Joseph probst (111 résultats)

Etat : New.

Softcover. Etat : Gut. XII, 585 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Einband leicht belesen/bestoßen. Einband leicht staubfleckig. Ohne Schutzumschlag. Sprache: Englisch Gewicht in Gramm: 1000.…

Hardcover. Etat : Sehr gut. nachdruck. oktav hardcover. sehr gutes exemplar. ungelesen, tadellos, gebundene ausgabe, graues, goldgeprägtes und wappenillustriertes originalleinen mit illustr. schutzumschlag, dieser minimal angerändert, frontispiz, XII, 585 seiten mit 4 karten im anhang.

Etat : New. 2023. paperback. . . . . .

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

205x120mm, 229 + 35Seiten, Envois Europe : TVA inclus dans montant final. Exceptions taxes postales locales à la charge de l'acheteur (~2 EUR). Si nécéssaire, contact via notre page d'accueil / Shipping to Europe : VAT included in total amount. Local postal fees apply to buyers in Europe (~2 EUR). Contact us via our homepage if needed. Sammelversand: Die Versandkosten werden nach dem Gesamtgewicht der Bestellung berechnet ? jedes weitere Buch kostet deutlich weniger Porto. Bestellen Sie mehrere Bücher und sparen Sie Versandkosten! / Combined shipping: postage is charged on the total weight of your order, so each additional book ships at a reduced rate ? order several books from us and save on postage. …

Paperback. Etat : New. While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a sceptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970.Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists-often in the contested arena of "primitive art." It presents better- and lesser-known actors, from the art historian-anthropologist Aby Warburg to the modernist Brazilian artist Tarsila do Amaral, and from curators-museum directors such as Alfred Barr and René d'Harnoncourt to the curator-impresario Leo Frobenius. Entering the current debates on decolonizing the past, this collection will prompt reflection on future relations between these two fields.…

Etat : New.

Etat : new.

Nachdruck der 1. Auflage Speyer 1898. 4 Karten, Frontispiez, 585 S., SU mit Gebrauchsspuren, sonst guter Zustand Sprache: Deutsch Gewicht in Gramm: 1050 22 cm, Leineneinband mit goldgeprägtem Deckel und Rücken, SU.

Etat : New. In English.

Etat : As New. Unread book in perfect condition.

Etat : New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : Brand New. 272 pages. 10.25x7.25x0.75 inches. In Stock.

Paperback. Etat : new. Paperback. An in-depth and nuanced look at the complex relationship between two dynamic fields of study. While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a skeptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970. Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologistsoften in the contested arena of "primitive art." It examines the roles of a range of figures, including the art historiananthropologist Aby Warburg, the modernist artist Tarsila do Amaral, the curator-impresario Leo Frobenius, and museum directors such as Alfred Barr and Rene d'Harnoncourt. Entering the current debates on decolonizing the past, this collection of essays prompts reflection on future relations between these two fields. Exploring case studies from Australia, Austria, Brazil, France, Germany and the United States, this volume addresses connections & rejections between art historians and anthropologists - often in the contested arena of Primitive Art. With debates on decolonizing the past, the collection prompts reflection on future relations between these fields. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

Paperback. Etat : New.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Paperback. Etat : New. While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a sceptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970.Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists-often in the contested arena of "primitive art." It presents better- and lesser-known actors, from the art historian-anthropologist Aby Warburg to the modernist Brazilian artist Tarsila do Amaral, and from curators-museum directors such as Alfred Barr and René d'Harnoncourt to the curator-impresario Leo Frobenius. Entering the current debates on decolonizing the past, this collection will prompt reflection on future relations between these two fields.…

585 S. OBr. Widmung von Siegfried Jantzer, Bürgermeister der Stadt Germersheim, auf dem Vortitel.

pp. 40-85, 2 chromolithogr. maps with sections. Plain new wrs., uncut. Last text page in photocopy.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. In English.

Etat : NEW.

Etat : New.

Etat : New.

Taschenbuch. Etat : Neu. Neuware - An in-depth and nuanced look at the complex relationship between two dynamic fields of study. While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a skeptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970. Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists--often in the contested arena of 'primitive art.' It examines the roles of a range of figures, including the art historian-anthropologist Aby Warburg, the modernist artist Tarsila do Amaral, the curator-impresario Leo Frobenius, and museum directors such as Alfred Barr and René d'Harnoncourt. Entering the current debates on decolonizing the past, this collection of essays prompts reflection on future relations between these two fields. …