Koen brams (50 résultats)

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Etat : Very Good. unused - sticker mark on back.

paperback. Etat : Very Good. Minor wear. No marks in text.

Hardcover. Etat : Très bon. Couverture différente. Edition 2003. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Edition 2003. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover without dustjacket as issued; 94 pages; Missing the DVD; otherwise as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Etat : Good. Paperback met flappen, registers, 8vo.

1 DVD-Box / 88:34 min. 1. Aufl. Sprache: Dutch & French, Subtitles: English (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 500.

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

8vo, hb, illustrated, 93 p. + DvD. On Daniel Buren and other contemporary artists In fine condition. K22.

(=Die Andere Bibliothek Bd. 217), 1.-7. Tsd., 371 S., 2 Bll., OPp. m. Rückenschild im OSchuber Dt. Erstausgabe.

Hardcover. Etat : Fine. 1st Edition. Bound in pictorial boards (hardcover), [64]p, chiefly colour illustrations, 29 cm. Fine/as new. "Buren the collective of Melissa Mabesoone (b. 1988) and Oshin Albrecht (b. 1986) functions as a noun and as a verb, as an umbrella term for their practice and as a way of working together. They research, amongst others, subconscious sensations and desires, ways of dealing with commodity and property, the promise of happiness and a unique identity. How to deal with todays impasse and the possible failure of our good life fantasies? This is expressed in different media such as performance, installation, video and film. The book Confusion of Tongues rejoices in confusion: the artists assume inexplicable poses, surrounding objects that are groped in an inappropriate manner. Over 20 short texts, Koen Brams conjures a world of fingers, watches, buses and other Things. Image and text come together to create a theatrical world in which the everyday seems to flirt with the supernatural. IN THE PALM OF THE HAND The objects have just two things in common: they have all belonged to different owners and they all fit in the palm of the hand. Whether it be a poker chip, a glass marble, a watch or a badge, they were all once noticed, picked up and safely concealed in a clasped hand. Then they travelled with him in his shirt or trouser pocket. The paths of his walks could be traced retrospectively and maps drawn up based on the things. This map of things would take you along fields, rivers and canals, on steep paths and ridges, into blind alleys and via secret shortcuts.".…

Etat : Sehr gut. Limit. u. numer. 360 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Pappschuber weist leichte Gebrauchsspuren auf. Sprache: Deutsch Gewicht in Gramm: 566 Gebundene Ausgabe, Maße: 21.3 cm x 22 cm x 12.1 cm.…

Etat : Sehr gut. 1.-7. Tsd., Nr 4932 . Tadelloses Exemplar. Wegen bevorstehender Schließung der Firma sind alle Titel um 50 % rabattiert. Angezeigt werden die gesenkten Preise. 371 Seiten. Deutsch 700g Gr.8° Pappeinband im Halbschuber.

8° , 22 x 13 cm, Festeinband. Etat : Sehr gut. Limitierte und numerierte Erstausgabe. 371 Seiten, Im Schuber. Schuber mit leichten Gebrauchspuren, sonst tadellos. Sprache: Deutsch Gewicht in Gramm: 580.

Etat : Very Good.

Pappband. Etat : Tadellos. Erste deutsche Ausgabe. Die Andere Bibliothek Bd. 217; 371 S.; 1. - 7. Tausend; aus dem Niederländischen von Christiane Kuby u. Herbert Post; numeriertes Expl. der limitierten Erstausgabe; in offenen Originalschlauchschuber (dieser etwas berieben) Size: 21,5 cm.

* 371 Seiten, 2 Blatt. 21,5 x 12,5 cm. Marmorierter Original-Pappband mit goldgeprägtem Rückentitel auf rotem Rückenschild. Im farbig illustrierten Original-Kartonschuber. (Die Andere Bibliothek, Band 217). *** Nummeriertes Exemplar der ersten deutschen Ausgabe. - "Eine geisterhafte Kunstgeschichte". - Gutes Exemplar der Normalausgabe.…

