Lynes m (87 résultats)

Etat : Good. paperback This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly.

Etat : New.

Etat : New.

Hardcover. Etat : Good. No Jacket. N M Bodecker (illustrateur).

Etat : As New. Unread book in perfect condition.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Etat : New.

Etat : New.

Etat : New.

paperback. Etat : Fine. Tanning to edge of pages Appears unread, may have minor superficial marking. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked. …

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : new. Paperback. The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of ""home"" in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lane's poems exhibit impressive range and variety - long poems, short lyrics, serial poems, poems inspired by visual art - and are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with respect to ecological crises and war; her poetic attention fixes unwaveringly on the smallest pebble on the coast of Fundy but is equally attuned to global patterns of destructive domination. In her introduction ""As Opportunity for Grace, This Life May Serve"", editor Jeanette Lynes discusses how Lane's poetry integrates an ecopoetic vision with explorations of the artist's task of mapping her world. Lane's afterword reinforces her sense of the poet's project as a form of mystical play, a search for patterns in the ""unified disunities"" of all things. A collection of thirty-five of M. Travis Lanes best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of home in both historical and present contexts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. In English.

Etat : Very Good.

PF. Etat : New.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. First Edition. New York: Harper & Brothers 1959. First Edition. Hardcover. Fantasy novel about rats in New York City. 124 pages, illustrated. Reginald 09359. Very good with light wear, in foxed and lightly rubbed dust jacket. See photos clph. N. M. Bodecker (illustrateur). …

Etat : New.

Etat : New. In English.

Paperback. Etat : New.

Hardcover. First Edition. Short crease to spine, small indentation to back cover. A very good+ copy in very good dustjacket with light chipping, faint creases to front and rear panel and a tape mend to reverse. Illustrations by N. M. Bodecker. ; Octavo. Illustrated by Bodecker, N. M. (illustrateur).

Etat : New. In English.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st Edition. First edition, first printing. "First edition" statement to the copyright page. Illustrations by N.M. Boedecker. A witty, adult, fable-like novel featuring an upper middle class, intellectual and literate, book-reading family in New City, the Cadwalladers, who are rats, living in the Cadwallader house, and concerned with ambitions, class distinctions, social situations, marriage, and other things they, like their people family do. Only unlike the humanoids, they learn from their experiences. A delightful tale by Harper Magazine's managing editor, art historian, social writer, and author. A hint of rubbing to the lower spine edge, else firm, tight, probably unread and very nearly fine in polished black linen over textured brown boards with embossed illustration of a rat profile medallion to the front cover and with silver embossed titles to the spine, gray end-papers, black-and-white headband and tail-band; in a very good plus to near fine rubbed dust jacket with rat medallion front panel art by Boedecker; original printed $3.00 price still intact to the front inner flap. The jacket will be placed in a clear, removable protective sleeve, after photographing for this entry.…

Etat : New.

Hardcover. Etat : Near Fine. Near Fine. First edition. Near fine in a near fine (trace shelf wear) dust jacket. Illustrated by N. M. Bodecker (illustrateur).

Paperback. Etat : Brand New. 82 pages. 8.75x5.75x0.25 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 408 pages. 9.00x6.00x1.02 inches. In Stock.

Soft cover. Etat : Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy. …