Margo machida (40 résultats)

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Etat : Good. Presents a pioneering exploration of Asian American visual art. This title focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway.…

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Etat : Good.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Etat : Near Fine. No Jacket. Accompanies exhibits during 2006 -2008 at Asia Society in NY, Art Museum of University of Houston, Japanese American National Museum in L.A., and Berkeley Art Museum. About 40 pages of text integrated with photos of the artists, etc provide a brief history of Asians in the US, their shifting conflicts and concerns, the Godzilla movement during 1990's. The artists and their work follows. 146 color and 7 black & white illustrations. Heavy, glossy wraps have faintest hint of scuffing. Interior pages are crisp and clean.127 pages, 9" x 9".…

Softcover, 128 pages; very good condition except sticker taped around bottom of spine; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Very Good. Duke University Press, 2008. Book has mild rubbing to covers, mild wear to edges, small bends to outer corners, previous owner's name on title page (blacked out), black pen marks on top textblock. otherwise in great condition, strong binding, clean and unmarked pages; an overall sturdy copy with sharp text/photos.…

Glossy Paper Boards. Etat : Near Fine. None. 1st American Edition. " Published in conjunction with an exhibition organized and circulated by the Asia Society Galleries. Essays by Margo Machida,Vishakha N.Desai, and John Kuo Wei Tchen, with documentation on Twenty Artists and Fifty Artworks. Bibliography. Illustrations in color and Black & White. Near Fine. Size: 4co. …

Trade Paperback. Etat : Used - Very Good. In 'Unsettled Visions,' the activist, curator, and scholar Margo Machida presents a pioneering, in-depth exploration of contemporary Asian American visual art. Machida focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Machida conducted extensive interviews with ten artists working during this transformative period: women and men of Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese descent, most of whom migrated to the United States. In dialogue with the artists, Machida illuminates and contextualizes the origins of and intent behind bodies of their work. 'Unsettled Visions' is an engrossing look at a vital art scene and a subtle account of the multiple, shifting meanings of 'Asianness' in Asian American art. Analyses of the work of individual artists are grouped around three major themes that Asian American artists engaged with during the 1990s: representations of the Other; social memory and trauma; and migration, diaspora, and sense of place. Machida considers the work of the photographers Pipo Nguyen-duy and Hanh Thi Pham, the printmaker and sculptor Zarina Hashmi, and installations by the artists Tomie Arai, Ming Fay, and Yong Soon Min. She examines the work of Marlon Fuentes, whose films and photographs play with the stereotyping conventions of visual anthropology, and prints in which Allan deSouza addresses the persistence of Orientalism in American popular culture. Machida reflects on Kristine Aono's museum installations embodying the multigenerational effects of the internment of Japanese Americans during World War II and on Y. David Chung's representations of urban spaces transformed by migration in works ranging from large-scale charcoal drawings to multimedia installations and an 'electronic rap opera.' A study of how artists of diverse Asian heritages and generational backgrounds use their artwork to articulate complex notions of identity and identification as Asians living in the United States. Slight scratching/scuffing on cover. Book has minor shelf wear.…

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Near Fine. 1st. 127 pages, illustrations (some colour); 26 cm. Exhibition held at the Asia Society Galleries, New York, February 16 to June 26, 1994, and others. Near fine. Firm binding, clean inside copy. Age toning. An important, groundbreaking exhibition. *** "This text documents an exhibition at New York's Asia Society. It examines the work of 20 foreign-born contemporary Asian-American visual artists, each of whom is concerned with the complex issues of identity for Asians living in the West." - Publisher. *** CONTENTS: Believing is Seeing: Transforming Orientalism and the Occidental Gaze, by John Kuo Wei Tchen; Whither Home?: The Predicament of a Bicultural Existence, by Vishakha N. Desai; Out of Asia: Negotiating Asian Identities in America, by Margo Machida. Size: 4to. Collectible.…

Etat : New. Presents a pioneering exploration of Asian American visual art. This title focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Series: Objects/Histories. Num Pages: 384 pages, 65 color illustrations. BIC Classification: 1F; 1KBB; ACX; JFSL3. Category: (P) Professional & Vocational. Dimension: 237 x 179 x 26. Weight in Grams: 1108. . 2009. Illustrated. Paperback. . . . .…

paperback. Etat : Fair.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Brand New. 362 pages. 9.25x7.00x1.00 inches. In Stock.

Etat : New. In English.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Book is in very good condition. Corners show a hint of wear, with some rubbing along the edges. There is a forward cock in the spine. Dust jacket is in very good condition. A bit of faint surface scratching, and some light wear to edges, moreso to top of spine. Overall a very sharp copy, clean and bright with tight binding. Now protected by a clear cover. …

Paperback. Etat : New. In Unsettled Visions, the activist, curator, and scholar Margo Machida presents a pioneering, in-depth exploration of contemporary Asian American visual art. Machida focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Machida conducted extensive interviews with ten artists working during this transformative period: women and men of Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese descent, most of whom migrated to the United States. In dialogue with the artists, Machida illuminates and contextualizes the origins of and intent behind bodies of their work. Unsettled Visions is an engrossing look at a vital art scene and a subtle account of the multiple, shifting meanings of "Asianness" in Asian American art.Analyses of the work of individual artists are grouped around three major themes that Asian American artists engaged with during the 1990s: representations of the Other; social memory and trauma; and migration, diaspora, and sense of place. Machida considers the work of the photographers Pipo Nguyen-duy and Hanh Thi Pham, the printmaker and sculptor Zarina Hashmi, and installations by the artists Tomie Arai, Ming Fay, and Yong Soon Min. She examines the work of Marlon Fuentes, whose films and photographs play with the stereotyping conventions of visual anthropology, and prints in which Allan deSouza addresses the persistence of Orientalism in American popular culture. Machida reflects on Kristine Aono's museum installations embodying the multigenerational effects of the internment of Japanese Americans during World War II and on Y. David Chung's representations of urban spaces transformed by migration in works ranging from large-scale charcoal drawings to multimedia installations and an "electronic rap opera.".…