softcover 280 x 215 mm, 120 pagina's , 50 z/w illustraties,NL edition. ISBN 9789076714707. in een redactie van Steven Jacobs, over De Keysers teksten als kunstcriticus in de jaren 1950 en begin 1960. Raoul De Keyser (1930-2012) start met schilderen als jongeman in de jaren 1940. Al in de vroege jaren 1950 breekt hij zijn artistieke loopbaan af voor een job als ambtenaar en journalist. Pas in 1964 manifesteert hij zich opnieuw als kunstenaar met werken die aanvankelijk de nieuwe trends in de figuratieve schilderkunst (Pop Art, nouveau r alisme) oproepen, terwijl ze later aansluiten bij het Amerikaans modernisme (Colorfield Painting, Post-Painterly Abstraction, Hard Edge). In de jaren 1970 vertoont De Keysers werk sterke overeenkomsten met zowel de Minimal Art als de Fundamentele schilderkunst. De tentoonstelling in VANDENHOVE focust op deze vroege periode in De Keysers werk en bestaat uit een twintigtal schilderijen die nooit eerder werden ge xposeerd of die niet meer werden getoond sinds de jaren 1960 en '70. Naast enkele jeugdwerken omvat de expositie een uitzonderlijke selectie schilderwerken uit priv -collecties, van werken uit de jaren 1960 die representatief zijn voor de zogenaamde Nieuwe Visie tot gelaagde schilderijen uit de jaren 1970. Zij vertonen de vertrouwde landschappen, kamers, krijtlijnen, tenten en wolken, soms in verrassende kleuren die afwijken van zijn meer bekende werken. Sommige schilderijen lijken bovendien bepaalde thema's of gevoeligheden aan te kondigen die later in zijn loopbaan verder werden uitgewerkt. Samen tonen ze een traject doorheen de motieven, variaties, hernemingen en overschilderingen die het hele oeuvre van De Keyser tekenen. Naast deze nooit of zelden getoonde werken, omvat de tentoonstelling stukken uit het archief van Raoul De Keyser, dat deel uitmaakt van de collectie van de Centrale Bibliotheek van de Universiteit Gent. Installatiezichten, posters, folders, schetsen en aantekeningen (waarvan vele nooit eerder werden gepubliceerd) werpen een nieuw licht op De Keysers vroege artistieke ontwikkelingen, met aandacht voor onder meer zijn activiteiten als sportjournalist en kunstcriticus, zijn connecties met Nederlandse musea en galeries, zijn affiniteiten met grafische vormgeving, zijn atelier als tentoonstellingsruimte en zijn niet aflatende belangstelling voor het 'object-karakter' van zijn schilderijen. De expositie Lang niet gezien: Raoul De Keyser 1946-1964-1980 grijpt plaats ter gelegenheid van het verschijnen van twee publicaties over de jonge De Keyser. 0 g.…

PB, 195 x 130 mm, 160 pages, Illustrated.NL edition. ISBN 9789491262500. In December 1966, a group exhibition titled PLUS met opzet takes place at the Sint-Lucas Institute in Ghent. What does this title mean? 'Intentionally' 'Plus' 'Deliberately' 'Plus' 'Deliberately' 'Plus' What is meant by 'PLUS' with intent? Not only is the title puzzling, so is the composition of the group of participating artists: Am d e Cortier, Yves De Smet, Gerard Geerinckx, Ren Heyvaert, Willy Plompen, Albert Rubens and Jan Van Den Abbeel. Some of them have become key figures of Belgian post-war art, others have fallen into the folds of history. The richly illustrated essay describes the tortuous course of the figure Yves De Smet and the famous 'PLUS' group, which makes it read like an exciting detective at times. Yves De Smet acts as a passionate initiator, artist and group member and also fulfils the role of graphic designer, curator and gallerist. The story of Plus has lost nothing of its topicality through the accurate descriptions of the artists' restlessness, their unbridled ambitions and human shortcomings. PLUS en Yves De Smet. Ideologie, kameraadschap en rivaliteit op het speelveld van de Gentse kunst tussen 1965 en 1970 is part of the multi-year research project Gent, speelveld van de beeldende kunst (1957-1987) (KASK & Conservatorium (HOGENT - Howest)) by Godart Bakkers, Koen Brams, Wouter De Vleeschouwer, Sofie Frederix and Naninga Lens. The project is funded by the HOGENT Research Fund for the Arts. 0 g. …

