Leirner jac (35 résultats)

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Softcover staple bound, 12 pages, very good condition, light shelfwear to covers; no internal marks.

Hardcover. Etat : Fine. First Edition. As New. Still in the original shrinkwrap. Essay by Robert Storr. English/Spanish text. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Fine condition. A volume in Fundacion Cisnero's Conversaciones/Conversations series. ; Conversaciones/conversations; 8vo.; 199 pages.…

Hardcover. Etat : Good.

Hardcover without dustjacket as issued; 200 pages; in English and Portuguese; new condition; still sealed in shrinkwrap; clean and crisp.

Softcover, 192 pages, in Portuguese; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. [12 pages.] Exhibition catalog for a show that ran May 11 through June 11, 1993. Text in English and Portuguese. Features an essay by Paulo Herkenhoff. Includes 7 color illustrations and a list of previous exhibitions. A near fine copy in stapled wrappers. A pleasing copy of this uncommon catalog on the work of Brazilian artist Jac Leirner.…

Softcover, staple bound with dustjacket, 24 pages, in Portuguese and English; very good condition, no internal marks, clean and crisp.

Hardcover. Etat : Brand New. blg rep edition. 199 pages. 9.25x6.50x1.00 inches. In Stock.

First Edition. First edition. Large oblong hardcover. Produced on the occasion of 47th Venice Biennale. Includes color illustrations. A very good copy in paper covered boards with bumping to the top right corner and some other light wear. No dust jacket as issued.

Hardcover. Etat : Near Fine. No Jacket. Size: 21 x 40 cm.

Etat : New.

Paperback. Etat : Very Good. Qto., 32 pages, illustrated. The text is in both English and Portuguese. A Very Good clean copy.

Hardcover without dustjacket as issued, 28 pages; very good condition; moderate rubbing wear to covers with 3-inch abrasion to upper left corner of front cover; no internal marks. Foreign shipping may be extra.

Softcover with dustjacket,128 pages, in English and Spanish; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover exhibition catalog, 32 pages, in Portugese and English; very good condition, light wear and rubbing to white covers; no internal marks.

Soft cover. Small landscape 8vo. White dust jacket with black lettering to front and spine. White paper covers. Copiously illustrated in colour.ISBN: 9781910844076 Very good plus with bump to rear spine end, in very good plus dust jacket with small crease to rear spine edge.

Einban etwas bestossen, aber ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Hardcover. Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations. .

Hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Ohne Stempel, keine An-und Unterstreichungen, altersgemäss guter Zustand. Softcover. Original gheftet.

Couverture rigide. Etat : Comme neuf. Edition originale. Bruxelles 2025. -- 1 Volume/1. -- Comme Neuf -- Broché. Format 33,5 x 23,5 cm . -------- 512 pages d'Illustrations. [ sans texte ]. ******************* Présentation éditeur : "" « Tickets to the Core présente mon univers personnel, entièrement lié à la musique. Des concerts, des opéras et des spectacles ont été vécus pendant des décennies lors d'événements en direct et dans d'innombrables lieux à travers le monde. Les billets peuvent porter les noms de solistes virtuoses et évoquer des compositeurs géniaux et uniques, morts ou vivants. Ce livre est une déclaration passionnée où les goûts et les tendances sont mis à nu, traversant le présent et le passé. » Jac Leirner Jac Leirner (née en 1961 à São Paulo) est une sculptrice et artiste multimédia brésilienne. Principalement connue pour sa série d' uvres utilisant des matériaux du quotidien (billets de banque, papier pour cigarettes, autocollants, sacs en plastique, cartes de visite, articles de quincaillerie, etc. ), qu'elle rassemble pour former de nouvelles configurations, classées par ordre de grandeur, couleur ou forme, Jac Leirner donne du sens et de la valeur aux objets courants avec humour et élégance, et établit des liens avec les problèmes sociaux dans sa patrie ou avec sa vie personnelle, étudiant les notions de répétition, d'obsession, d'esclavage et de valeur, tant sur les plans matériel, économique qu'artistique. Ses uvres, rigoureuses sur le plan conceptuel et d'une grande beauté formelle, s'inspirent d'un large éventail d'influences artistiques et formelles, tout en embrassant l'héritage transgressif du dadaïsme, du constructivisme, du pop art et de l'art conceptuel, de l'Arte Povera et du punk, entre autres. "" ********************** ref fav-02-06.…

Etat : New. Etat de la jaquette : New. Enviamos a todo el mundo. 100% garant'a. Libro nuevo.

