leuschner eckhard (56 résultats)

Softcover. Etat : As New. Leichte Kratzer / Abnutzungen / Druckstellen. Das Begriffspaar ,Kunst" und ,Humanismus" bezeichnet ein kreatives Spannungsverhaltnis: Kunst, verstanden als schopferischer Akt der Formgestaltung und als ein Weg der Vermittlung geistiger Inhalte, und Humanismus als Bemuhung um das Humanum, die sich unter anderem in der Auseinandersetzung mit den Werken der abendlandischen Kunst und der kulturellen Uberlieferung in ihrer ganzen Bandbreite konkretisiert. Uber 30 reich bebilderte Beitrage von renommierten Wissenschaftlern widmen sich dem faszinierenden Spektrum der Kunst- und Kulturwissenschaften in Geschichte und Gegenwart. Dabei kommen neben Malerei, Graphik, Skulptur, Architektur und Film, - stellvertretend fur den Dialog der Kunstgeschichte mit anderen Disziplinen - auch Literatur, Emblematik, Musik, Alte Geschichte und Ethnologie in den Blick und bringen zahlreiche neue und uberraschende Erkenntnisse ans Licht.

Gr.-8°, OPb. Mit vielen Abbildungen, 247 S., Nur minimal gebraucht, sehr gut erhalten (I-II) 6572 ISBN 9783865687777 Sprache: Deutsch Gewicht in Gramm: 930.

Gebunden. Etat : Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Vorliegende Publikation ist dem Verhältnis künstlerischer und gesellschaftlicher Normen des Körpers im Italien der 1920er und 30er Jahre gewidmet. Das Buch studiert die visuelle Formulierung idealer Schönheit, künstlerischer Kanons und anthropometrischer Standards in Zusammenhang mit zeitgenössischen Definitionen des 'italienischen Wesens'. Die untersuchten Phänomene aus der Menschendarstellung der Zwischenkriegszeit reichen von Malerei, Kunsttheorie und Künstlerausbildung über die Architektur des italienischen Rationalismus bis hin zu politischer Propaganda, Spielfilm, Literatur und Werbung. 248 pp. Deutsch.

paperback. Etat : New. 1st.

Brossura. Etat : new. Edited by Leuschner E. and Wolf G.English Text.Firenze, 2022; paperback, pp. 512, ill., cm 17x24.(Biblioteca di Bibliografia. Documents and Studies in Book and Library History. 216). Fondata nel 1584 dal cardinale Ferdinando de' Medici e diretta da Giovanni Battista Raimondi, la Tipografia Medicea si dedicava alla stampa con caratteri non latini. Pubblicò, tra l'altro, edizioni dei Vangeli in arabo e in arabo-latino, grammatiche delle lingue araba e siriaca e testi classici arabi di filosofia, geografia e matematica. Il presente volume raccoglie saggi sulle origini, le attività editoriali e commerciali e l'ambiente culturale della Tipografia. Vengono pubblicate e commentate le trascrizioni di documenti recentemente scoperti legati alla stampa medicea, che rivelano sia la visione globale sia le insidie di una casa editrice eccezionale nella prima età moderna. Libro.

Etat : New.

