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PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Couverture rigide. L'exemplaire du Prince Eugène | Bachelier (Imprimerie de Fain) | Paris 1815 | 21.3 x 27.8 cm | Relié | Edition originale illustrée de 6 planches dépliantes en fin de volume (cf Polak 5375.) Reliure à la bradel en plein cartonnage rouge, dos lisse, pièce de titre en long de chagrin noir, chiffre doré frappé à l'or au centre du premier plat du Prince Eugène de Beauharnais, beau-fils de Napoléon, coins inférieurs émoussés, reliure de l'époque Quelques petites rousseurs sans gravité. Seulement deux exemplaires au CCF (BnF et Polytechnique). Unique édition de cette intéressante réflexion sur l'état de la pensée navale française à la fin des guerres de la Révolution et de l'Empire, significativement dotée au titre de la devise Delenda est Britannia. Charles-Louis-Victor de La Rouvraye (1783-1850) était entré dans la marine en juin 1799 ; il servit dans la flotille de Boulogne, puis dans l'Océan Indien et fut fait prisonnier par les Anglais (1806-1811). Provenance : Précieux exemplaire du Prince Eugène de Beauharnais, beau-fils de Napoléon, alors duc de Leuchtenberg, à son chiffre et celui de son épouse Augusta Amélie de Bavière. L'ouvrage appartint ensuite à un Montboissier de Canilliac avec sa vignette ex-libris armoriée contrecollée sur un contreplat, vraisemblablement Charles de Montboissier-Beaufort-Canilliac (1753-1836), préfet maritime de Cherbourg de 1816 à 1826. | [ENGLISH DESCRIPTION FOLLOWS] First edition, illustrated with 6 folding plates at the end of the volume (cf. Polak 5375).Contemporary Bradel binding in full red boards, flat spine, black shagreen label with gilt lettering, the upper cover stamped in gilt with the monogram of Prince Eugène de Beauharnais, stepson of Napoleon. Lower corners a bit rubbed. Period binding.A few minor spots, not affecting legibility.Only two copies listed in the CCF (BnF and École Polytechnique).The only edition of this insightful analysis of French naval doctrine at the close of the Revolutionary and Napoleonic Wars, significantly bearing the motto on the title page: Delenda est Britannia. Charles-Louis-Victor de La Rouvraye (17831850) joined the navy in June 1799; he served in the Boulogne flotilla and later in the Indian Ocean, where he was taken prisoner by the British (18061811).Provenance: A distinguished copy from the library of Prince Eugène de Beauharnais, stepson of Napoleon, then Duke of Leuchtenberg, bearing his gilt cipher and that of his wife Augusta Amélie of Bavaria.Later owned by a member of the Montboissier de Canilliac family, with an armorial bookplate mounted on the pastedown, most likely that of Charles de Montboissier-Beaufort-Canilliac (17531836), maritime prefect of Cherbourg from 1816 to 1826. * in-4 ; 3 ff.n.ch., 86 pp., 6 planches dépliantes.…

1 vol. in-4° (270 x 219 mm) de : [3] ff. (faux titre, titre, dédicace) ; 86 pp. (dont table). Cartonnage d'époque à la bradel recouvert de papier rouge, filet doré encadrant les plats, dos orné de filets, pièce de titre de maroquin noir. Édition originale de cet ouvrage de référence sur l'histoire de la tactique navale dû à La Rouvraye postérieur aux guerres de la Révolution et de l'Empire. Ce type de publication traitant de sujets secrets et confidentiels était tiré à petit nombre et réservé à la marine et aux amirautés, d'ou sa rareté. La tactique navale est "L'art de conduire des vaisseaux au combat, et de les manier les uns par rapport aux autres, soit en combat singulier, soit en escadre, est la partie de notre métier qui doit attirer toute l'attention de l'officier militaire [.]" (p.1). En France, c'est l'ouvrage du Père Paul Hoste (1652-1700) : "L'Art des armées navales [.]" (1697) qui fonde cet art militaire qui prend une importance considérable au XVIIIe siècle. Publié un siècle plus tard, le présent ouvrage qui actualise le sujet est le fruit de l'importante expérience dans la marine française de Charles-Louis Victor de La Rouvraye (1783-1850). Entre 1801 et 1802, cet officier de la marine sert en tant qu'aspirant sur la corvette "Cigogne" puis embarque sur la frégate "Furieuse" à Saint-Domingue et sur la frégate "Libre". Enseigne de vaisseau de 1803 à 1804, il est envoyé à la flottille de Boulogne comme commandant d'une section de canonniers avec laquelle il participe à des combats (notamment contre les anglais). En 1805, il embarque sur la frégate "Canonnière" et sert dans l'océan Indien. Fait prisonnier à False Bay en Afrique du Sud en 1806, il est ramené en Angleterre. En 1811, il est libéré pour avoir sauvé l'équipage d'un navire britannique. Promu lieutenant de vaisseau, il commande un brick à Boulogne puis sert à Cherbourg sur l' "Iphigénie" (1813) avant de commander un brick en 1814 à Brest. Riche de toute cette expérience à la mer et au combat, La Rouvraye publie en 1815 son présent "Traité sur l'art des combats en mer". L'ouvrage traite de l'art des batailles navales, des principes pour manoeuvrer et commander des armées navales, des escadres embossées et des signaux. L'illustration est composée de 6 planches gravées dépliantes représentant les schémas des diverses tactiques navales expliquées dans l'ouvrage. Superbe exemplaire à toutes marges de ce texte imprimé sur papier vélin conservé dans son élégant cartonnage d'origine. Rare sur le marché. 1 vol. 4to (270 x 219 mm) of : [3] ff. (false title, title, dedication); 86 pp. (including table). Contemp. cardboard bradel-style covered with red paper, gilt filet framing the plates, spine decorated with fillets, black morocco title piece. Original edition of this reference work on the history of naval tactics due to La Rouvraye after the wars of the Revolution and the Empire. This type of publication dealing with secret and confidential subjects was printed in small numbers and reserved for the navy and the admiralties, hence its rarity. Naval tactics is "the art of leading ships into combat, and of handling them in relation to each other, either in single combat or in squadrons, is the part of our profession which must attract the full attention of the military officer [.]" [translated from French] (p.1). In France, it is the work of Father Paul Hoste (1652-1700): "L'Art des armées navales [.]" (1697) which founded this military art which took on considerable importance in the 18th century. Published a century later, the present work which updates the subject is the fruit of the important experience in the French navy of Charles-Louis Victor de La Rouvraye (1783-1850). Between 1801 and 1802, this naval officer served as a midshipman on the corvette "Cigogne" and then embarked on the frigate "Furieuse" in Santo Domingo and on the frigate "Libre". As a ship's ensign from 1803 to 1804, he was sent to the flotilla of Boulogne as commander of a section of gunners with whom he took part in battles (notably against the English). In 1805, he embarked on the frigate "Canonnière" and served in the Indian Ocean. Taken prisoner at False Bay in South Africa in 1806, he was brought back to England. In 1811, he was released for having saved the crew of a British ship. Promoted to Lieutenant, he commanded a brig in Boulogne, then served in Cherbourg on the "Iphigénie" (1813) before commanding another brig in 1814 in Brest. Rich of all this experience at sea and in combat, La Rouvraye published in 1815 his present "Traité sur l'art des combats en mer". The work deals with the art of naval battles, the principles for maneuvering and commanding naval armies, embossed squadrons and signals. The illustration is composed of 6 engraved folding plates representing the diagrams of the various naval tactics explained in the book. A superb full-margined copy of this text printed on wove paper and preserved in its original elegant cardboard box. Rare on the market.…

Leather Bound. Etat : New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1815. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 110, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 110 110.…