HB, 297 x 210 mm, 64 pages, EN-NL edition, Illustrated. ISBN 9789491262234. buren the collective of Melissa Mabesoone (b. 1988) and Oshin Albrecht (b. 1986) ? functions as a noun and as a verb, as an umbrella term for their practice and as a way of working together. They research, amongst others, subconscious sensations and desires, ways of dealing with commodity and property, the promise of happiness and a unique identity. How to deal with today?s impasse and the possible failure of our good life fantasies? This is expressed in different media such as performance, installation, video and film. The book Confusion of Tongues rejoices in confusion: the artists assume inexplicable poses, surrounding objects that are groped in an inappropriate manner. Over 20 short texts, Koen Brams conjures a world of fingers, watches, buses and other ?Things? Image and text come together to create a theatrical world in which the everyday seems to flirt with the supernatural. ?IN THE PALM OF THE HAND ? The objects have just two things in common: they have all belonged to different owners and they all fit in the palm of the hand. Whether it be a poker chip, a glass marble, a watch or a badge, they were all once noticed, picked up and safely concealed in a clasped hand. Then they travelled with him in his shirt or trouser pocket. The paths of his walks could be traced retrospectively and maps drawn up based on the things. This map of things would take you along fields, rivers and canals, on steep paths and ridges, into blind alleys and via secret shortcuts.? From: ?Things? Koen Brams, in: Confusion of Tongues 0 g. …

[Ghent], Posture editions, [2021]. [72] pp. Col. ills. Orig. hardcover (gray cloth with red lettering). 4to. (Posture editions, No. 46).In the book Images Trouvées, Hans Segers collected twenty-nine shapes originally in a long concertina-shaped picture atlas, an archive of icons. Twenty-nine people from the art world in Belgium and France were invited to verbalise an image. As a result, the images in this book are enriched with new layers of meaning. - Texts in Dutch, French and English by Koen Brams, Nav Haq, Inge Henneman, Kathleen Weyts, Patrick Ronse, Frank Maes, Phillip Van den Bossche, Koen Sels, Rokus Hofstede, et al.…

Paperback. Etat : New. Dumont Dokumente; A bricoleur of cosmologies, cities and signs, a hypnosis subject, a collaborator and a collector of art and ethnographic objects, Matt Mullican has embodied and redefined the wilder horizons of conceptual art over the course of his 40-year career. From the start, Mullican has tackled only the big themes: the self, which with some courage he has dismantled under hypnosis, performing and making art as another Matt Mullican named "That Person"; and the universe, which he has imagined as a proliferating cosmology of signs, taking form under his "Five Worlds" concept or as a city. In this bilingual volume of conversations with Koen Brams and Dirk Pültau, Mullican also proves himself an articulate, generous talker. The conversations are themed in five chapters: "Collaboration," "Cosmologies," "Hypnosis," "City" and "Collections." Across these seemingly diverse topics, what emerges as the unifying principle throughout Mullican's activities is his exemplariness as a true "cosmonaut of inner space.".…

Paperback. Etat : New. First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to the present. The imaginary artist is, of course, a supremely seductive figure to readers, writers and artists alike, being a sort of screen upon which the most astounding imaginary creations may be projected, without need of them ever being visible to the eye. As such, The Encyclopedia of Fictional Artists constitutes a trove of inspiration for all manner of creative endeavor. The Addition is Krist Gruijthuisen's editorial answer to the Encyclopedia, in which he invites more than 20 artists to reflect on the aspirations and ideals of encyclopedias. The two volumes are held together by a bellyband.…

Paperback. Etat : New. First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to the present. The imaginary artist is, of course, a supremely seductive figure to readers, writers and artists alike, being a sort of screen upon which the most astounding imaginary creations may be projected, without need of them ever being visible to the eye. As such, The Encyclopedia of Fictional Artists constitutes a trove of inspiration for all manner of creative endeavor. The Addition is Krist Gruijthuisen's editorial answer to the Encyclopedia, in which he invites more than 20 artists to reflect on the aspirations and ideals of encyclopedias. The two volumes are held together by a bellyband.…

