Kohlmann benjamin (155 résultats)

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Paperback. Etat : New. "Money is what God used to be. Good and evil have no meaning any longer except failure and success."Disgusted by society's materialism, Gordon Comstock leaves his job in advertising to pursue an ill-fated career as a poet. In his race to the bottom, only Rosemary, his long-suffering girlfriend, challenges…Gordon's self-destructive course. The novel contains the most sustained reflections on the role of the author and the artistic imagination anywhere in Orwell's fiction, as the book's protagonist struggles (and ultimately fails) to reconcile his romantic-aestheticist sensibilities with the pressures of the literary marketplace and with social expectations. Completed while Orwell travelled north to work on The Road to Wigan Pier, this novel is a key transitional text in his career. Offering a powerful portrayal of the emotional toll of precarity and the desire to break with capitalism, Keep the Aspidistra Flying is a significant work of mid-century British fiction but it also speaks to our own time.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Paperback. Etat : New. "Money is what God used to be. Good and evil have no meaning any longer except failure and success."Disgusted by society's materialism, Gordon Comstock leaves his job in advertising to pursue an ill-fated career as a poet. In his race to the bottom, only Rosemary, his long-suffering girlfriend, challenges…Gordon's self-destructive course. The novel contains the most sustained reflections on the role of the author and the artistic imagination anywhere in Orwell's fiction, as the book's protagonist struggles (and ultimately fails) to reconcile his romantic-aestheticist sensibilities with the pressures of the literary marketplace and with social expectations. Completed while Orwell travelled north to work on The Road to Wigan Pier, this novel is a key transitional text in his career. Offering a powerful portrayal of the emotional toll of precarity and the desire to break with capitalism, Keep the Aspidistra Flying is a significant work of mid-century British fiction but it also speaks to our own time.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Paperback. Etat : new. Paperback. "Money is what God used to be. Good and evil have no meaning any longer except failure and success."Disgusted by society's materialism, Gordon Comstock leaves his job in advertising to pursue an ill-fated career as a poet. In his race to the bottom, only Rosemary, his long-suffering girlfriend,…challenges Gordon's self-destructive course. The novel contains the most sustained reflections on the role of the author and theartistic imagination anywhere in Orwell's fiction, as the book's protagonist struggles (and ultimately fails) to reconcile his romantic-aestheticist sensibilities with the pressures of the literary marketplace and withsocial expectations. Completed while Orwell travelled north to work on The Road to Wigan Pier, this novel is a key transitional text in his career. Offering a powerful portrayal of the emotional toll of precarity and the desire to break with capitalism, Keep the Aspidistra Flying is a significant work of mid-century British fiction but it also speaks to our own time.ABOUT THE SERIES: For over 100 years Oxford World's Classics has madeavailable the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expertintroductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. "Money is what God used to be. Good and evil have no meaning any longer except failure and success."Gordon Comstock decides to live in poverty rather than compromise with the 'money god'. Disgusted by society's materialism, he leaves his job in advertising to pursue an ill-fated career as a poet. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Taschenbuch. Etat : Neu. Neuware -'Money is what God used to be. Good and evil have no meaning any longer except failure and success.'Disgusted by society's materialism, Gordon Comstock leaves his job in advertising to pursue an ill-fated career as a poet. In his race to the bottom, only Rosemary, his long-suffering girlfriend,…challenges Gordon's self-destructive course. The novel contains the most sustained reflections on the role of the author and the artistic imagination anywhere in Orwell's fiction, as the book's protagonist struggles (and ultimately fails) to reconcile his romantic-aestheticist sensibilities with the pressures of the literary marketplace and with social expectations. Completed while Orwell travelled north to work on The Road to Wigan Pier, this novel is a key transitional text in his career. Offering a powerful portrayal of the emotional toll of precarity and the desire to break with capitalism, Keep the Aspidistra Flying is a significant work of mid-century British fiction but it also speaks to our own time.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Englisch.

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Taschenbuch. Etat : Neu. Neuware -'Money is what God used to be. Good and evil have no meaning any longer except failure and success.'Disgusted by society's materialism, Gordon Comstock leaves his job in advertising to pursue an ill-fated career as a poet. In his race to the bottom, only Rosemary, his long-suffering girlfriend,…challenges Gordon's self-destructive course. The novel contains the most sustained reflections on the role of the author and the artistic imagination anywhere in Orwell's fiction, as the book's protagonist struggles (and ultimately fails) to reconcile his romantic-aestheticist sensibilities with the pressures of the literary marketplace and with social expectations. Completed while Orwell travelled north to work on The Road to Wigan Pier, this novel is a key transitional text in his career. Offering a powerful portrayal of the emotional toll of precarity and the desire to break with capitalism, Keep the Aspidistra Flying is a significant work of mid-century British fiction but it also speaks to our own time.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Englisch.

