Marees gesellschaft (31 résultats)

29 S., OBr. Prospekt für die franz. Faksimile-Editionen, die in Paris von dem Verlag G.Crès & Cie vertrieben wurden. Druck in Rot u. Schwarz auf Bütten. Umschlag u. 1. Bl. leicht stockig.

45 S., 1 Bl., (Originalseiten aus den Werken in unterschiedlichen Formaten u. Papieren), 4°, Umschlag, Initialen u. Ornamente v. E.R.Weiß, OPp. 5. - 10. Druck. Deckel stärker angestaubt, Rücken lädiert, es fehlen die Seiten 17-20 u. 25-28.

2 Bll. m. 1 Abb., 4°.

2 Bll., Folio, Druck in Rotbraun u. Schwarz, gefaltet.

12 Bll. m. 3 mont Taf. (1 farb), Umschlag, Initialen u. Ornamente v. E.R.Weiß, Folio, ill. OBr. 37. - 39. Druck. Bruegel-Mappe. Antike Fresken. Hofmannsthal, Ariadne auf Naxos. Druck auf starkem Bütten. Auflage 1200 Ex., durchg. etwas stockig.Umschlag lose.

1 Bl. 18 S. 2 Bll. Quart. Ca.34 x 27 cm. Orig.- Pappband. Druckaufsicht E. R. Weiß. Guter Zustand.

8 Bll. m. 3 mont. Taf. (1 farb.), Folio, ill. OBr. 40.-42.Druck (darunter Hofer 'Zenana'). In 1300 Ex. auf starkem Bütten gedruckt. Seiten teils stockig.

38 S. m. zahlr. farb. Zeichnungen v. E.R.Weiß, 8°, farb. ill. OBr. Anmerkungen, Preise etc. für den 17. - 22. Druck.

6 Bll. m. 2 mont. Farbtaf., Folio, OBr.

OPappband (gebräunt; Rücken lädiert).36 pp. 31 x 25 cm. Sechste Prospekt der Marees-Gesellschaft.5 Bilder in Heliogravure: Griechischen Schrift, Reineke Fuchs, Kupferdrucke nach Boucher und Rubens, Nakt-figur. Rücken ladiert, stockfleckig.

27 S. m. Abb., Gr.-8°, OBr. Die englischen Ausgaben der Drucke 18-45. Dabei:Prints of the Marées-Socciety. First Cycle. Rembrandt, Dürer Guys.17 S., OBr.

18 S. m. 2 mont Abb., 4°, Titel u. Umschlag v. E.R.Weiß, Folio, OPp. 43.-44. Druck. Druck in Rot u. Schwarz auf Bütten.

1 Bl. 35 S. 2 Bll. Quart. Ca. 31 x 25 cm. Umschlag und Titel sowie fünf große Initialen von E. R. Weiß. Ecken gering bestoßen. Gutes Exemplar.

2 Bll.45 S. 2 Bll. Quart. Ca. 31 x 26 cm. Druckaufsicht E. R. Weiß. Rücken seitlich eingerissen.

35 S. m. 5 bildhaften Initialen v. E.R.Weiß, 2 Abb. u. 2 Heliogravüren nach Radierungen v. R.Sintenis u. O.Schubert, 4°, OPp. 28.-31. Druck (darunter R.Sintenis 'Gedichte der Sappho') und Vorausschau bis Nr.42. Schöner Druck in Rot u. Schwarz auf Bütten. Deckel angestaubt, Schnitt u. einige Seiten etwas stockig.…

244, (4)pp. 43 plates hors texte, including 4 original etchings by Otto Schubert on cream-colored wove paper. Sm 4to. Orig. boards (front cover neatly detached). Tissue guards. One of 900 copies from the limited edition of 1300 in all (including 300 for subscribing members of the Marées-Gesellschaft). Texts by Meier-Graefe, Dehmel, Hausenstein, Hagen, Moll, Graber, Waldmann et al.…

18 S. m. 4 mont Taf. (2 farb), Umschlag, Initialen u. Ornamente v. E.R.Weiß, 4°, ill. OBüttenumschlag 34.-36 Druck (darunter M.Beckmann 'Jahrmarkt'). Umschlag etwas fleckig.

Softcover. Etat : Gut. nicht paginiert (6 Blatt), 2 farbige Abbildungen, Original-broschüreneinband ca. 27 x 34 cm, Mappe mit Gebrauchsspuren, schönes Exemplar.

