Mackley george e (9 résultats)

hardcover. Etat : Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

paperback. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Soft cover. Etat : Fine. No Dust Jacket. 2nd Edition. pp 124 + supplement. An unread book.

Hardcover. Etat : As New. No Dust Jacket. 1st Thus. pp 128 + supplement. 1st printing. An unread book. B/w Illustrations (illustrateur).

Reprint 8vo. black hardback, decorative gilt to spine and upper board. 124pp. followed by Supplement and List of Suppliers on unnumbered pages. With many b/w illustrations. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY. (Shelf 29) ISBN: 0905418891 Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. B/w Illustrations (illustrateur).…

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0905418891. B/w Illustrations (illustrateur).…

hardcover. Etat : Very Good. First Edition. A hardback First Edition in Good to Very Good condition. No dustjacket. Quite scarce. This book is in stock now, in our UK premises. Photos of our books are available on request (dustjacket and cover illustrations vary, and unless the image accompanying the listing is marked 'Bookseller Image', it is an Abebooks Stock Image, NOT our own). BUYERS OUTSIDE UK please also note the following: 1. shipping rates apply to packets of 750g and under, and should the packed weight of an item exceed this we reserve the right to ship via 'Economy', or request extra postage prior to fulfilling the order, or cancel 2. many countries apply import or other taxes - these are the buyers responsibility; we may ask for extra payment to cover any taxes which we have to pay 'up front' on the buyer's behalf.…

No Binding. Etat : Fine. Size: Mount 25.5 x 27.5 cm. Print image 14.4 x 12.3 cm. Condition: Excellent condition. Mount new. This original print is from the collection of Iain Bain, an expert on printmaking and in the last part of his career head of publications at the Tate Gallery in London. It is identified as "The Boatman Inn" in the collection of the University of Connecticut, and as "Canal Inn" in the Bolton Museum and Art Gallery. Both examples are dated 1968-1969. This print was made from the original wood engraving, but is not signed by the artist and the paper used for this print is a fairly heavy flat wove paper. Most of Mackley's editioned prints were on laid paper and in editions of about 75 proofs. It is likely that this print was made from the original engraving by Iain Bain himself or under his direction. Please note this is an original print and not a lithographic reproduction of George Mackley's work, examples of which are commonly found. George Edward Mackley MBE (1900 -1983) was educated at the Judd School in Tunbridge, Kent, Mackley trained as a teacher of art at Goldsmiths' College, London, specializing in painting and etching. In 1935, he learned basic wood engraving technique from Noel Rooke. Mackley's book Wood Engraving, published in 1948, remains one of the leading manuals of engraving techniques. In A History of British Wood Engraving (1978) Albert Garrett described him as a phenomenon in British engraving. A few square centimetres of Mackley is more charged with aesthetic energy, emotion and precision than many artists can muster in a lifetime [.] He could not tolerate bad or weak craftsmanship under any circumstances; bad draughtsmanship met with short shrift from him. He makes no claims to being a creative artist and always stresses that he is primarily a craftsman.'.…

Nine booklets, 130 x 95mm, pp.16, illustrated throughout; very good in pictorial card covers. Carr published 15 titles in his Picture Book series promoting the work of 20thC wood-engravers. 'These books fit small envelopes, go for a minimum stamp and are perfect for cold bedrooms only one hand and a wrist need suffer exposure'.…