King debra walker (44 résultats)

Paperback. Etat : Very Good. In this compelling new study, Debra Walker King considers fragments of experience recorded in oral histories and newspapers as well as those produced in twentieth-century novels, films, and television that reveal how the black body in pain functions as a rhetorical device and as political strategy. King's primary hypothesis is that, in the United States, black experience of the body in pain is as much a construction of social, ethical, and economic politics as it is a physiological phenomenon.As an essential element defining black experience in America, pain plays many roles. It is used to promote racial stereotypes, increase the sale of movies and other pop culture products, and encourage advocacy for various social causes. Pain is employed as a tool of resistance against racism, but it also functions as a sign of racism's insidious ability to exert power over and maintain control of those it claims - regardless of race. With these dichotomouse uses of pain in mind, King considers and questions the effects of the manipulation of an unspoken but long-standing belief that pain, suffering, and the hope for freedom and communal subsistence will merge to uplift those who are oppressed, especially during periods of social and political upheaval. This belief has become a ritualized philosophy fueling the multiple constructions of black bodies in pain, a belief that has even come to function as an identity and community stabilizer.In her attempt to interpret the constant manipulation and abuse of this philosophy, King explores the redemptive and visionary power of pain as perceived historically in black culture, the aesthetic value of black pain as presented in a variety of cultural artifacts, and the socioeconomic politics of suffering surrounding the experiences and representations of blacks in the United States. The book introduces the term Blackpain, defining it as a tool of national mythmaking and as a source of cultural and symbolic capital that normalizes individual suffering until the individual - the real person - disappears. Ultimately, the book investigates America's love-hate relationship with black bodies in pain.…

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Soft cover. Etat : Very Good. Very Good paperback. Overall a great reading copy. Scattered underlining, though the majority of the text is clean and bright. 195 pp.

Etat : New.

Etat : New. Brand New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Soft cover. Etat : As New. Etat de la jaquette : Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unmarked copy still in shrinkwrap.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Etat : New. In recent years, questions concerning "the body" and its place in postmodern discourses have taken center stage in academic disciplines. Body Politics joins these discussions by focusing on the challenges women face when their externally defined identities and representations as bodies-their body fictions-speak louder than what they know to be their true selves.Racialized, gendered, or homophobic body fictions disfigure individuals by placing them beneath a veil of invisibility and by political, emotional, or spiritual suffocation. As objects of interpretation, "female bodies" in search of health care, legal assistance, professional respect, identity confirmation, and financial security must first confront their fictionalized doubles in a collision that, in many cases, ends in disappointment, distress, and even suicide. The contributors reflect on women's day-to-day lives and the cultural productions (literature, MTV, film, etc.) that give body fictions their power and influence. By exploring how these fictions are manipulated politically, expressively, and communally, they offer reinterpretations that challenge the fictional double while theorizing the discursive and performative forms it takes.Contributors include Trudier Harris, Maude Hines, S. Yumiko Hulvey, Debra Walker King, Sue V. Rosser, Stephanie A. Smith, Maureen Turim, Caroline Vercoe, Gloria Wade-Gayles, and Rosemary Weatherston.…

Etat : New.

ed. paperback good+ condition with a bit of wear & some fading around the spine.

Paperback. Etat : new. Paperback. In this compelling new study, Debra Walker King considers fragments of experience recorded in oral histories and newspapers as well as those produced in twentieth-century novels, films, and television that reveal how the black body in pain functions as a rhetorical device and as political strategy. King's primary hypothesis is that, in the United States, black experience of the body in pain is as much a construction of social, ethical, and economic politics as it is a physiological phenomenon.As an essential element defining black experience in America, pain plays many roles. It is used to promote racial stereotypes, increase the sale of movies and other pop culture products, and encourage advocacy for various social causes. Pain is employed as a tool of resistance against racism, but it also functions as a sign of racism's insidious ability to exert power over and maintain control of those it claims - regardless of race. With these dichotomouse uses of pain in mind, King considers and questions the effects of the manipulation of an unspoken but long-standing belief that pain, suffering, and the hope for freedom and communal subsistence will merge to uplift those who are oppressed, especially during periods of social and political upheaval. This belief has become a ritualized philosophy fueling the multiple constructions of black bodies in pain, a belief that has even come to function as an identity and community stabilizer.In her attempt to interpret the constant manipulation and abuse of this philosophy, King explores the redemptive and visionary power of pain as perceived historically in black culture, the aesthetic value of black pain as presented in a variety of cultural artifacts, and the socioeconomic politics of suffering surrounding the experiences and representations of blacks in the United States. The book introduces the term Blackpain, defining it as a tool of national mythmaking and as a source of cultural and symbolic capital that normalizes individual suffering until the individual - the real person - disappears. Ultimately, the book investigates America's love-hate relationship with black bodies in pain. Considers fragments of experience recorded in oral histories and newspapers as well as those produced in twentieth-century novels, films, and television that reveal how the black body in pain functions as a rhetorical device and as political strategy. This book investigates America's love-hate relationship with black bodies in pain. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. Considers fragments of experience recorded in oral histories and newspapers as well as those produced in twentieth-century novels, films, and television that reveal how the black body in pain functions as a rhetorical device and as political strategy. This book investigates America's love-hate relationship with black bodies in pain. Series: Cultural Frames, Framing Culture. Num Pages: 224 pages, 3 b&w illustrations. BIC Classification: 1KBB; 2AB; APFA; DSBH; JFSL3. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 13. Weight in Grams: 290. . 2008. Paperback. . . . .…

Etat : New. In English.

Hardcover. Etat : New. None. BRAND NEW BOOK, STILL IN ORIGINAL PUBLISHER'S SHRINKWRAP. Volume has black cloth covers with gold lettering on the spine. A very nice mint copy.

Etat : As New. Unread book in perfect condition.

Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780253214096.…

Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Etat : New. pp. 224.

Hardcover. Etat : New.

Etat : New. Considers fragments of experience recorded in oral histories and newspapers as well as those produced in twentieth-century novels, films, and television that reveal how the black body in pain functions as a rhetorical device and as political strategy. This book investigates America's love-hate relationship with black bodies in pain. Series: Cultural Frames, Framing Culture. Num Pages: 224 pages, 3 b&w illustrations. BIC Classification: 1KBB; 2AB; APFA; DSBH; JFSL3. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 13. Weight in Grams: 290. . 2008. Paperback. . . . . Books ship from the US and Ireland.…

Etat : As New. Unread book in perfect condition.

Etat : New. pp. 224.

Etat : New.

Hardcover. Etat : New. New copy - Usually dispatched within 3 working days.

Etat : New.