Kalish max (14 résultats)

Hardcover. Etat : Fine. Etat de la jaquette : Good. 1st Edition. Grey Cloth Stamped In Brown. First Edition. Fine, Cloth Slightly Aged But Not Worn. Dust Jacket With Edge Tears And A Chip From Bottom Of Rear Panel. Inscribed By Alice Kalish To Russell W. And Rowen Woodham Jelliffe "To The Jelliffes- And Their Wonderful Karamu From Alice Kalish February 1950". Alice Kalish Was The Dedicatee Of This Book. Rowena Woodham Jelliffe (1892- 1992) Became A Pioneer In The Field Of Interracial Theater As An Outgrowth Of Her Career As A Social Worker And Co-Founder Of Karamu House. Born And Raised In New Albion, Ill., She Came To Ohio In 1910 To Enter Oberlin College, Where She Served As President Of The Oberlin Women's Suffrage League And Met Her Future Husband, Russell W. Jelliffe. After A Year Spent Jointly As Graduate Students At The University Of Chicago, Rowena And Russell Were Married And Came To Cleveland To Establish The East Side Settlement House That Eventually Became Karamu. To Help Draw Their Largely African American Constituency Into The Settlement's Program, Mrs. Jelliffe Began Producing Children's Plays With Interracial Casting. An Adult Dramatic Group, The Gilpin Players, Was Organized In The Couple's Living Room In 1920. A Permanent Theater Was Opened In 1927, After 2 Summers' Study By Mrs. Jelliffe At The School Of Theater And Dance In New York. Besides Directing 100 Plays At Karamu From 1920-46, She Sometimes Wrote Plays For The Children And Once Completed A Play By Langston Hughes When The Final Act Failed To Arrive In Time. Mrs. Jelliffe Was Also A Campaigner For Civil Rights, Helping To Integrate The Wade Park Manor Dining Room In 1926 And Marching With Martin Luther King, Jr., In The 1960S. Following Their Retirement And The Death Of Russell In 1980, Mrs. Jelliffe Remained Active In Numerous Civic And Arts Organizations, Serving On The Boards Of The East Cleveland Theater And The Fine Arts Assoc. Of Willoughby. Her Papers Are At Case Western University. …

Hardcover. Etat : Very Good. Etat de la jaquette : Fair. This book shows minimal sign of wear to the cover, binding, or pages. The book is signed by Author. Dust jacket condition is Acceptable. Secure packaging for safe delivery. signed by author.

Hardcover. Etat : Very Good. First Edition of 500 Copies. [107]p. including illustrations. A very good copy, the light tan spine and covers are very faintly dust-soiled and the front free endpaper has been creased at one time and it shows very slight wear for about 2 inches on the bottom edge near the fore-edge, no d.j. Size: Folio - over 12" - 15" tall. Book.…

Hardcover. Etat : VG-. First Edition. Beige cloth boards with brown stamped lettering. 107 pp. 43 plates. Portrait. Seven page essay by Emily Genauer, followed by the plates. 500 copies printed. Signed and inscribed by Max Kalish on front-endpaper.

Hardcover. Etat : Good. 1st Edition. Good hardcover copy with d/j. 1st edition, limited to 500 copies, 96 pp, 43 illustrations. Introduction by Emily Genauer. *There are tears on dustjacket, mostly on spine.

Etat : Good. Max Kalish New York 1938 Binding: Hardcover small chips and tear on dust jacket. previous owner inscription on ffep.

Hardcover. Etat : Very Good. Folio, tan rough boards with Kalish symbol, circq 100pp, muscled men doing hard work, with a torso nude and baby thrown in to sweeten the pot. INSCRIBED, "To Bernard Joffe, kindest wishes."vvbrn2/2.

Hardcover. First Edition. Beige cloth boards with brown stamped lettering. [107] pp. 43 plates. Seven page essay by Emily Genauer, followed by the plates. 500 copies printed. VG- light wear to edges and corners, a bit of soil, tanning/aging to block edges, previous owner name inside front cover and ink scribble).…

Hardcover. Etat : Very Good. Comet Press January 1938 Binding: Hardcover ONE OF 500 FIRST EDITION COPIES WITH DUST JACKET, DJ HAS SOME WEAR $NRP.

hardcover. Etat : near fine. Etat de la jaquette : good. First. Introduction by Emily Genauer. Slim 4to, beige cloth, torn d.w. New York: (Comet Press), 1938. First edition, limited to only 500 copies. A near fine copy in a good dust wrapper, with a nice ink inscription from the artist on the flyleaf. Kalish, Max (illustrateur).…

Etat : Very Good. Max Kalish New York 1938 Binding: Hardcover ex-library copy. library stamps on ffep and title page. previous owner inscription on ffep. $NRP.

Etat : Near Fine. NY 1938 1st Kalish. Introduction by Emily Genauer. Ltd to 500 copies. 4to., short text plus 43 photo plates of Kalish's sculptures of rubust working men which are designed to honor the working man and to further radical politics, hardcover. Signed by Alice Kalish. Near Fine, no DJ. Pictures available. …

Etat : Good. Etat de la jaquette : Very Good. First Edition. Very clean copy without previous owners' names or markings. One of only 500 copies signed by Kalish.

This Belarus-born American sculptor is well known for his many powerful working figures showing the strong social realism of his era, but his full-length Lincoln statue in Cleveland is by far his most famous. ALS, 1p, 7¼" X 10½", New York, NY, 5 March 1941. Address to noted Lincoln scholar Arnold F. Gates (1914-93). Near fine. Faint original folds. On imprinted "Studio of Max Kalish, A.N.A." letterhead, Kalish cordially sends "Thanks for your birthday wishes. It was kind of you to remember me," adding to this Cleveland born and raised resident, "Am pleased also that you like my Lincoln statue." Boldly penned in black ink and signed at the close. A superb example of this seldom seen autograph -- and referencing his most famous work to a Lincoln writer. …