Karen wright editor (47 résultats)

Paperback. Etat : Very Good. Book has minor wear from reading or handling, mostly around the edges. No markings noted. Providing superior service since 2001. Dropshippers heartily welcomed.

Etat : Very Good. None. 640 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Record # 471169.

Etat : Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Grove Press Pub Date: 9/30/2000 Binding: paperback Pages: 617 Reprint edition.

Soft cover. Etat : Very Good. No Dj. glossy magazine format.

Soft cover. Etat : Very Good. 114pp, very well-illustrated in colour, softcover, very good condition, Modern Painters, London, 1998. * David Bowie interviews Julian Schnabel, Siri Hustved on Morandi, A S Byatt on Alan Stocker, Bryan Robertson on Alexander Calder, Trevor Winkfield on Graham Sutherland, Martin Gayford on Monet . ILLUSTRATED (illustrateur).…

Soft cover. Etat : Very Good. 130pp, very well-illustrated in colour, softcover, very good condition, Modern Painters, London, 2001. * meeting Sam Messer in his extraordinary portraits by Jonathan Safran Foer, David Hockney talks to Martin Gayford, Dore Ashton on museums and curators . ILLUSTRATED (illustrateur).…

Soft cover. Etat : Fine. 1st Edition. Poetry/Art Magazine. With illustrated cover. 8 1/2 x 7 inches. FINE. All corners pointed. With slight wear from handling. Without tears, creases, bumps or chips. But for some darkening to edges, not marked and very clean and bright. All items carefully wrapped and sent boxed.…

Hardcover. Etat : As New. Hardcover with printed covers showing light shelf wear, otherwise as new. Pages are clean and unmarked. No notes or highlighting.

First Edition. Fine paperback copy; slightly dust-dulled. Remains well-preserved overall. Summary; The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years. One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London. Physical Description; xxi, 346 pages : illustrations (chiefly color) ; 29 cm. Notes; Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019. Subjects; 1900-1999. Art Private collections. Art Private collections England London 20th century Exhibitions. Courtauld (Samuel) Collection. Courtauld (Stephen) Collection. Courtauld Institute Gallery (London). Courtauld Institute of Art Courtauld Collection. Courtauld, Samuel, 1876-1947. Courtauld, Samuel, 1876-1947 Art collections Exhibitions. England London. Essays. Exhibition catalogs. Fondation Louis Vuitton (Paris, France). Fondation Louis Vuitton (Paris, France) Exhibitions. Fondation Louis Vuitton (Paris, France) Expositions. Illustrated works. Impressionism (Art). Impressionism (Art) Exhibitions. 1 Kg.…

Etat : Very good. - Small folio [approximately 14-1/2 inches high by 10 inches wide], softcover bound in printed green wrappers. The binding is slightly bumped with some light creasing to the edges of the wraps. There are a few very light stains to the rear wrap. 335 pages. Profuse illustrations in color and black & white. The bottom corners of a few rear pages are lightly bumped. Very good. Catalog for an auction held in London on 30 June 2010. One of the company's "theme sales", this auction included all aspects of Italian art and design, fashion, photography, etc. The text includes many articles and interviews.…

Soft Cover. Etat : Very Good. Spring 1995, Volume 8, No. 1. 114 pp. Spring 1995, Volume 8, No. 1 only! Solidly bound copy with minimal external wear, crisp pages and clean text. Small stain on bottom edge.

First Edition. Fine paperback copy; slightly dust-dulled. Remains well-preserved overall. Summary; The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years. One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London. Physical Description; xxi, 346 pages : illustrations (chiefly color) ; 29 cm. Notes; Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019. Subjects; 1900-1999. Art Private collections. Art Private collections England London 20th century Exhibitions. Courtauld (Samuel) Collection. Courtauld (Stephen) Collection. Courtauld Institute Gallery (London). Courtauld Institute of Art Courtauld Collection. Courtauld, Samuel, 1876-1947. Courtauld, Samuel, 1876-1947 Art collections Exhibitions. England London. Essays. Exhibition catalogs. Fondation Louis Vuitton (Paris, France). Fondation Louis Vuitton (Paris, France) Exhibitions. Fondation Louis Vuitton (Paris, France) Expositions. Illustrated works. Impressionism (Art). Impressionism (Art) Exhibitions. 1 Kg.…

Soft cover. Etat : Fine /As New. Pictorial, glossy magazine. Cover: 'Crying' by Rothenberg; pp 146. Articles by Julian Barnes, Philip Roth, Marlene Dumas, Guy Maddin, Bill Viola; Susan Rothenberg Interview. A mint, obviously unread copy.

Soft cover. Etat : Fine. Pictorial, glossy magazine; pp 140. Cover:- 'Maureen's Coloured Strokes' by Ghada Amer. Main features: Gerhard Richter, Lucian Freud, Gilbert & George. A square, tight, clean, copy; one shallo corner crease. Image/further info available upon request.