Hardcover. Etat : Good. 453 p. afb. ng. papier Kerckhoven, Van, Anne-Mie Vercruysse, Jan Broucke, Koen Renard, Thierry Ven, van de, Lidwien Huyghe, Philip Denmark Jacobs, Henri Huang, Yong Ping Webb, Boyd Tuymans, Luc Allart, Jeroen Blank, Martin Devriendt, Robert Cupere, De, Peter Diamond, Jessica Dona, Lydia Manders, Mark Swennen, Walter Sack, Stephen Bruyckere, De, Berlinde Droste, Monica Rombouts, Guy Geys, Jef Horowitz, Jonathan Vos, de, Eddy Bossche, Van, Guy Vanderleenen, Marc Delrue, Ronny Kempenaers, Jan Vylder, de, Paul Pacquée, Ria Braeckman, Dirk Mouffe, Michel Vandevelde, Ludwig Sedmach, Manuel Uslé, Juan Voordeckers, Jörgen Vári, Minnette Rogiers, Peter Kabakov, Ilija Iosefovich Huisman, Michel Zandvliet, Robert Buylen, Michel Verhoeven, Gert Macchi, Jorge Dujourie, Lili Strik, Elly Smet, de, Gery Fabre, Jan Dieleman, Piet Claerbout, David Robyns, Gert Brouwn, Stanley Mees, Guy Heylen, Jan Heyvaert, René Isacker, van, Philip Matthys, Danny Verduyn, Jacques Oost, van, Jan Jolle, 't, Sven Beeck, Op de, Hans Visic, Loreta Judd, Donald Daems, Anne Balkenhol, Stephan Kasimir, Marin Leroy, Eugène McCollum, Allan Cingolani, Marco Creten, Johan Frize, Bernard Gillen, Tina O, d', Honoré Otto, Peter Serse Mortier, Antoine Hadzifejzovic, Jusuf Bytebier, Jean-Marie Gentils, Vic Vandenberg, Philippe Bervoets, Fred Belgium Flemish Community Art Dutch French English.…

Amsterdam / Antwerpen Nijgh & Van Ditmar 2000 Softcover, 454pp., 13,5x22cm., in zeer goede staat. ISBN 9789038803111. Encyclopedie van fictieve kunstenaars van 1605 tot heden is een conceptueel opgezet naslagwerk waarin Koen Brams een alternatieve kunstgeschiedenis construeert op basis van fictieve kunstenaars en verzonnen artistieke oeuvres. Het boek presenteert zich als een encyclopedie, maar ondermijnt tegelijk de betrouwbaarheid van encyclopedische kennis door het systematisch invoeren van fictie binnen een wetenschappelijk ogend format. Het werk onderzoekt hoe kunstgeschiedenis wordt opgebouwd, gecanoniseerd en gelegitimeerd, en stelt vragen over auteurschap, authenticiteit en institutionele macht binnen de kunstwereld. Encyclopedie van fictieve kunstenaars van 1605 tot heden is een conceptueel opgezet naslagwerk waarin Koen Brams een alternatieve kunstgeschiedenis construeert op basis van fictieve kunstenaars en verzonnen artistieke oeuvres. Het boek presenteert zich als een encyclopedie, maar ondermijnt tegelijk de betrouwbaarheid van encyclopedische kennis door het systematisch invoeren van fictie binnen een wetenschappelijk ogend format. Het werk onderzoekt hoe kunstgeschiedenis wordt opgebouwd, gecanoniseerd en gelegitimeerd, en stelt vragen over auteurschap, authenticiteit en institutionele macht binnen de kunstwereld.…

Hardcover. Etat : Wie neu. 1. Auflage, Limitierte Ausgabe. Vergriffen, sehr selten, sehr guter Zustand! Die Andere Bibliothek. Herausgegeben von Hans Magnus Enzensberger. Band 217: Limitierte und nummerierte Erstausgabe Nr. 1051 von 7000 Ex. O.-Pappband, mit O.-Pappschuber, mit rotem Lederschild und rotem Lesebändchen. 376 Seiten, 12.5 x 21.5 cm, 558 g.…

1.-7. Tsd. 371 S., 2 Bl. OPp., Schuber. Schönes Exemplar. =Die andere Bibliothek, Bd. 217, (herausgegeben von Hans Magnus Enzensberger). - Limitierte und numerirte Erstausgabe.