Lax thomas j (64 résultats)

Etat : As New. Unread book in perfect condition.

Etat : New.

paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Etat : very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Paperback. Etat : Very Good. 1st. (USA) Presumed 1st edition, No markings, Very Good. Wraps with flaps, 168pp, colour photos. From the cover: Ralph Lemon (born 1952) is one of the most significant figures to emerge from New York's downtown dance and performance world in the past 40 years. A polymath and shape-shifter, Lemon combines dance and theater with drawing, film, writing and ethnography in works presented on the stage, in publications and in museums. He builds his politically resonant and deeply personal projects in collaboration with dance makers and artists from New York, West Africa, South and East Asia, and the American South. Lemon, who was born in Cincinnati and raised in Minneapolis, describes his explorations as a "search for the forms of formlessness." Absorbing and transmuting fractured mythologies, social history and dance techniques from multiple geographies and decades, Lemon's genre-transcending works perform an alchemy of past and present, reality and fantasy. This book, the first monograph on the artist, features a wide range of texts by scholars and performers, an original photo essay by Lemon and an extensive chronology. (1.6 JM LVR 202/b4 Size: 8vo - over 7¾" - 9¾".…

Paperback. Etat : Near fine. RALH LEMON, MODERN DANCE with texts by THOMAS J. LAX, FRED MOTEN, DEBORAH JOWITT, DORYUN CHONG and others. 166 pages, color and black and white reproductions. Paper with stiff wraps. Near fine condition.

Paperback. Etat : New.

Etat : new.

Etat : New.

paperback. Etat : fine. Etat de la jaquette : fine. Color and black & white illustrations throughout. 183 pages. Large 4to, tan printed wrappers, charcoal gray d.w. with an overlaid photographic illustration at the front and rear covers. New York: The Museum of Modern Art/The Studio Museum in Harlem, (2022). A fine copy in a fine dust wrapper. Catalogue published in conjunction with the 2022 MoMA exhibition regarding the history of "The Just Above Midtown (JAM) Gallery, New York City's First Black Contemporary Art Gallery".…

Paperback. Etat : Good. Etat de la jaquette : Good. Covers show wear and creasing. All pages intact, binding is sound. Clean and unmarked. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. This copy is the Limited Edition of the published work. Secure packaging for safe delivery. …

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : new.

Hardback. Etat : New.

Paperback. Etat : new. Paperback. Just Above Midtown, or JAM, was an art gallery and self-described laboratory led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 until 1986, it was a place where black art flourished and debate was cultivated. The gallery offered early opportunities for artists now recognized as pivotal figures in late-20th-century art, including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady, and Howardena Pindell. Published in conjunction with the first museum exhibition to focus on this extraordinary gallery, on view at The Museum of Modern Art, New York, in Fall 2022, Just Above Midtown: 1974 to the Present showcases rarely seen material from the JAM archive of artworks, ephemera, and unique documentation of administrative and programmatic activities. The richly illustrated catalogue includes a conversation between Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem, and Linda Goode Bryant, a complete exhibition chronology with nearly 50 annotated entries, and excerpts from an oral history of JAM. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Softcover. Etat : As New. Red illustrated wraps with white lettering on front cover and spine, 199 (1) pp, richly illustrated in bw and color illustrations. Taking its name from the Judson Memorial Church, a socially engaged Protestant congregation in New York's Greenwich Village, Judson Dance Theater was organized as a series of open workshops from which its participants developed performances. Redefining the kinds of movement that could count as dance, the Judson participants- Trisha Brown, Lucinda Childs, Philip Corner, Bill Dixon, Judith Dunn, David Gordon, Alex Hay, Deborah Hay, Fred Herko, Robert Morris, Steve Paxton, Rudy Perez, Yvonne Rainer, Robert Rauschenberg, Carolee Schneemann and Elaine Summers, among others- would go on to profoundly shape all fields of art in the second half of the 20th century. They employed new compositional methods to strip dance of its theatrical conventions, incorporating "ordinary" movements- gestures typical of the street or home, for example, rather than a stage- into their work, along with games, simple tasks, and social dances to infuse their pieces with a sense of spontaneity. Published in conjunction with an exhibition at the Museum of Modern Art, 'Judson Dance Theater: The Work Is Never Done' highlights the workshop's ongoing significance. "In the early 1960s, an assembly of choreographers, visual artists, composers, and filmmakers made use of a church in New York's Greenwich Village to present performances that redefined the kinds of movement that could be understood as dance--performances that Village Voice critic Jill Johnston would declare the most exciting in a generation. The group was Judson Dance Theater, its name borrowed from Judson Memorial Church, the socially engage Protestant congregation that hosted the dancers' open workshops. The Judson artists emphasized new compositinoal methods meant to strip dance of its theatrical conventions and foregroudned 'ordinary' movements--gestures more likely to be seen on the street or at home. Although Judson Dance Theater would only last a few years, the artists affiliated with it, including Trisha Brown, Lucinda Childs, Philip Corner, Bill Dixon, Judith Dunn, Ruth Emerson, David Gordon, Alex Hay, Deborah Hay, Fred Herko, Robert Morris, Steve Paxton, Rudy Perez, Yvonne Rainer, Robert Rauschenberg, Carolee Schneemann, and Elaine Summers, would challenge choreographic conventions and profoundly shape art making across various fields for decades to come. 'Judson Dance Theater: The Work Is Never Done' includes newly commissioned essays that highlight the history of Judson Dance Theater and its legacy in our own time. Published in conjunction with an exhibition at the Museum of Modern Art, New York, this lushly illustrated volume charts the development of Judson through photographs, film stills, choreographic scores, architectural drawings, and other archival materials, as it celebrates the group's multidisciplinary and collaborative ethos and its reverberant achievements.".…

Paperback. Etat : VG. White wraps with black lettering, glossy red and bw-illustrated dust jacket with white lettering. 199 pp. BW and some color illustrations. Published in conjunction with an exhibition of the same name held at the Museum of Modern Art, New York, 16 September 2018 - 3 February 2019. Includes bibliographical references.…

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : Very Good. Softcover, 184 pages, illustrated in color and b&w. Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art?including David Hammons, Butch Morris, Senga Nengudi, Lorraine O?Grady and Howardena Pindell?as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM?s history?artworks, ephemera and photographs?that collectively document the gallery?s communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project. Clean copy. Record # 401174.…

Soft cover. Etat : New. 1st Edition. Condition: New. 2022. 1st Edition. Paperback.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New.