Zwei Bände. Gr.-4°. (12 ) u. 18, (2) S. mit 6 (davon 4 farb.) mont. Farbabbildungen, OBüttenumschläge (einer minimal, der andere stärker an den Rändern nachgedunkelt). Sonst sehr gute u. frische Exemplare. * Bibliophile, in kleiner Auflage in Rot u. Schwarz in Bleisatz auf schweres, handgeschöpftes Bütten gedruckte Verlagsprospekte. Angekündigt werden die Drucke 32 - 36: Chinesische Farbenddrucke; Cezanne und seine Ahnen; Canticum Canticorum (Holzschnittbuch des 15. Jh.); Edouard Manet-Mappe; Max Beckmann, Jahrmarkt (mit 2 Lichtdrucken nach Radierungen). - Beiliegt ein 8seit. Verlagsprospekt, ein Bestellblatt u. ein Rücksendekuvert.…

LeatherBound. Etat : NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1920 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 28 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Volume 1. …

München, 1919. 157 pp. Ills. Boards, back dam. - Name & date in ink on first free end-paper.With 5 original lithographies by Rudolf Grossmann.

Fol. 11 Bl. unter Passepartout in OHLn.-Mappe. Rodenberg S. 369. - 26. Druck der Marées-Gesellschaft. - Diese Mappen-Ausgabe der Radierungen von Meseck erschien für die Subskribenten der Japan-Ausgabe in 65 num. Ex., dies ist Nr. 18. Mit 10 Rad. auf dünnem Japan sowie Titelrad., Initiale u. Schlussstück auf 1 Bl., alle unter Passe-Partout. 7 Bl. von Meseck signiert. …

0. Folio 18 signierte Radierungen auf 15 Blatt von Felix Meseck. Auf Japan unter Passepartouts montiert. Halbleinen-Flügelmappe Blätter mit wenig Gebrauchssp., insgesamt guter bis sehr guter Zustand. Gerne senden wir ein Foto des Buches per Email. Sprache: Deutschu 1,300 gr.

circa 34 x 26 cm. 6 Blätter mit zwei Textseiten im Facsmile, 1 Farbtafel, Textblätter Illustrierter Original-Umschlag Prospekt mit Musterblättern zum 45. Druck der Marées-Gesellschaft. - Nur der vordere Deckel mit kleinem Knick, sonst gut erhalten, sauber.

o. P. (16 S). Quart. Ca. 35 x 27 cm. Zehnter Prospekt der Marees-Gesellschaft, in Original-Walbaum Fraktur auf schwerem Bütten gedruckt. Druckaufsicht E. R. Weiß. Die Orig.- Steindrucke wurden bei der Dresdner Kunstakademie und bei H. Birkholz in Berlin hergestellt. Orig.- Einband mit kleine Randläsuren. Durchgehend etwas stockfleckig. Die Orig.- Graphiken jedoch gut.…

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1918 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 94 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 94 Language: German.…

München, Piper 1920. 35,3 : 26,1 cm. 39 unn. Bl. Mit Titelradierung, radierter Initiale u. Schlussstück sowie 10 ganzseit. Orig.-Radierungen von Felix Meseck. Orig.-Pappband mit mehrfarb. Orig.-Holzschnittillustr. (die blaue Blume) von Anna Plate. 26. Druck der Marées-Gesellschaft. - Eines von 185 numerierten Exemplaren, entgegen dem Druckvermerk auf starkem handgeschöpftem Zanders-Bütten, nicht auf van Gelder abgezogen. - Schöner Druck in Didot-Antiqua und von Meseck reich illustrierte Ausgabe der Erzählung des alten Klingsor aus dem ersten Teil des Heinrich von Ofterdingen. - Rückenkanten und Ecken etwas berieben, sonst schönes Exemplar. - Rodenberg S. 369 (mit falscher Seitenzahl). Sprache: de.…