Paperback. Etat : new. Paperback. Founded in 1584 by Cardinal Ferdinando de'Medici and directed by Giovanni Battista Raimondi, the Typographia Medicea was devoted to printing with non-Latin letterpress types. It published, among others, editions of the Gospels in Arabic and Arabic-Latin, grammars of the Arabic and Syriac languages and classical Arabic texts on philosophy, geography, and mathematics. The present book collects essays on the Typographia's origins, editorial and commercial activities, and cultural environment. Transcripts of newly discovered documents connected to the Medici Press are published and commented on, revealing both the global vision and the pitfalls of an exceptional publishing house in the early modern era. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : As New. Unread book in perfect condition.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Brossura. Etat : libro nuovo. Testo inglese. Edited by Eckhard Leuschner and Gerhard Wolf. Cm.24x17. Pg.XXXII,500 con 57 figure bn nel testo. Biblioteca di bibliografia. Documents and Studies in Book and Library History, vol. 216. Fondata nel 1584 dal cardinale Ferdinando de' Medici e diretta da Giovanni Battista Raimondi, la Tipografia Medicea si dedicava alla stampa con caratteri non latini. Pubblicò, tra l'altro, edizioni dei Vangeli in arabo e in arabo-latino, grammatiche delle lingue araba e siriaca e testi classici arabi di filosofia, geografia e matematica. Il presente volume raccoglie saggi sulle origini, le attività editoriali e commerciali e l'ambiente culturale della Tipografia. Vengono pubblicate e commentate le trascrizioni di documenti recentemente scoperti legati alla stampa medicea, che rivelano sia la visione globale sia le insidie di una casa editrice eccezionale nella prima età moderna. 1100 gr.

Etat : NEW. Firenze: Leo S. Olschki, 2023 9788822267924 Biblioteca di bibliografia. Documents and studies in book and library history 216 1409 xxxiv, 500 p. : ill. col., indice ; 24 cm. Fondata nel 1584 dal cardinale Ferdinando de' Medici e diretta da Giovanni Battista Raimondi, la Tipografia Medicea si dedicava alla stampa con caratteri non latini. Pubblicò, tra l'altro, edizioni dei Vangeli in arabo e in arabo-latino, grammatiche delle lingue araba e siriaca e testi classici arabi di filosofia, geografia e matematica. Il presente volume raccoglie saggi sulle origini, le attività editoriali e commerciali e l'ambiente culturale della Tipografia. Vengono pubblicate e commentate le trascrizioni di documenti recentemente scoperti legati alla stampa medicea, che rivelano sia la visione globale sia le insidie di una casa editrice eccezionale nella prima età moderna. Wolf,Gerhard - Leuschner,Eckhard.

hardcover. Etat : New. 1st.

Etat : New. 2022. Paperback. . . . . .

Etat : Nuovo. Ril. in cart. con cop. ill., cm 24,5x17,5, pp 247, moltissime ill. in b/n.

Hardback. Etat : New. Bibl. erg. Ausgabe 2024.

Buch. Etat : Neu. Neuware -For fifty-four years, Martin von Wagner (1777-1858) was a central figure in the 'German-Roman' community during the early and mid-nineteenth century. It was in this vibrant environment - a network of artists, archeologists, art historians, art dealers, patrons and collectors from which a new idea of the Eternal City emerged - that Wagner assembled a significant collection of artworks, which he later bequeathed to the university in his hometown of Würzburg. The thousandsof drawings by Italian artists from the fifteenth through the nineteenth century have long been regarded as the highlight of these holdings. For the first time, a substantial selection of sheets from all regional schools is being presented in a lavish publication, released on the occasion of a joint exhibition by the Martin von Wagner Museum of the University of Würzburg and the Museo Vesini Rubin in Gradara. Volume 1 contains approximately 130 catalogue entries, each prepared by a group of leading specialists in the respective artists. In addition, five essays examine specific aspects of the Wagner Collection and its context, also offering a wealth of high-quality reproductions of his Italian drawings. Volume 2 broadens the perspective, as Wagner's collection also included a vast number of prints, paintings, a well-equipped library, ancient marbles, bronzes and terracottas as well as plaster casts. Drawing on a wide range of sources, this pioneeringin-depth study illustrates the genesis and character of the Wagner Collection. 780 pp. Englisch.

