Malone meredith (87 résultats)

Etat : New. Brand New.

Trade Paperback. Etat : Used - Very Good.

Etat : very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fine. 1st. 51 pages, illustrations (chiefly colour); 28 cm. Edition of 2500 copies. Catalogue of an exhibition held at Knoedler & Company, New York, in association with Fondazione Mimmo Rotella, April 30 to July 31, 2009. Firm binding, clean inside copy. *** Decollage. Size: 4to. Collectible. …

Etat : New. Brand New.

Softcover, 54 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : New. Features the Cologne-based artist Cosima von Bonin's signature textile paintings, architectural sculptures, and absurdly outsized stuffed animals. This title presents a selection of colorful images of Cosima von Bonin's playful yet deeply thoughtful and suggestive work. Num Pages: 48 pages, 27 colour plates. BIC Classification: 1DFG; ACXJ. Category: (G) General (US: Trade). Dimension: 229 x 165 x 5. Weight in Grams: 136. . 2011. Paperback. . . . .…

Etat : New. Features the Cologne-based artist Cosima von Bonin's signature textile paintings, architectural sculptures, and absurdly outsized stuffed animals. This title presents a selection of colorful images of Cosima von Bonin's playful yet deeply thoughtful and suggestive work. Num Pages: 48 pages, 27 colour plates. BIC Classification: 1DFG; ACXJ. Category: (G) General (US: Trade). Dimension: 229 x 165 x 5. Weight in Grams: 136. . 2011. Paperback. . . . . Books ship from the US and Ireland.…

Etat : New. Brand New.

Etat : New.

Paperback. Etat : new. Paperback. We are in the dawn of the drone age, a turning point in history when the United States and other countries are increasingly using unmanned aerial vehicles to monitor behavior, collect data, conduct surveillance, and wage wars. As the ubiquitous vision and remote engagement of drones redefine contemporary policing and warfare, their impact is filtering into art and visual culture, generating new investigations into issues of visibility, technology, and fear. Considering an international array of video, sculpture, installation, photography, and web-based projects, this volume, the catalog for a recent exhibition at the Mildred Lane Kemper Art Museum, reveals the unique potential of art to further our understanding of, and give visual form to, modern drone warfare and digital surveillance. These essays illuminate how the drone embodies a far-reaching discussion about the rapidly shifting conditions of perceptionof seeing, and of being seenmade possible by advanced technology. What is the relation of machine vision to human vision? And how do visual technologies affect our understanding of the agency of images, and of ourselves? Featuring scholarly essays along with texts by contributing artists Trevor Paglen and Hito Steyerl, To See Without Being Seen is a perceptive contribution to the emerging literature on contemporary artistic practice, war, surveillance, and technology. "This volume is published in conjunction with the exhibition To See Without Being Seen: Contemporary Art and Drone Warfare, organized by the Mildred Lane Kemper Art Museum at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, and on view there January 29 to April 24, 2016."--Page 96. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. We are in the dawn of the drone age, a turning point in history when the United States and other countries are increasingly using unmanned aerial vehicles to monitor behavior, collect data, conduct surveillance, and wage wars. As the ubiquitous vision and remote engagement of drones redefine contemporary policing and warfare, their impact is filtering into art and visual culture, generating new investigations into issues of visibility, technology, and fear. Considering an international array of video, sculpture, installation, photography, and web-based projects, this volume, the catalog for a recent exhibition at the Mildred Lane Kemper Art Museum, reveals the unique potential of art to further our understanding of, and give visual form to, modern drone warfare and digital surveillance. These essays illuminate how the drone embodies a far-reaching discussion about the rapidly shifting conditions of perception of seeing, and of being seen made possible by advanced technology. What is the relation of machine vision to human vision? And how do visual technologies affect our understanding of the agency of images, and of ourselves?Featuring scholarly essays along with texts by contributing artists Trevor Paglen and Hito Steyerl, To See Without Being Seen is a perceptive contribution to the emerging literature on contemporary artistic practice, war, surveillance, and technology.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Etat : VG+. Color illus. wraps; French flaps, 51 pp.; 19 color plates, 2 bw photos. Accompanied a 2009 gallery exhibition of artwork by Italian artist Mimmo Rotella (1918-2006). With an essay by Meredith Malone, a checklist of 21 items, a collections list, and vibrant color plates.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Brand New. 47 pages. 9.00x6.50x0.25 inches. In Stock.

Etat : New. "This volume is published in conjunction with the exhibition To See Without Being Seen: Contemporary Art and Drone Warfare, organized by the Mildred Lane Kemper Art Museum at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, and on view there January 29 to April 24, 2016."--Page 96. Editor(s): Braunert, Svea. Num Pages: 96 pages, illustrations. BIC Classification: AC; AG; AJ. Category: (P) Professional & Vocational. Dimension: 168 x 265 x 11. Weight in Grams: 278. . 2016. Paperback. . . . .…

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : Brand New. 96 pages. 9.50x6.50x0.25 inches. In Stock.

Hardback. Etat : New. Thaddeus Strode's vibrant large-scale paintings are universes unto themselves: wild mash-ups of California surf and skateboard culture, Zen philosophy, rock music, literature, film, and comic books. "Absolutes and Nothings" marks the artist's first major museum show, presented as part of the Mildred Lane Kemper Art Museum's "Contemporary Projects" series.Strode's images draw on a wealth of motifs inspired by a broad range of sources in popular culture, freely combined with the artist's own creations. The strength and visual pleasure of Strode's aesthetic come from his self-reflexive combination of painterly styles and incongruous elements, in which enigmatic texts, phantoms, monsters, and castaways play off one another to produce cryptic - and captivating - fantasies. Including over two dozen full-color images of works from 2001 to the present, as well as essays by Sabine Eckmann, Meredith Malone, and Benjamin Weissman, "Absolutes and Nothings" is a fascinating premier monograph from one of our most vital and exciting contemporary visual artists.…

Softcover. tan & green pictorial wraps w/ black, grey printing. 96 pgs, primarily color illustrations. "As the ubiquitous vision and remote engagement of unmanned aerial vehicles, or drones, are redefining contemporary life, their impact is filtering into art and visual culture, generating new investigations into issues of perception, visibility, technology, and fear. Considering an international array of video, sculpture, installation, photography, and web-based projects, To See Without Being Seen: Contemporary Art and Drone Warfare reveals the unique potential of art to further our understanding of--and give visual form to--drone warfare and digital surveillance in today's world. While the drone is the specific point of departure for this investigation, the essays in this book illuminate the ways in which the drone embodies a much broader discussion about the rapidly shifting conditions of perception--of seeing, and of being seen--made possible by advanced technology."--Publisher's Website. VG (rubbing to corners & spine ends. remains tightly bound).…

Etat : New. "This volume is published in conjunction with the exhibition To See Without Being Seen: Contemporary Art and Drone Warfare, organized by the Mildred Lane Kemper Art Museum at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, and on view there January 29 to April 24, 2016."--Page 96. Editor(s): Braunert, Svea. Num Pages: 96 pages, illustrations. BIC Classification: AC; AG; AJ. Category: (P) Professional & Vocational. Dimension: 168 x 265 x 11. Weight in Grams: 278. . 2016. Paperback. . . . . Books ship from the US and Ireland.…

Hardcover without dustjacket as issued, 80 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : New. In English.

Etat : New. pp. 80 Illus. (Col.).

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.