Lucente gregory l (46 résultats)

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Used-Very Good. dj. 1st Edition. Cloth, dj. Minor shelf-wear.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Text clean and tight; 8vo 8" - 9" tall; 212 pages.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st. First Edition, First Printing; dj in mylar; 189 clean, unmarked pages/index.

First edition (not stated per publisher's usual practice). xiv, 189 pages. Hardcover: H 23.5cm x L 15.75cm. Green dust jacket rubbed, slight wear and nicks at spine and flap fold ends, scuffing along front flap fold. Green cloth with vibrant silver stamped spine lettering. Pages are bright and clean. Binding is firm. A near fine copy in a very good dust jacket. With Preface, Acknowledgements, Conclusion "The Ends of Realism," two appendices, Notes, and Index. Features five chapters titled as: "Mimesis and Verisimilitude: The Theory and Practice of Realism," "The Creation of Myth's Rhetoric: Views of the Origins of the Mythic Sign," "The Interaction of Realism and Myth," "The Ideology of Form in Verga's 'La Lupa'" Realism, Myth, and the Passion of Control," and "Verga, Lawrence, Faulkner, Pavese." ISBN 0801826098.…

Hb. Etat : VG+. Etat de la jaquette : VG+. 1st. 193pp. Index, Notes. Wear boards, DJ: wear extremities.

Hardcover. Etat : Very Good. Hard Cover. Good/None. Remainder.

Hard cover. Etat : Very Good. First edition. Very good in very good dust jacket. Sewn binding. Cloth over boards. 400 p. Audience: General/trade.

Hardcover. Dust Jacket Included. F. Hb. VG+/VG+. 1st. 193pp. Extremities book & Dj lightly rubbed. Notes & index.

Etat : New.

Paperback or Softback. Etat : New. Crosspaths in Literary Theory and Criticism: Italy and the United States. Book.

Paperback. Etat : New. Crosspaths in Literary Theory and Criticism traces several of the most recent trends in both the Italian and the American critical traditions, exploring the points at which the two traditions intersect or for specific reasons fail to intersect. Though the primary focus is on literary questions, attention is also given to the broader concerns of the creative force of culture and, when relevant, to economic, social, and political phenomena. Throughout, it aims to illuminate not only the forms of literary and critical discourse but also their underlying generative principles-their ideologies. The book is in three parts. Part I studies recent theoretical trends, including deconstruction, Marxism, and feminism; critical pluralism; the history of Marxist critique; and the use of the thought of Antonio Gramsci in recent cultural studies. Part II discusses the views of Italian writers (principally Giambattista Vico and Gramsci) who have engaged the problems of the historical imagination; history and myth in Luigi Pirandello's last plays; and the depiction of social life in the "historical" novels of Elsa Morante, William Faulkner, and Mario Vargas Llosa. Part III considers the reaction in the United States to the discovery of the wartime writings of Paul de Man and to the "against theory" debate. The book concludes by setting forth a model of cultural analysis that avoids the mystifications of Gianni Vattimo's "weak thought" and the reductive drawbacks of Marxist views of literary production and expression (both Italian and American) as well as suggesting the advantages of recent materialist perspectives, in the process delineating the differences between modernism and postmodernism.…

Etat : New.

Paperback. Etat : Very Good. 1/0/00 Binding: Unknown.

Etat : As New. Unread book in perfect condition.

Softcover. Etat : Very Good. First Edition. Very Good burnt orange paperback lightly bumped at the corners. Pages 245-373, unmarked. ; UO15 D3D; 8vo 8" - 9" tall.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Etat : Very Good. Vol. 95 no. 1. Very good in wrappers. Light soiling of panels/spine, slight bumping, "Read" in pen on title pg.

Etat : new.

Etat : New. This book traces several of the most recent trends in both the Italian and the American critical traditions, exploring the points at which the two traditions intersect or for specific reasons fail to intersect. Num Pages: 212 pages. BIC Classification: 1KBB; 2ADT; DSA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5182 x 3226 x 11. Weight in Grams: 249. . 1997. No Earlier Edition Stated. Paperback. . . . . …

Etat : New. In English.

Etat : New.

Etat : very good. Baltimore : The Johns Hopkins University Press,1981. (2nd ed.). Hardcover. Dustjacket. x,189 pp. Index. Condition : very good copy. ISBN 9780801826092. Keywords : LITERARY CRITICISM, Faulkner, William (1897-1962).

Paperback. Etat : Brand New. 1st edition. 212 pages. 8.50x6.00x0.50 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Etat : New. This book traces several of the most recent trends in both the Italian and the American critical traditions, exploring the points at which the two traditions intersect or for specific reasons fail to intersect. Num Pages: 212 pages. BIC Classification: 1KBB; 2ADT; DSA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5182 x 3226 x 11. Weight in Grams: 249. . 1997. No Earlier Edition Stated. Paperback. . . . . Books ship from the US and Ireland. …

8vo, xiv,189pp. Near fine copy in like d/j.

hardcover. Etat : New.

Hardcover w dj. Etat : Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED; VERY Good or Better hardcover with VERY Good dust jacket, minor wear to dust jacket tips, slight foxing inside covers, sm4to, 189 pp.

Paperback. Etat : New. Crosspaths in Literary Theory and Criticism traces several of the most recent trends in both the Italian and the American critical traditions, exploring the points at which the two traditions intersect or for specific reasons fail to intersect. Though the primary focus is on literary questions, attention is also given to the broader concerns of the creative force of culture and, when relevant, to economic, social, and political phenomena. Throughout, it aims to illuminate not only the forms of literary and critical discourse but also their underlying generative principles-their ideologies. The book is in three parts. Part I studies recent theoretical trends, including deconstruction, Marxism, and feminism; critical pluralism; the history of Marxist critique; and the use of the thought of Antonio Gramsci in recent cultural studies. Part II discusses the views of Italian writers (principally Giambattista Vico and Gramsci) who have engaged the problems of the historical imagination; history and myth in Luigi Pirandello's last plays; and the depiction of social life in the "historical" novels of Elsa Morante, William Faulkner, and Mario Vargas Llosa. Part III considers the reaction in the United States to the discovery of the wartime writings of Paul de Man and to the "against theory" debate. The book concludes by setting forth a model of cultural analysis that avoids the mystifications of Gianni Vattimo's "weak thought" and the reductive drawbacks of Marxist views of literary production and expression (both Italian and American) as well as suggesting the advantages of recent materialist perspectives, in the process delineating the differences between modernism and postmodernism.…