Buch. Etat : Neu. Neuware -For fifty-four years, Martin von Wagner (1777-1858) was a central figure in the 'German-Roman' community during the early and mid-nineteenth century. It was in this vibrant environment - a network of artists, archeologists, art historians, art dealers, patrons and collectors from which a new idea of the Eternal City emerged - that Wagner assembled a significant collection of artworks, which he later bequeathed to the university in his hometown of Würzburg. The thousandsof drawings by Italian artists from the fifteenth through the nineteenth century have long been regarded as the highlight of these holdings. For the first time, a substantial selection of sheets from all regional schools is being presented in a lavish publication, released on the occasion of a joint exhibition by the Martin von Wagner Museum of the University of Würzburg and the Museo Vesini Rubin in Gradara. Volume 1 contains approximately 130 catalogue entries, each prepared by a group of leading specialists in the respective artists. In addition, five essays examine specific aspects of the Wagner Collection and its context, also offering a wealth of high-quality reproductions of his Italian drawings. Volume 2 broadens the perspective, as Wagner's collection also included a vast number of prints, paintings, a well-equipped library, ancient marbles, bronzes and terracottas as well as plaster casts. Drawing on a wide range of sources, this pioneeringin-depth study illustrates the genesis and character of the Wagner Collection. 780 pp. Englisch.

Buch. Etat : Neu. Neuware -For fifty-four years, Martin von Wagner (1777-1858) was a central figure in the 'German-Roman' community during the early and mid-nineteenth century. It was in this vibrant environment - a network of artists, archeologists, art historians, art dealers, patrons and collectors from which a new idea of the Eternal City emerged - that Wagner assembled a significant collection of artworks, which he later bequeathed to the university in his hometown of Würzburg. The thousandsof drawings by Italian artists from the fifteenth through the nineteenth century have long been regarded as the highlight of these holdings. For the first time, a substantial selection of sheets from all regional schools is being presented in a lavish publication, released on the occasion of a joint exhibition by the Martin von Wagner Museum of the University of Würzburg and the Museo Vesini Rubin in Gradara.Volume 1 contains approximately 130 catalogue entries, each prepared by a group of leading specialists in the respective artists. In addition, five essays examine specific aspects of the Wagner Collection and its context, also offering a wealth of high-quality reproductions of his Italian drawings. Volume 2 broadens the perspective, as Wagner's collection also included a vast number of prints, paintings, a well-equipped library, ancient marbles, bronzes and terracottas as well as plaster casts. Drawing on a wide range of sources, this pioneeringin-depth study illustrates the genesis and character of the Wagner Collection.

Etat : New.

Etat : New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Etat : New.

Etat : New.

Hardcover. Etat : Brand New. 780 pages. 8.90x2.56x10.91 inches. In Stock.

Hardcover. Etat : new. Hardcover. For fifty-four years, Martin von Wagner (1777-1858) was a central figure in the "German-Roman" community during the early and mid-nineteenth century. It was in this vibrant environment - a network of artists, archeologists, art historians, art dealers, patrons and collectors from which a new idea of the Eternal City emerged - that Wagner assembled a significant collection of artworks, which he later bequeathed to the university in his hometown of Wurzburg. The thousands of drawings by Italian artists from the fifteenth through the nineteenth century have long been regarded as the highlight of these holdings. For the first time, a substantial selection of sheets from all regional schools is being presented in a lavish publication, released on the occasion of a joint exhibition by the Martin von Wagner Museum of the University of Wurzburg and the Museo Vesini Rubin in Gradara. Volume 1 contains approximately 130 catalogue entries, each prepared by a group of leading specialists in the respective artists. In addition, five essays examine specific aspects of the Wagner Collection and its context, also offering a wealth of high-quality reproductions of his Italian drawings. Volume 2 broadens the perspective, as Wagner's collection also included a vast number of prints, paintings, a well-equipped library, ancient marbles, bronzes and terracottas as well as plaster casts. Drawing on a wide range of sources, this pioneeringin-depth study illustrates the genesis and character of the Wagner Collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Etat : Neu. An Artist's Choice. Italian Drawings from the Collection of Martin von Wagner | Volume 1: Essays and Catalogue Volume 2: Choosing Variety. Martin von Wagner as Collector, by Carolin Goll | Eckhard Leuschner (u. a.) | Buch | 780 S. | Englisch | 2025 | Harrassowitz Verlag | EAN 9783447124676 | Verantwortliche Person für die EU: Harrassowitz Verlag GmbH & [.], Steffen Schickling, Kreuzberger Ring 7C-D, 65205 Wiesbaden, produktsicherheit[dot]verlag[at]harrassowitz[dot]de | Anbieter: preigu.