Soft cover. Etat : Very Good + to Near Fine. Pictorial, glossy magazine; pp 167. Special American Issue. Features include: Richard Long, John Currin, Richard Prince, William Eggleston, Peter Beard, Tracy Emin. Repaired, short, closed tear to back cover, but this is a square, tight, clean, copy which appears little [if at all ] read. Image/further info available upon request.…

Soft cover. Etat : Near Fine. Pictorial, glossy magazine; pp 116. Features include: R.B.Kitaj with Martin Gayford, Ivor Abrahams by Clive Sinclair. A square, tight, clean, copy which appears little [if at all ] read. Image/further info available upon request.

Soft cover. Etat : Fine. Pictorial, glossy magazine; pp 1116. Includes Philip Hensher on Cy Twombly, Claes Oldenburg by Julian Barnes.a square, tight, clean copy which appears little [if at all] read. Image/further information available upon request.

Soft cover. Etat : Near Fine. Pictorial, glossy magazine; pp 116. Articles by John Lanchester et al. A square, tight, clean, copy which appears little [if at all ] read. Image/further info available upon request.

Pictorial Soft/card Covers. Etat : Near Fine. Pictorial, soft/card covers [cover: Richard Avedon self portrait]. Pp 132. This is a square, tight, clean copy with smooth covers whih appears little - if at all - read. All contents firm and bright. Images/further in fo. available upon request.

Soft cover. Etat : Near Fine. Pictorial, soft/card covers [cover: Joseph Beuys/Ipihigenie, 1969/Frankfurt]. Pp 132. This is a square, tight, clean copy with smooth covers which appears little - if at all - read. All contents clean and bright. Image/further information available upon request.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Printing (1st Ed.). Contributors include Seamus Heaney, Germaine Greer, William Boyd, David Bowie & Will Self. Illustrated with color photographs. Art, Art Criticism.

Soft cover. Etat : Near Fine. Cover: 'Zoe' by Euan Uglow. Pictorial, glossy magazine; pp 116. Features include: Euan Uglow at Sixty-Five by David Sylvester; articles by Siri Hustvedt, Craig Raine; Bridget Riley, Richard Mabey et al. A square, tight, clean, copy which appears little [if at all ] read. …

Soft cover. Etat : Very Good. Another Edition. A quarterly journal of the fine arts. Light wear to covers with a hint of browning to edges Size: 300mm Tall. Book.

Soft cover. Etat : Near Fine. 1st Edition. 138 pages with lots of colour articles and adverts. Articles on; Gerhard Richter, photographer Sam taylor-Wood, Lucien Freud, Abstract Art, reviews of exhibitions, book reviews, Toby Litt interview, etc, etc. Quarto, glossy covers. Near Fine. 2002.

Soft cover. Etat : Near Fine. Etat de la jaquette : Not applicable. 1st Edition. 112 pages, fully illustrated with articles on and by Polly Toynbee and Censorship and the Tierney Gearon Incident. + Masks and Tierney Gearon by Di Trevis + Goya's Private Albums + Mark Wallinger's Installation at Venice Biennale by Craig Burnett + other articles on Modern British Art + Stieglitz photography + Andy Warhol, and the 20th century portrait + Scandinavian Modernism, etc, etc.…

Soft cover. Etat : Near Fine. Etat de la jaquette : Not applicable. 1st Edition. 114 pages, fully illustrated with articles on and by A. S. Byatt on Patrick Heron + William Blake by Jamie McKendrick + Picasso as a Sculptor by James Hall + series of articles on "death" in art + other contributions by Kazuo Ishiguro, Howard Jacobson, Fernand Caetano, etc, etc. Near Fine.…

Soft cover. Etat : Near Fine. Etat de la jaquette : Not applicable. 1st Edition. 130 pages, fully illustrated with articles on and by Rembrandt Portraits + Richard Serra + Bridget Riley + El Greco + poem after Soutine + Claas Oldenburg + Anthony Caro and contributions by David Sylvester, Martin Gayford, A. S. Byatt, Karen Wright, Craig Raine, etc. Near Fine.…

Soft cover. Etat : Near Fine. Etat de la jaquette : Not applicable. 1st Edition. 114 pages, fully illustrated with articles by Martin Gayford on Stanley Spencer + others on Hockney, De Kooning, Gilbert & George interview with David Sylvester + Michael Palin + Julian Bell + Howard Jacobson + Nick Hornby all contribute in this issue. + others on the State of Art, etc. Near fine. David Bowie on editorial staff.…

Soft cover. Etat : Near Fine. 1st Edition. 130 pages with gallery adverts various contributors, near fine copy, with articles on British Sculpture in the 60's (Colour as Form by Bryan Robertson) + Hanif Kureishi "Ladybirds For Lunch" A children's short story illustrated by Ray Richardson, + William Corbett, Memories of photographing artists at work, etc. Large foolscap size. Almost 12 x 8 inches.…

Soft cover. Etat : Near Fine. 1st Edition. 134 pages with gallery adverts various contributors, near fine copy, with articles on and by; Calvin Tomkins on Andreas Gursky + Kevin Jackson on Edward Steichen's Photographic Portrait + Brassia, The Soul of Paris + Cinema and Impure art? by Raymond Bellour, etc. Large foolscap size. Almost 12 x 8 inches.…