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Paperback. Etat : New. Drawing on a global history of politicized writing, this book explores literature's utility as a mode of activism and aesthetic engagement with the political challenges of the current moment.The question of literature's 'uses' has recently become a key topic of academic and public debate. Paradoxically, ho…wever, these conversations often tend to bypass the rich history of engagements with literature's distinctly political uses that form such a powerful current of 20th- and 21st-century artistic production and critical-theoretical reflection. The Political Uses of Literature reopens discussion of literature's political and activist genealogies along several interrelated lines: As a foundational moment, it draws attention to the important body of interwar politicized literature and to debates about literature's ability to intervene in social reality. It then traces the mobilization of related conversations and artistic practices across several historical conjunctures, most notably the committed literature of the 1960s and our own present. In mapping out these geographically and artistically diverse traditions - including case studies from the Americas, Europe, Africa, India and Russia - contributors advance critical discussions in the field, making questions pertaining to politicized art newly compelling to a broader and more diverse readership. Most importantly, this volume insists on the need to think about literature's political uses today - at a time when it has become increasingly difficult to imagine any kind of political efficacy for art, even as the need to do so is growing more and more acute. Literature may not proffer easy answers to our political problems, but as this collection suggests, the writing of the 20th century holds out aesthetic resources for a renewed engagement with the dilemmas that face us now.

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Paperback or Softback. Etat : New. The Political Uses of Literature: Global Perspectives and Theoretical Approaches, 1920-2020. Book.

Langue : anglais
Edité par Oxford University Press, USA, 2014
Série : Oxford English Monographs, Livre 30 sur 63. Livre 30 sur 63 - Oxford English Monographs
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Langue : anglais
Edité par Oxford University Press, 2014
Série : Oxford English Monographs, Livre 30 sur 63. Livre 30 sur 63 - Oxford English Monographs
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Paperback. Etat : new. Paperback. "Money is what God used to be. Good and evil have no meaning any longer except failure and success."Disgusted by society's materialism, Gordon Comstock leaves his job in advertising to pursue an ill-fated career as a poet. In his race to the bottom, only Rosemary, his long-suffering girlfriend,…challenges Gordon's self-destructive course. The novel contains the most sustained reflections on the role of the author and theartistic imagination anywhere in Orwell's fiction, as the book's protagonist struggles (and ultimately fails) to reconcile his romantic-aestheticist sensibilities with the pressures of the literary marketplace and withsocial expectations. Completed while Orwell travelled north to work on The Road to Wigan Pier, this novel is a key transitional text in his career. Offering a powerful portrayal of the emotional toll of precarity and the desire to break with capitalism, Keep the Aspidistra Flying is a significant work of mid-century British fiction but it also speaks to our own time.ABOUT THE SERIES: For over 100 years Oxford World's Classics has madeavailable the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expertintroductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. "Money is what God used to be. Good and evil have no meaning any longer except failure and success."Gordon Comstock decides to live in poverty rather than compromise with the 'money god'. Disgusted by society's materialism, he leaves his job in advertising to pursue an ill-fated career as a poet. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Paperback. Etat : new. Paperback. Drawing on a global history of politicized writing, this book explores literatures utility as a mode of activism and aesthetic engagement with the political challenges of the current moment.The question of literatures uses has recently become a key topic of academic and public debate. Paradoxica…lly, however, these conversations often tend to bypass the rich history of engagements with literatures distinctly political uses that form such a powerful current of 20th- and 21st-century artistic production and critical-theoretical reflection. The Political Uses of Literature reopens discussion of literatures political and activist genealogies along several interrelated lines: As a foundational moment, it draws attention to the important body of interwar politicized literature and to debates about literatures ability to intervene in social reality. It then traces the mobilization of related conversations and artistic practices across several historical conjunctures, most notably the committed literature of the 1960s and our own present. In mapping out these geographically and artistically diverse traditions including case studies from the Americas, Europe, Africa, India and Russia contributors advance critical discussions in the field, making questions pertaining to politicized art newly compelling to a broader and more diverse readership. Most importantly, this volume insists on the need to think about literatures political uses today at a time when it has become increasingly difficult to imagine any kind of political efficacy for art, even as the need to do so is growing more and more acute. Literature may not proffer easy answers to our political problems, but as this collection suggests, the writing of the 20th century holds out aesthetic resources for a renewed engagement with the dilemmas that face us now. "Analyses the rich global histories of 20th- and 21st-century politicized writing in order to provoke new debate about the complex intersections between literature and political action"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.