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  • Edité par Filmfestspiele, Berlin 1968., 1968

    • Couverture souple
    • Édition originale

    Vendeur : Antiquariat Carl Wegner, Berlin, B, AllemagneAntiquariat Carl Wegner

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    Membre d’une association professionnelle : GIAQ

    Etat: Occasion

    EUR 21,10

    EUR 9,00 expédition 
    Expédition depuis Allemagne vers Etats-Unis

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    Softcover. Rotes Original-Heft 22 x 15 cm. 60 Seiten mit vielen Abbildungen. Außen im Rückenbereich leicht feuchtrandig, innen gut erhalten. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Leuchtender Herbstbeginn! Wie wäre es mit einem guten Buch? Bei uns werden Sie fündig, stöbern Sie in unserem Ladengeschäft oder online. -- Wir kaufen Ihre werthaltigen Bücher! FilmOkl104389. …

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    Etat: Occasion

    EUR 248,94

    EUR 8,79 expédition 
    Expédition nationale : Etats-Unis

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    Vintage black and white publicity photograph of actor Monte Blue shining his shoes on the set of the 1926 Ernst Lubitsch film. With an annotation in manuscript pencil on the verso attesting to same. Based on the 1872 play "Le Reveillon" by Henri Meilhac and Ludovic Halevy. A married man living in Paris discovers that his old flame, a free-spirited, flirtatious woman, has moved in next door. Lubitsch's penultimate silent film. Monte Blue established himself as popular male lead during the silent era in "Birth of a Nation" (1915) and "Intolerance" (1916), and unlike many silent-era actors, transitioned with ease and success into the sound era beginning in 1927, with this film, "White Shadows in the South Seas" (1928), and "Key Largo" (1948). German-born director Lubitsch moved to the US in the early 1920s, contracted by silent film starlet Mary Pickford to direct "Rosita" (1923). The film proved a substantial hit for both Pickford and Lubitsch, and kicked off the director's successful career in Hollywood, where he became known for "the Lubitsch touch," a catchall for his benign, elegant comedies of manners, most notably "Trouble in Paradise" (1932), "Ninotchka" (1939), "The Shop Around the Corner" (1940), and "Heaven Can Wait" (1943). Set in Paris. 10 x 8 inches. Very Good plus, with brief wear to the top left and bottom right corners.…