Kemmerer allison (81 résultats)

Etat : Good. A sound copy with only light wear. Overall a solid copy at a great price.

paperback. Etat : Fair.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Etat : Very Good. 1st Edition. First edition pb.

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Etat : Good.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Etat : As New. Etat de la jaquette : As New. Allison N. Kemmerer, Elizabeth C. DeRose, and Carroll Dunham. 256 pages, 431 color illustrations, glossary, concordance, quarto (4to), hardcover, red cloth with black text on cover and spine, dust jacket. Very good condition, unsold inventory of an old bookstore. Inventory #56701-2.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st. 123 pages, illustrations (some colour); 32 cm. Published on the occasion of an exhibition held at the Addison Gallery of American Art, September 12 to December 10, 2006. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "In 1968 artist Jennifer Bartlett (b. 1941) began painting in what would become her celebrated and trademark style - colored dots on gridded steel plates and canvas. Focusing on the single and multi-plate pieces that began in 1968 and culminated in 1976 when Bartlett sprang onto the art scene with her pivotal Rhapsody painting, this book analyzes for the first time the significant role these formative and long-overlooked works played in her artistic development. Bartlett's early plate work reflects her transformation of the prevailing Minimalist aesthetic into something distinctly her own. With colour illustrations of this body of work - many of which have never before been published or exhibited - the book charts Bartlett's progression from mathematically precise dot paintings to rigorously structured patterned pieces to more freehand and expressive painterly pieces. In the process, the importance of these works to the artist's career and to the history of contemporary art is discovered. / Brenda Richardson, a writer and independent curator, served as deputy director of art and curator of modern painting and sculpture at the Baltimore Museum of Art from 1975 to 1998. Allison Kemmerer is Curator of Art after 1950 and of Photography at the Addison Gallery of American Art." - Publisher. *** CONTENTS: Lenders to the exhibition; Acknowledgements, by Brian T. Allen; Connecting the dots, by Allison N. Kemmerer; What if?, by Brenda Richardson. Size: Folio. Collectible. …

Hardcover with dustjacket, 256 pages; very good condition; small tear to dj at bottom of spine; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good. Text clean and tight; NOTE: additional postage may be necessary for international shipping; Addison Gallery Of American Art; 8vo 8" - 9" tall; 256 pages.

First Edition. First edition. Softcover. 54 pages. Exhibition catalog for a show that ran March 19 through May 1, 1999 at Howard Greenberg Gallery and May 8 through July 31, 1999 at Addison Gallery of American Art, Phillips Academy. Essay by Allison N. Kemmerer. Includes numerous black and white images. A fine copy in wrappers and with laid in complimentary slip. An attractive catalog.…

Sep 02, 1999. Etat : New. Handsome, new softcover. Text in Italian and English. No marks or flaws; no defects.

hardcover. Etat : Fine copy in fine dust jacket. 1st. 4to, 256 pp., Still shrink-wrapped from the publisher. Profusely illustrated (illustrateur).

Hardcover. Size: 9.25"x11.5", 255pp., 431 colour illustrations. Near new, fresh unused condition, covers bright, text clean & binding tight / bright and crisp dust jacket.

hardcover. Etat : Collectible; Like New. First Edition; First Printing. Numerous full page plates in color and black and white. With essays by Allison N. Kemmerer, Elizabeth C. Derose, and Carroll Dunham. Published on the occasion of the the exhibitionat at Allen Memorial Art Museum, Oberlin College, Ohio February 5 - March 23, 2008, and at Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, May 10 - July 13, 2008. ; Tight, clean and crisp. A faint hint of shelf wear to dustjacket. No inscriptions. No remainder mark. Not price clipped. Not ex-library.…

Etat : Very Good. Hardcover, 256 pages. Like new in publisher's shrink-wrap. Widely known for his vibrant paintings that employ a variety of styles??including abstraction, figuration, pop, and cartoon??Carroll Dunham (b. 1949) is also one of the most prolific printmakers of his generation. An integral part of his artistic process, Dunham?s prints combine the spontaneity and drama of his paintings with the careful premeditation demanded of the medium. His imagery??which shares the wickedly cartoony semi-abstractions of his paintings??is transformed, refined, and often intensified in his graphic work.Carroll Dunham Prints documents the artist?s entire print archive??which includes nearly 300 lithographs, etchings, drypoints, linocuts, wood engravings, screenprints, digital prints, and most recently, monotypes??the majority of which have never before been published. The authors examine the significance of printmaking to Dunham?s overall oeuvre, his innate sensitivity toward the systematic materials and procedures of printmaking, his inventive approach to this process, and the evolution of his imagery. It also features an insightful essay by Dunham that discusses his journey as a printmaker and his discoveries of the medium. Record # 350656.…

Etat : New.

Soft cover. Etat : Fine. Softcover, with pictorial dust jacket, 74 pgs. 6.5" x 9.5". Essays, interview, color illus. Fine.

Etat : New.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback or Cased Book. Etat : New. Alison Elizabeth Taylor: The Sum of It. Book.

Etat : As New. Unread book in perfect condition.

Softcover. Etat : VG. A matte blue and white book with French flaps. There is orange and grey text on the spine. 81 pages; profusely illustrated with black-and-white images.

Etat : New.

Hardcover. Red cloth boards with black stamped lettering. White and color-illustrated dust jacket with black lettering. 256 pp. Mainly color illustrations. Issued in connection with the exhibition Carroll Dunham prints : a survey, held February 5-March 23, 2008, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, and May 10-July 13, 2008, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. VG/VG- light wear to edges and corners of dust jacket, including a bit of curling.…

Etat : New.