322 x 250 mm. (12 3/4 x 9 3/4"). 93, [1] pp. PLEASING DEEP GREEN PEBBLE-GRAIN MOROCCO, LAVISHLY GILT, covers framed with a double gilt rule enclosing a border of snowflakes bordered with dotted rolls, the oblong centerpiece composed of ten snowflakes within dotted rolls, raised bands, spine gilt in compartments, diapered VELLUM DOUBLURES, similarly gilt with snowflakes. Original (slightly soiled) printed paper wrappers bound in. Title page with vignette, each page with an illustrated heading, first page of text with inhabited initial, final page with tailpiece, and 20 FULL-PAGE LITHOGRAPHS, all by Max Neumann. A Large Paper Copy. Silk lining missing from front endleaf and coming loose from rear endleaf, internally with occasional light thumbing, otherwise an extremely fine copy, internally clean and fresh throughout, in an unworn binding. With lively illustrations, this is the Marées-Gesellschaft edition of a story of doppelgängers, offered here in a very animated special binding. An associate of Goethe and Clemens Brentano, German Romantic poet and novelist Ludwig Achim von Arnim (1781-1831) wrote a number of works inspired by German folklore and legends. Sharing similarities with Twain's "Prince and the Pauper," von Arnim's "Fürst Ganzgott Und Sänger Halbgott" is a romp in which a prince ("god") and poet/singer ("demigod") realize they are exact doubles of one another, and cook up a scheme in which the charming poet helps the prince win over his princess. The story is accompanied here by avant-garde lithographs by Max Neumann (1885-1973), a painter and illustrator best remembered for his membership in the Berlin Secession who later faced censure from the Nazis over his "degenerate" art. In the present work, his illustrations bring the story to life, the sketchy lines and tonality of the artwork creating a sense of buoyant movement and comic haphazardness. Our publishers specialized in editions such as the present one, which combined classic German literature with modern, expressionist art. Founded in 1917 by art critic and writer Julius Meier-Graefe (1867-1935) and art historian and publisher Reinhard Piper (1879-1953), the Marées-Gesellschaft (Marées Society) was a prominent German bibliophile society and art publisher. Named after the realist painter Hans von Marées (18371887), one of Meier-Graefe's heroes, the Society issued high quality, limited editions featuring important illustrations--like the present production--until 1929. Our copy has vast margins and a particularly attractive binding of the time: while unsigned, the binding's skillful and elaborate tooling, striking design, and luxurious doublures indicate that it is clearly work of the highest quality. No. 32 OF 150 COPIES on handmade paper (and 50 on Japan).…

278 x 222 mm. (11 x 8 3/4"). 102 pp., [1] leaf. Attractive contemporary calf (stamp-signed with gilt cypher on rear turn-in), decorated in blind, covers with central lozenge of minimal flowers and crossing curved foliage surrounded by a border of double rules enclosing curving leaves, smooth spine with vertical titling, patterned endpapers, top edge gilt, original (just slightly soiled) wrappers bound in. Each chapter with a woodcut headpiece, tailpiece, and initial, and 16 FULL-PAGE WOODCUTS, all by Walther Teutsch. Original (just slightly soiled) printed paper wrappers bound in. Two dozen tiny, dark spots (added intentionally?) to spine, otherwise pristine, inside and out. In a graceful contemporary binding, this is the sensuously illustrated Marées-Gesellschaft edition of Schlegel's controversial novel. Philosopher, poet, and linguist Friedrich Schlegel (1772-1829) composed "Lucinde," first published in 1799, in the early days of his romance with his eventual wife, Dorothea Veit, who had left her husband to be with our author. In portraying the romance of the titular Lucinde and her lover Julius, the story provides the best fictional embodiment of Schlegel's philosophical ideals regarding love and marriage, which involved a synthesis of the sensual and the spiritual, with true love forging what he termed an "emancipation of the flesh" as part of the ultimate union of souls. The novel's sexual frankness--and the assumption by Schlegel's contemporaries that it was autobiographical--led to considerable scandal upon its initial publication. In subsequent years, "Lucinde" grew in public estimation, and by the time our edition appeared, it was seen as one of the most important works of German Romanticism. It was, therefore, a natural choice for our publishers, who specialized in avant-garde editions of literary classics. Founded in 1917 by art critic and writer Julius Meier-Graefe (1867-1935) and art historian and publisher Reinhard Piper (1879-1953), the Marées-Gesellschaft (Marées Society) was a prominent German bibliophile society and art publisher. Named after the realist painter Hans von Marées (18371887), one of Meier-Graefe's heroes, the Society issued high quality, limited editions featuring important illustrations--like the present production--until 1929. The arresting suite of woodcuts by Romanian-German Expressionist Walther Teutsch (1883-1964) that accompanies the text here is composed of dramatic, naturalistic lines forming voluptuous human figures who embrace, dance, and gesture through lush scenes. Our copy is in an appealingly decorated binding instead of the usual vellum. We have been unable to identify the binder--the volume is signed with a cypher of a curving device (possibly an s and x) within a shield--but evidently (s)he was a craftsman of considerable skill, with crisp, exact tooling in a harmonious design. No. 84 OF 150 COPIES on handmade paper (and 50 on Japan).…

Hardcover. Etat : Gut. 18 signierte Radierungen (auf 15 Blatt) auf dünnem Japan von Felix Meseck (entstanden 1918 - 1920), in Passepartouts montiert, lose in Halbleinen-Flügelmappe (38,5 x 28,5 cm). - 21. (23. Druckfehler?) Druck der Mareés-Gesellschaft. Handdrucke. Exemplar Nr. 33 (Folge der Radierungen auf Japan ohne Text, wohl ein Exemplar für Subskribenten der Japan-Ausgabe (65 num. Ex.)). - Vgl. Rodenberg S. 368. Buch.…