Magdanz andreas (47 résultats)

8° gebundene Ausgabe. Etat : Sehr gut. 35 Seiten Deckel stellenweise altersgemäß angedunkelt B02-03-04D Sprache: Deutsch Gewicht in Gramm: 326.

Ohne Stempel, keine An-und Unterstreichungen. Zustand: Einband etwas lichtrandig, innen gut bis sehr gut. Hardcover. Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Etat : Gut. Auflage 700 Exemplare. 30 x 21 cm. 34 S. Geprägter OPappband. Einbandkanten etwas nachgedunkelt und mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar. Dokumentation über Umbau und Erweiterung des Suermondt Ludwig Museums durchgehend mit Abbildungen versehen.

Auflage 700 Exemplare. 30 x 21 cm. 34 S. Geprägter OPappband. Einband etwas lichtrandig. Sonst gutes bis sehr gutes Exemplar. Dokumentation über Umbau und Erweiterung des Suermondt Ludwig Museums durchgehend mit Abbildungen versehen. Druckvermerk mit eigenhändiger Unterschrift des Fotografen.

191 S. Hardcover. 4°. Geprägter Buchdeckel. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig. Sprache: deu.

4°. 30 cm. 16 Seiten. Original-Karton. 1. Auflage. Mit zahlreichen Abbildungen. Sehr gutes Exemplar. First edition. With many illustrations. Original softcover. Fine copy.

Hardcover. Etat : Near Fine. Near Fine. 1st Edition. First edition (Russian), first printing. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Russian) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (1/8- inch chip on the heel of the spin on dust jacket; minor bump to the crown of the spine; slight wear to the extremities; else fine). This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. An excerpt from "The Photobook: A History, Volume II" by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again.".…

Hardcover with dustjacket in plain cardboard box, 106 pages, in Polish; very good condition, except 2 corners of the box are slightly crimped and 1 edge of box has a 2-inch crease; book is clean and crisp except for tiny white scrapes to dj at spine; signed by Magdanz on dedication page; no other internal marks.…

Hardcover. Etat : Fine. Etat de la jaquette : As New. 105 pp., illustrations. Signed by author on title page. Limited edition of 100 copies in French. "These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened but on the forces of intolerance -- still at work -- that may allow it to happen again." -- The Photobook, Volume II by Martin Parr & Gerry Badger 0.0. …

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition (Polish), first printing. Signed in black ink on dedication page by Magdanz. Hardcover. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Polish) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and card box. This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. From The Photobook, Volume II, by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again." Signed by Author. …

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition (Russian), first printing. Signed in black ink on dedication page by Magdanz. Hardcover. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Russian) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and card box. This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. An excerpt from "The Photobook: A History, Volume II" by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again." Signed by Author. …

Oversized Hardcover. Etat : Very Good. Etat de la jaquette : Good. First Edition. (2000). Oblong 4to. 1st edition. Text in German and English. Lightly toned fold-out schematic laid in. Worn exhibition pamphlet with notations in pen and pencil laid in. Faint toning to edges of leaves and textblock. Slight bumping with discoloration to forecorners and spine ends of gently rubbed boards. Discoloration along edges of dust jacket verso. Uneven discoloration along spine, edges, and into panels of rubbed, scraped, and scratched d.j. Series of significant patches/lines of discoloration and scraping to panels. Wear and scraping to dust jacket edges, slightly chipped forecorners, joints, and spine ends. VG/G. …

( Ohne Erscheinungsjahr - wohl um 2000 herum erschienen ). In einem Pappdeckel mit Aufdruck *geheim - amtlich geheimgehalten* mit geöffneter Siegelmarke. Die Dokumentation hier nur als Faltplan ( ohne die Monographie ). Original-Karton, 4° ( 29,5 x 21 cm ). Von guter Erhaltung. ( Gewicht mit dem Pappdeckel 350 Gramm ) ( Diese Gebäudedokumentation als Faltplan lag wahrscheinlich der Monographie von Andreas Maganz bei ( die hier nicht vorhanden ist !! ). Inwieweit der gestempelte Pappdeckel original ist entzieht sich leider meiner Kenntnis. ( Bitte beachten: Hier nur der Faltplan vorhanden )( Lagerort AZ - Regal )( Weitere Bilder auf Anfrage ) Artikel 21829 /// ( No year of publication - probably published around 2000 ). In a cardboard cover labelled *geheim - amtlich geheimgehalten* with open seal. The documentation here only as a folding plan ( without the monograph ). Original cardboard, 4° ( 29.5 x 21 cm ). In good condition. ( Weight with the cardboard cover 350 grams ) ( This building documentation as a folding plan was probably enclosed with the monograph by Andreas Maganz ( which is not present here !! ). To what extent the stamped cardboard cover is original is unfortunately beyond my knowledge. ( Please note: Only the folding plan is available here ) ( Storage location AZ - shelf ) ( More pictures on request ) Item 21829.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. (Andreas Magdanz). (Aachen). (2000). Oblong 4to. 1st edition. SIGNED and stamped by Magdanz on limitation page. Includes folded broadsheet laid-in. Lacking gelatin silver print. Text in English and German. Minor bumping to joint ends, spine tail, and fore corners of covers. Light scraping to fore corners, joint ends, and spine ends of faintly rubbed d.j. Faint scratching to d.j. with a few concentrated patches of minor scratching to front d.j. and spine ends of d.j. Tiny spot of residue/soiling to margins of bottom edge of rear d.j. Housed in box. Light scraping and some wear to corners of box. VG/VG in VG box. Author.…