paperback. Etat : Fine. Prima edizione (First Edition). Libro d'artista. Fotografie a colori di Eduardo Giannini Ortega Design di Lorenzo Mason Studio. Cm 33,3 x 23,5. pp. 512. . Ottimo (Fine). . Prima edizione (First Edition). . "Tickets to the Core presenta il mio universo personale, interamente legato alla musica. Concerti, opere e spettacoli sono stati vissuti per decenni, dal vivo e in innumerevoli luoghi in tutto il mondo. I biglietti possono recare i nomi di virtuosi solisti e riportare sulla carta il genio e l'unicità di compositori, viventi e defunti. Questo libro è una dichiarazione appassionata in cui gusti e tendenze vengono messi a nudo, abbracciando presente e passato." Jac Leirner.Jac Leirner (São Paulo, 1961) vive e lavora a São Paulo in Brasile. L'opera di Jac Leirner si esprime spesso tramite processi di raccolta e di ordine: accumulazione di oggetti e osservazione profonda e acuta delle loro caratteristiche, interruzione del corso del loro consumo, conseguente rielaborazione e traduzione in qualità visive che esprimano in maniera il più possibile senza mediazioni colore, materialità e presenza nello spazio, spesso mimando le caratteristiche precipue degli oggetti stessi e usandoli come paragone proporzionale di misura. Leirner dispone e presenta il suo lavoro con modalità insolitamente complesse, così da evidenziare la banalità di ogni oggetto utilizzato, consentendone una rilettura sotto l'aspetto della forma e della bellezza. Mediante l'utilizzo di una compulsiva ripetizione, di serialità e di audaci accenti ritmici di colore, la pratica artistica di Leirner guarda alla storia del Costruttivismo brasiliano nonché all'eredità dell'Arte Povera e del Minimalismo. ll suo lavoro è stato oggetto di esposizioni personali presso istituzioni pubbliche e private internazionali, tra le quali: Swiss Institute Contemporary Art New York, New York, USA (2023); Ludwig Museum, Colonia, Germania (2020); IMMA, Dublino, Irlanda (2017); The Fruitmarket Gallery, Edimburgo, Scozia (2017), MoCA - Museum of Contemporary Art Shanghai, Shanghai, Cina (2016); Museo Tamayo, Città del Messico, Messico (2014); CAAM: Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spagna (2014), Yale School of Art, New Haven, USA (2012), Estação Pinacoteca, San Paolo, Brasile (2011); Centro Universitário da USP - Maria Antonia, San Paolo, Brasile (2008; 2001); Museu de Arte da Pampulha, Belo Horizonte, Brasile (2006); Miami Art Museum, Miami, USA (2004); MASP - Museu de Arte Moderna de São Paulo, San Paolo, Brasile (2001; 1999); The Bohen Foundation, New York, USA (1998); ICA - The Institute of Contemporary Art Boston, Boston, USA (1991); Walker Art Center, Minneapolis, USA (1991). Ha partecipato a numerose biennali e mostre internazionali. Book.…

Couverture souple. Etat : Comme neuf. 120 PAGES-IN 8-NOMBREUSES ILLUSTRATIONS (22A).

Hardcover. Etat : Fine. Qto., 248 pages, colour illustrated. The text is in both English and Portuguese. Looks unused, a Dine copy.

Etat : Wie neu. 575 pp., 12, 5 x 17 cm, 500 colour ill. Sprache(n)/language(s): enPractically new, in its original wrapping.

Hardcover. Etat : New. English and Spanish Edition; This third publication in the Fundacià n Cisneros' Conversaciones/Conversations series puts Brazilian conceptual artist Jac Leirner in dialogue with art historian Adele Nelson. Leirner (born 1961) emerged in the early 1990s at the forefront of a new, transnational generation of artists looking to the art of the 1960s and 1970s as a point of departure. Leirner's meticulously constructed works carve out a place for commonplace objects, from cigarette packs and plastic shopping bags to cutlery and currency. In this, the first in-depth study of Leirner's creative process, Nelson interviews the artist about more than two decades of production. (20120101).…

hardcover. Etat : Very Good.

Etat : Good. 4to. 32 pp. Soft Cover. Very Good. Typographical paper wraps with French folds. Small stain on bottom edge of front cover. Color and B&W plates throughout. Extremely Scarce.Retrospective on Jac Leirner (b. Sao Paulo, SP 1961,) with close to 60 works including sculptures, objects, installations and watercolors created between the years 1980 and 2011. Jac Leirner's use packs of cigarettes, plastic bags, cash, cards and other products taken from the universe of mass consumption and gives them new meanings in his artistic world. The exhibition included works from the series "Os Cema" (1987), made with 100 bills sewn in a canvas, and "Nomes" (1989), composed of hundreds of bags that cover one wall of the exhibition space. In them, the artist explored the variety of shapes and colors of materials, incorporating issues related to the presence of color, linearity and horizon. Works exhibited comprised "Corpus Delict" (1993), and "Foi um Prazer" (1997), where Leirner puts on the walls business cards of artists, curators and gallery owners, and, "Adesivos 44" (2004), an installation presented originally at the Miami Art Museum, MAM. …