Leeflang micha (40 résultats)

Etat : Good. Originele hardcover, geà llustreerde schutbladen, illustraties (waaronder foto's) in kleur, 4to.

Etat : Good. Originele hardcover, geà llustreerde schutbladen, illustraties (waaronder foto's) in kleur, 4to.

Etat : Good. Originele hardcover, geà llustreerde schutbladen, illustraties (waaronder foto's) in kleur, 4to.; Adresstickertje verso voorplat.

Etat : Good. Paperback met flappen, veel (paginagrote) illustraties (waaronder foto's) in kleur, 4to.

Etat : Good. Paperback met flappen, veel (paginagrote) illustraties (waaronder foto's) in kleur, 4to.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Etat : New. In English.

Etat : Very Good.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 408 pages. 11.38x9.63x1.50 inches. In Stock.

Tapa blanda. Etat : Nuevo.

Etat : New. KlappentextDiscover how Flemish and Brabant masters made the Netherlands great. Includes paintings by Joos Van Cleve, Pieter Aertsen, Maarten De Vos, Frans Floris, Frans Hals, Peter Paul Rubens, Anthony Van Dyck, Jacob Jordaens, Jan Stee.

Hardcover. Etat : Very Good. Etat de la jaquette : Very good. 1. Dutch Prachtige minuscule details, flonkerend bladgoud en schitterend kleurgebruik kenmerken de Utrechtse middeleeuwse manuscripten. Dit rijk geïllustreerde boek toont de ontwikkeling van de handschriftenproductie en vroege boekdrukkunst in Utrecht, dat als bisschopsstad een belangrijk centrum was van cultuur, religie en politiek in de Noordelijke Nederlanden. Aan de hand van meer dan honderd handschriften en vroege drukken wordt aandacht besteed aan opdrachtgevers, kopiisten, verluchters, productieprocessen, materialen, internationale invloeden en de overgang van handschrift naar druk. Het werk biedt een overzicht van de pracht en betekenis van de Utrechtse boekcultuur tussen de vroege middeleeuwen en de renaissance.…

Softcover, 367 pagina's, 29 x 29 cm, Nederlandstalig. *Als nieuw. ISBN 9789461300782. Tijdens de middeleeuwen ontwikkelt zich in Utrecht - toen het belangrijkste centrum van de Noordelijke Nederlanden - een bloeiende kunstproductie, met name die van de beeldhouwkunst. Niet alleen de aanwezigheid van kapitaalkrachtige geestelijken en een invloedrijke adel werken deze ontwikkeling in de hand, maar vooral ook de langdurige bouw van de imposante Domkerk. Talrijke beeldhouwers, onder wie Adriaen van Wesel en Jan van Schayck, werkten jarenlang mee aan het gigantische bouwproject dat rijkelijk voorzien moest worden van religieuze symbolen, friezen, grafzerken en memorietafels. De Utrechtse beeldhouwers bekwamen zich in het bewerken van steen zowel als hout, en bouwen gaandeweg een reputatie op die tot vandaag overeind blijft. De gellustreerde catalogus over dit middeleeuwse fenomeen verschijnt naar aanleiding van de gelijknamige tentoonstelling in het Catharijneconvent in Utrecht. De auteurs tonen met verve het cultuurhistorische belang aan van de Domstad voor de ontwikkeling van de middeleeuwse beeldhouwkunst in de Lage Landen en de Rijnstreek. 0 g.…

Etat : New.

hardcover. Etat : New. 1st.

Hardcover. Etat : Brand New. 01 edition. 350 pages. 12.25x8.75x1.00 inches. In Stock.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Hardcover. Etat : new. Hardcover. The painter Joos van Cleve (c. 1485/90-1540/41) founded an important and influential workshop in Antwerp at the beginning of the sixteenth century. His business instinct and managerial character ensured that the shop ran smoothly and that there were both local and international clients for his output. More than 300 works are currently attributed to Van Cleve and his workshop. It is a remarkably large oeuvre, far exceeding that of any other contemporary Antwerp artist. The paintings that left his shop are of a superb quality and craftsmanship. Van Cleve and his assistants were responsible for lifelike portraits, altarpieces of varying sizes, and the mass production of popular devotional panels with subjects like The Holy Family, The Madonna of the Cherries and The Infants Christ and St John the Baptist Embracing. How, then, is it possible that these paintings are of such a high quality and craftsmanship? This book contains the answer. The international nature of Antwerp's economy, and of its art trade in particular, made Joos van Cleve and his paintings known far beyond the confines of the Low Countries. Although the information about his life and the composition of his oeuvre was unclear for a long time, Joos van Cleve can now once again be numbered among the great successful painters of the early sixteenth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Etat : New. 1st.

Couverture rigide. Etat : Neuf. Etat de la jaquette : Neuf. Edition originale. Fecit(MEF 8) M. Leeflang Joos van Cleve A Sixteenth-Century Antwerp Artist and his Workshop IV+234 p., 108 b/w ill. + 168 colour ill., 210 x 297 mm, 2015 ISBN: 978-2-503-55436-5 Languages: English Hardback The publication is available. Retail price: EUR 190,00 excl. tax M. Leeflang Joos van Cleve A Sixteenth-Century Antwerp Artist and his Workshop IV+234 p., 108 b/w ill. + 168 colour ill., 210 x 297 mm, 2015 ISBN: 978-2-503-55436-5 Languages: English Hardback The publication is available. The painter Joos van Cleve (c. 1485/90-1540/41) founded an important and influential workshop in Antwerp at the beginning of the sixteenth century. His business instinct and managerial character ensured that the shop ran smoothly and that there were both local and international clients for his output. More than 300 works are currently attributed to Van Cleve and his workshop. It is a remarkably large oeuvre, far exceeding that of any other contemporary Antwerp artist. The paintings that left his shop are of a superb quality and craftsmanship. Van Cleve and his assistants were responsible for lifelike portraits, altarpieces of varying sizes, and the mass production of popular devotional panels with subjects like The Holy Family, The Madonna of the Cherries and The Infants Christ and St John the Baptist Embracing. How, then, is it possible that these paintings are of such a high quality and craftsmanship? This book contains the answer. The international nature of Antwerp's economy, and of its art trade in particular, made Joos van Cleve and his paintings known far beyond the confines of the Low Countries. Although the information about his life and the composition of his oeuvre was unclear for a long time, Joos van Cleve can now once again be numbered among the great successful painters of the early sixteenth century. Micha Leeflang (1975) studied technical art history at the University of Groningen, where she defended her dissertation 'Uytnemende Schilder van Antwerpen. Joos van Cleve: atelier, productie en werkmethoden' in 2007. From 2005 to 2007 she was on the staff of the Rijksmuseum in Amsterdam as curatorial researcher. Since 2007 she has been a curator at Museum Catharijneconvent in Utrecht, where she was responsible for such exhibitions as Masterly Manuscripts. The Middle Ages in Gold and Ink (2009), and Surviving the Iconoclasm, Medieval Sculpture (2012-2013). In 2011 she was closely involved in the preparations for the exhibition Joos van Cleve, Leonardo des Nordens in the Suermondt-Ludwig-Museum in Aachen. Size: 210 X297 Mm.Language : English text.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : As New. Book in as new condition. 234pp with colour illustrations.