Pappband. Etat : Sehr gut. 1. Auflage. quer gr. 4° 32,5 x 27 cm, Erste Auflage, unpaginiert, Original Pappband / Hardcover. Zahlreiche Abbildungen, Einband ganz minimal sprenkelfleckig; kleine Druckstelle am Hinterdeckel; insgesamt sehr sauber - noch sehr gut erhaltenes - vom Fotografen signiertes - Exemplar. …

32,5 x 39 cm. 1 Faltbogen. OKarton-Mappe. Verschlusskleber geöffnet, sonst sehr gutes Exemplar. Faltplakat anläßlich der Ausstellung im Rheinischen Landesmuseum Bonn. Zeigt auf der einen Seite ganzseitig eine Innenansicht, verso sind alle ausgestellten Fotoarbeiten zu sehen. Das abgebildete Flugzeug ist dem Umschlag des Buches entlehnt [es handelt sich nicht um die Buchpublikation!]. In Karton-Mappe mit (geöffnetem) Geheimhaltungssiegel-Papier. Die gesamten Rückseite des Faltplakates hat die Abbildung - OP Sanitätsbauwerk, Ost/Ost; Plan- Nr. 29 - [ unserer 2. Abbildung].…

4°, OKart. 1. Aufl. Mit zahlr. Abbild. auf Tafeln, unpaginiert. Einband berieben. Im Inneren schönes Ex Sprache: Deutsch Gewicht in Gramm: 0.

Etat : As New.

Hardcover with white dustjacket embossed with eagle design; 192 pages; in German with English on flaps of dj; very good condition; light rubbing to white dj; signed by "A. Magdanz" on title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Etat : As New. 1st Edition. SIGNED (#105/300) / stamped; large hardback w/ jacket; clean, crisp, tight. Signed by Author(s).

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition, first printing. Limited edition of 300 copies, stamped, numbered, and signed in black ink on the title page by Magdanz. Hardcover. White paper-covered boards, with German eagle design blind-stamped on front cover, and debossed title in black on the spine. White laminated dust jacket embossed with German eagle design on front and title on spine. Photographs and text (in German and English) by Andreas Magdanz. Additional text by Christoph Schaden. English text is printed on dust jacket overleaf. 192 pp., with 13 four-color and 93 black-and-white plates, printed on heavy stock paper. 11-3/8 x 13-3/4 inches. New in New dust jacket. From the artist: "The relocation of the German intelligence service BND from Pullach near Munich to Berlin marks a turning point in the history of the Federal Republic of Germany. The move, which is scheduled to be completed by 2011, will allow the first exclusive photographic documentation ever of the area in Pullach, which until now was strictly off-limits. In August of 2005, after a period of preparation that lasted more than 1 1/2 years and following extensive vetting procedures, the photographic work on the project BND - Standort Pullach began. The access to the site has been granted without limitations and no attempt to exert any influence upon the artistic work was made, apart from constant supervision by the department." As Christoph Schaden notes in his essay, Magdanz's restrained imagery belies the historical force of his subject: "The strict ban on taking pictures of the employees, who always introduced themselves to [Magdanz] in a friendly manner, but invariably gave false names, serves as his intellectual starting point. Atmospherically, that desertedness grows to become and all-pervading moment of absence that lays itself, leadenly and ubiquitously, over the sequence of images. Its mute plea is unambiguous and, in changing from color to black and white, suggests a latent menace. Any detailed information, it seems, is pointless." Signed by Author.…

