Lukas rieppel (48 résultats)

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : acceptable.

hardcover. Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. First. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : New. Hardcover.

hardcover. Etat : Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. …

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 8vo 8" - 9" tall; 336 pp.

Etat : New. Brand New.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : As New. University of Chicago Press, 2018, Clean, unmarked copy. Volume 33 of the Osiris Research Journal. From the library of Prof. Roger Stuewer, historian of physics, UMN.

Hardback. Etat : New. A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America's wealthiest business tycoons.Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world's largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films.Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America's Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture.Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history.…

Etat : As New. Unread book in perfect condition.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. Hardcover. A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America's wealthiest business tycoons.Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world's largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films.Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America's Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture.Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history. Lukas Rieppel shows how dinosaurs gripped the popular imagination and became emblems of Americas industrial power and economic prosperity during the Gilded Age. Spectacular fossils were displayed in museums financed by North Americas wealthiest tycoons, to cement their reputation as both benefactors of science and fierce capitalists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : new.

Etat : new.

Etat : New.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. The historical relationship between science and capitalism has long stood as a central question in science studies, at least since its foundations in the 1930s. Taking inspiration from the recent surge of scholarly interest in the "history of capitalism," as well as from renewed attention to political economy by historians of science and technology, this Osiris volume revisits this classic quandary, foregrounding the entanglements between these two powerful and unruly historical forces and tracing the diverse ways they mutually shaped each other. Key attention is paid to the practices of knowledge work that enable both scientific and capitalistic action and to the diversity of global sites and circuits in which science/capitalism have been performed. The assembled papers excavate an array of tangled nodes at the science/capitalism nexus, spanning from the seventeenth century to the twenty-first, from Nevada to Central Asia to Japan, from microbiology to industrial psychology to public health.…

Etat : New. 2018. First. Paperback. . . . . .

Etat : New. 2019. Hardcover. . . . . .

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : New.

Etat : New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Etat : New. 2018. First. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : new. Paperback. The historical relationship between science and capitalism has long stood as a central question in science studies, at least since its foundations in the 1930s. Taking inspiration from the recent surge of scholarly interest in the history of capitalism, as well as from renewed attention to political economy by historians of science and technology, this Osiris volume revisits this classic quandary, foregrounding the entanglements between these two powerful and unruly historical forces and tracing the diverse ways they mutually shaped each other. Key attention is paid to the practices of knowledge work that enable both scientific and capitalistic action and to the diversity of global sites and circuits in which science/capitalism have been performed. The assembled papers excavate an array of tangled nodes at the science/capitalism nexus, spanning from the seventeenth century to the twenty-first, from Nevada to Central Asia to Japan, from microbiology to industrial psychology to public health. Science and Capitalism Entangled Histories. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…