt decoration to front cover. Covers showing very light shelfwear. Decorated end papers. Lightly toned, a little spotting to edges, text and illustrations crisp and clear and remains a fine copy. . . . . Books ship from the US and Ireland. …

Booklet. Etat : Very good +. Etat de la jaquette : Fair. The Ariel Poems No. 13. 4 p. 19 cm. Colour frontispiece. Paper covers in green paper jacket. Jacket split in two parts, held on by flaps. Stain to bottom front. Tiny ink stamp on illustration page. Other booklets in series listed at rear.

Etat : Gut. Octavo. 220 pages. Illustrated with six plates: 1. The Chester Play of the Deluge / 2. The Rime of the Ancient Mariner / 3. Portraits of a Boy / 4. The Terrace / 5. Thorn Cup / 6. Vexilla Regis. Original Hardcover. Very good condition with only minor signs of external wear. Some minor rubbing and staining to the cover. Includes for example: Observations on Art / The Visual Arts / In Parenthesis / The Anathemata / The Work in Progress / The Arthurian World / Essays and Occasional Writings /. Illus (illustrateur).…

Etat : Fine. Etat de la jaquette : Near Fine. Quarto. Limited facsimile edition, copy no. 226 of 750. Cream cloth, spine lettered in gilt, with taupe paper dust wrapper printed in black after the original 1926 Golden Cockerel Press design. Illustrated with 14 wood engravings by David Jones. Printed on Corolla Book Laid Ivory paper. Accompanied by a separate essay by Sebastian Carter. Housed together in the publisher's turquoise solander presentation box, gilt-lettered to spine and upper board with inset Jones illustration. Exceptionally clean and well-preserved; only negligible handling visible to case. A handsome Folio Society facsimile of the celebrated 1926 Golden Cockerel Press edition, originally limited to just 175 copies. Jones's forceful wood engravings rank among the defining achievements of early twentieth-century British private-press illustration. One of 750 numbered copies issued, this being copy no. 226. Complete with Sebastian Carter's accompanying essay and publisher's solander case. David Jones (illustrateur).…

hard cover. Etat : fair. no jacket. Large-paper edition, printed on English hand-made paper. Limited to 400 copies. This is no.255. Red paper covered boards, gilt lettering to front board. Signed by Roy Campbell. b/w illus.on half title page. A colored plate. (15)pp. Front board sl.damp stained and sl.spotted. Rear board sl.damp stained. Spine faded. [f1317-171425]. signed.…

1st edition. Pale blue card covers in fine condition, likewise the contents. With David Jones's illustrations, the first in colour. An Ariel Poem, undated but 1954, in very nice condition.

folio. pp. iv, 16, [1]. 10 wood engravings. original red cloth. A fine uncut copy (light wear to foot of spine). broadside with wood engraving loosely inserted. First Edition, Limited to 275 numbered copies.

Hardcover. Etat : Near fine. Small quarto. 15pp. Illustrated with thirteen wood engravings by Jones, all of them typographically and thematically harmonious. Though black-and-white, the engravings seem to take on an intensity of color and tone to suit the tumultuous seafaring experience of Jonah. Bound in plain buckram with gilt titling to spine. Mild overall toning, more obvious at spine, occasional motes of soiling to covers, "919" in ink at top of title page. Front panel of dust wrapper laid in to rear; this featuring Jones's "The Resurrection of Christ," which also appears as at title motif. VG+, with a desirable association. One of 175 copies. Presentation copy from "Arundell," who wrote the introduction to another 1926 Jones-illustrated Golden Cockerel publication, "Pompey the Little.". …

Hardcover. Etat : Fine. No Jacket. Special Edition. Published by Clover Hill Editions, London in 1977. Number 'XXX1' of only 80 special copies, printed by Will Carter at the Rampant Lions Press on Barcham Green handmade paper, watermarked 'Clover Hill' (made for Douglas Cleverdon in 1936). The BOOK is in Fine condition, bound in quarter-morocco and marbled boards. Illustrated with ten wood engravings by David Jones, this title is considered by many to be the artist's most significant work. These engravings were initially printed in the Golden Cockerel edition in 1927. Jones, however, felt that the some of the delicacy of his wood engravings had been lost, as the paper was not properly dampened by the Press as they hurried to meet a deadline. According to the Publisher's Note by Douglas Cleverdon, Jones acquired the ten blocks in order to ensure that they would not be reprinted without his approval. In 1977, Jones agreed to 'Clover Hill Editions' reprinting the book using his original blocks, in the manner that he originally intended. In this present edition, the illustrations are at once dark, clear, and retain their minute detail in the fine lines. This copy also contains a separate portfolio of the ten wood engravings printed on Japon. In the portfolio, the images are printed directly from the blocks onto the Japon, revealing even greater clarity in Jones's work. The engravings are all in Fine condition. The book and portfolio are housed in the publisher's original linen slipcase with a printed paper label on the spine. Loosely inserted are the complete four publisher's Prospectii : The original prospectus only referring to the standard and special copies : A further one referring to the publication of seven 'Copies on Vellum' : The third referring to twenty five limited sets of prints on Japon and finally the fourth prospectus, which refers to all three formats and the sets on Japon. A very handsome production. More images available on request. Ashton Rare Books welcomes direct contact.…

Hardcover. Etat : Near Fine. No Jacket. 1st Edition. The sole UK printing published by St. Dominic's Press, Ditchling in 1930. The BOOK is in near Fine condition. This is number '1' of a total edition size of only 240 copies. Light pushing at the spine ends and some tiny rubs to the rear panel and upper edge spine cloth. Tiny amount of spotting to the text-block. Free from inscriptions and erasures. Publisher's errata page present. Batchlor & Sons hand made paper printed on the Stanhope Press. Full page wood-engraving 'The Bride' and title page decoration by David Jones. In 'A Survey of the Engravings of David Jones' page 19, Cleverdon wrote ' To the end of his life, David was particularly fond of this engraving'. It was a remaking of a failed first illustration for 'The Ancient Mariner' in which he had wanted to evoke a nun taking the veil. He set off whites and greys against 'very small areas of solid black'. In one Romanesque window, apparently echoing the curves of the bride's breasts, appears the hart of Psalm 42. Dilworth also points out that her high forehead is Petra's but her groom is the Saviour with whom Jones identified. (Cleverdon E200: Taylor and Sewell A201 : Dilworth, David Jones pp1178). Protected in a loose Mylar archival cover. Very scarce.…