Hardcover. Etat : Sehr gut. 1. Auflage. Hier die deutschsprachige Ausgabe. Das Buch ist insgesamt noch sehr gut erhalten, wirkt innen wie ungelesen, jedoch leichte Lagerspuren außen am Papier-Schutzumschlag (leichter Abrieb, v.a. an den Rändern/Kanten, auf der Rückseite ein weißer Aufkleber). Seiten innen sind glatt und sauber, selbstverständlich KEINE Eintragungen, losen Seiten o.ä. Begehrte TOP-RARITÄT, deshalb leider teurer. Schneller Versand aus DEUTSCHLAND.…

Softcover. Etat : gut. 2000. Dienststelle Marienthal. Geheim amtlich geheimgehalten. [Faltplakat] In deutscher Sprache. pages.

Quer-4°. 28 x 33 cm. [221] Seiten. Illustrierter Original-Pappband. 1. Auflage. Mehrsprachige Ausgabe in Deutsch, Französisch, Englisch und Niederländisch. Von Andreas Magdanz auf erstem leeren Blatt signiert. Mit zahlreichen Schwarz-Weiß-Fotografien. Sehr gutes Exemplar. First edition. Multilingual edition in German, English, French and Dutch. Signed by Andreas Magdanz on half title. With many photographs in b/w. Original hardcover. Fine copy. Sprache: Deutsch, Englisch, Französisch und Niederländisch.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Limited 1st edition in original cardboard case with ephemeral inserts & CD-rom laid in. But no separate silver gelatin print or ashtray. This copy unnumbered & unsigned. Hardbound in dust jacket. Minor wear to dust jacket corners, otherwise very good. [Oversize - Please contact for overseas shipping quote ].…

Leinen. mit Schutzumschlag. 32 cm x 38 cm. unpag. Leinen mit Schutzumschlag. Mit zahlr. farb. und schw.-w. Abb. Umschlag etwas lichtrandig, sehr gutes Exemplar. auf dem Vorsatz mit dem Stempel und der handschriftlichen Signatur von A. Magdanz. Signatur des Verfassers.

Quer-4° 155 S. (ungezählt) überwiegend m. s/w u. wenigen farbigen Fototafeln u. 1 gefalteten Plan verso mit Abbildungen. Orig.-Leinen m. Orig.-Umschlag. Erste Ausgabe.- Umschlag etwas lichtrandig u. m. kleinen Läsuren.

Etat : gut. Auschwitz-Birkenau. Eine Hommage an Marceline Loridan-Ivens In deutscher Sprache. pages.

Hardcover. Etat : Like New. Stamped and signed by the photographer large format hardcover in jacket in box all as new and as issued. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Signed by Photographer.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition, first printing. Limited edition of 300 copies, stamped, numbered, and signed in black ink on the title page by Magdanz, with an original Type-C print (image and paper size 10-3/4 x 13-1/2 inches), signed and numbered verso by Magdanz. The print ("MINOX C," reproduced on page 75), is not among the original 5 variants for the edition, and may have been done later. Hardcover. White paper-covered boards, with German eagle design blind-stamped on front cover, and debossed title in black on the spine. White laminated dust jacket embossed with German eagle design on front and title on spine. Photographs and text (in German and English) by Andreas Magdanz. Additional text by Christoph Schaden. English text is printed on dust jacket overleaf. 192 pp., with 13 four-color and 93 black-and-white plates, printed on heavy stock paper. 11-3/8 x 13-3/4 inches. New in New dust jacket. From the artist: "The relocation of the German intelligence service BND from Pullach near Munich to Berlin marks a turning point in the history of the Federal Republic of Germany. The move, which is scheduled to be completed by 2011, will allow the first exclusive photographic documentation ever of the area in Pullach, which until now was strictly off-limits. In August of 2005, after a period of preparation that lasted more than 1 1/2 years and following extensive vetting procedures, the photographic work on the project BND - Standort Pullach began. The access to the site has been granted without limitations and no attempt to exert any influence upon the artistic work was made, apart from constant supervision by the department." As Christoph Schaden notes in his essay, Magdanz's restrained imagery belies the historical force of his subject: "The strict ban on taking pictures of the employees, who always introduced themselves to [Magdanz] in a friendly manner, but invariably gave false names, serves as his intellectual starting point. Atmospherically, that desertedness grows to become and all-pervading moment of absence that lays itself, leadenly and ubiquitously, over the sequence of images. Its mute plea is unambiguous and, in changing from color to black and white, suggests a latent menace. Any detailed information, it seems, is pointless." Signed by Author.…