La pierre sharon (21 résultats)

Paperback. Etat : Fair. 0. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Etat : Good.

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Etat : Very Good. First Edition. 1st, a 4to comb-bound softcover, illus. w/ b&w photos. Vg (edgeworn; toning to edges of pages; covers lightly dustsoiled), unpaginated; printed on rectos only. INSCRIBED on copyright page (the cover is the title page). Inscribed by Author(s).

Etat : New.

Etat : New.

Taschenbuch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Etat : New.

Buch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Etat : New.

Paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : New. Print on Demand pp. 70.

Etat : New. Print on Demand pp. 70.

Etat : New. PRINT ON DEMAND pp. 70.

192 pp.; 27 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Tenth anniversary issue of the biannual publication "Purple," published in Winter of 2003. Edited by Elein Fleiss and Olivier Zahm. Contents include: "Fall/Winter 02/03," by Laetitia Benat; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Therefore," by Elein Fleiss; "Surface," by Dominique Gonzalez-Foerster; "Pablo Leon de la Barra," interviewed by Lupita Peckinpah; "Purple Special: 1992," with texts by Elein Fleiss, Jeff Rian, Claude Closky, Dominique Gonzalez-Foerster, Olivier Zahm, Bennett Simpson, Lee Ranaldo, Sharon Mesmer, Marina Faust, Dike Blair, Mark Kingwell, Claude Lévêque, Richard Prince, Tim Griffin, John Kelsey, Sébastien Jamain, Michel Cloup, Mark Borthwick, Mark Fishman, and Jutta Koether; "Grand National Styling," by Terry Richardson; "Berlin Stories," by Heinz Peter Knes; "Man in the Shadows," by Emma Mafille; "Raf Simons/Louis Vuitton," by Frederike Helwig; "Hotel Okura," by Masafumi Sanai; "Dominique Sanda," by Henry Roy; "Baretto," by Giasco Bertoli; "Look But Don't Touch," by Mauricio Guillen; "Mexico City," by Marlene Marino; "AC/OC," by Banu Cennetoglu; "Rock Feller," by Christophe Brunnquell; "Emilie," by Gérard Duguet-Grasser; "World History," by Rita Ackermann; "I feel 'Lucky,' Oh so 'Lucky'!," by Glen Szabo and "Hope" by Alex Antitch. Drawings by Laetitia Benat. Very Good. Yellowing of cover edges with light bumping of top and bottom right corners of recto. Light edge wear and scratching of covers. Contents clean and unmarked.…

Etat : New. Print on Demand.

Etat : New. Print on Demand.

Etat : New. PRINT ON DEMAND.