Buch. Etat : Neu. Neuware -For fifty-four years, Martin von Wagner (1777-1858) was a central figure in the 'German-Roman' community during the early and mid-nineteenth century. It was in this vibrant environment - a network of artists, archeologists, art historians, art dealers, patrons and collectors from which a new idea of the Eternal City emerged - that Wagner assembled a significant collection of artworks, which he later bequeathed to the university in his hometown of Würzburg. The thousandsof drawings by Italian artists from the fifteenth through the nineteenth century have long been regarded as the highlight of these holdings. For the first time, a substantial selection of sheets from all regional schools is being presented in a lavish publication, released on the occasion of a joint exhibition by the Martin von Wagner Museum of the University of Würzburg and the Museo Vesini Rubin in Gradara.Volume 1 contains approximately 130 catalogue entries, each prepared by a group of leading specialists in the respective artists. In addition, five essays examine specific aspects of the Wagner Collection and its context, also offering a wealth of high-quality reproductions of his Italian drawings. Volume 2 broadens the perspective, as Wagner's collection also included a vast number of prints, paintings, a well-equipped library, ancient marbles, bronzes and terracottas as well as plaster casts. Drawing on a wide range of sources, this pioneeringin-depth study illustrates the genesis and character of the Wagner Collection.Harrassowitz Verlag, Kreuzberger Ring 7 b-d, 65205 Wiesbaden 780 pp. Englisch.

Etat : New. 2025. hardcover. . . . . .

Paperback. Etat : new. Paperback. Founded in 1584 by Cardinal Ferdinando de'Medici and directed by Giovanni Battista Raimondi, the Typographia Medicea was devoted to printing with non-Latin letterpress types. It published, among others, editions of the Gospels in Arabic and Arabic-Latin, grammars of the Arabic and Syriac languages and classical Arabic texts on philosophy, geography, and mathematics. The present book collects essays on the Typographia's origins, editorial and commercial activities, and cultural environment. Transcripts of newly discovered documents connected to the Medici Press are published and commented on, revealing both the global vision and the pitfalls of an exceptional publishing house in the early modern era. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Etat : Neu. Neuware - For fifty-four years, Martin von Wagner (1777-1858) was a central figure in the 'German-Roman' community during the early and mid-nineteenth century. It was in this vibrant environment - a network of artists, archeologists, art historians, art dealers, patrons and collectors from which a new idea of the Eternal City emerged - that Wagner assembled a significant collection of artworks, which he later bequeathed to the university in his hometown of Würzburg. The thousandsof drawings by Italian artists from the fifteenth through the nineteenth century have long been regarded as the highlight of these holdings. For the first time, a substantial selection of sheets from all regional schools is being presented in a lavish publication, released on the occasion of a joint exhibition by the Martin von Wagner Museum of the University of Würzburg and the Museo Vesini Rubin in Gradara. Volume 1 contains approximately 130 catalogue entries, each prepared by a group of leading specialists in the respective artists. In addition, five essays examine specific aspects of the Wagner Collection and its context, also offering a wealth of high-quality reproductions of his Italian drawings. Volume 2 broadens the perspective, as Wagner's collection also included a vast number of prints, paintings, a well-equipped library, ancient marbles, bronzes and terracottas as well as plaster casts. Drawing on a wide range of sources, this pioneeringin-depth study illustrates the genesis and character of the Wagner Collection.