Marker chris (301 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Very Good. The first English translation of Chris Marker's early writings on film, religion, philosophy, politics, and art. Before making his first films in the 1950s, Chris Marker was a regular contributor to the Paris-based magazine Esprit from 1946 to 1952. Unbound by genre or form, Marker's pieces range from short stories, essays, poems, and reviews to fabricated reportage and invented news affairs, all gemmed with the hallmarks of his style: a blurring of reality and imagination, a wry sense of humor, a sustained political engagement, and, of course, a limitless curiosity for animal life. Eternal Current Events marks the first time these exemplary works are available in English, published in an adapted facsimile of the original periodical. In these short selections, what one encounters is less a past life before his turn toward cinema than a preamble to his celebrated body of work. Moving images did not replace Marker's production as a writer but were incorporated into it. Before the "imaginary films" there were "imaginary current events"; before the travels through time in La Jetée there was a bulletin rethinking the psychogeography of the around-the-world trip; and before the musings on a Japanese temple consecrated to cats in Sans Soleil, there was a summary report on the theological implications of the 1952 Parisian Cat Fair. Marker did not just begin his career as a writer, he remained one throughout his life.…

Paperback. Etat : Like New. The first English translation of Chris Marker's early writings on film, religion, philosophy, politics, and art. Before making his first films in the 1950s, Chris Marker was a regular contributor to the Paris-based magazine Esprit from 1946 to 1952. Unbound by genre or form, Marker's pieces range from short stories, essays, poems, and reviews to fabricated reportage and invented news affairs, all gemmed with the hallmarks of his style: a blurring of reality and imagination, a wry sense of humor, a sustained political engagement, and, of course, a limitless curiosity for animal life. Eternal Current Events marks the first time these exemplary works are available in English, published in an adapted facsimile of the original periodical. In these short selections, what one encounters is less a past life before his turn toward cinema than a preamble to his celebrated body of work. Moving images did not replace Marker's production as a writer but were incorporated into it. Before the "imaginary films" there were "imaginary current events"; before the travels through time in La Jetée there was a bulletin rethinking the psychogeography of the around-the-world trip; and before the musings on a Japanese temple consecrated to cats in Sans Soleil, there was a summary report on the theological implications of the 1952 Parisian Cat Fair. Marker did not just begin his career as a writer, he remained one throughout his life.…

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Etat : New.

Etat : New.

Paperback. Etat : New.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Etat : Very Good. The first English translation of Chris Marker's early writings on film, religion, philosophy, politics, and art. Before making his first films in the 1950s, Chris Marker was a regular contributor to the Paris-based magazine Esprit from 1946 to 1952. Unbound by genre or form, Marker's pieces range from short stories, essays, poems, and reviews to fabricated reportage and invented news affairs, all gemmed with the hallmarks of his style: a blurring of reality and imagination, a wry sense of humor, a sustained political engagement, and, of course, a limitless curiosity for animal life. Eternal Current Events marks the first time these exemplary works are available in English, published in an adapted facsimile of the original periodical. In these short selections, what one encounters is less a past life before his turn toward cinema than a preamble to his celebrated body of work. Moving images did not replace Marker's production as a writer but were incorporated into it. Before the "imaginary films" there were "imaginary current events"; before the travels through time in La Jetée there was a bulletin rethinking the psychogeography of the around-the-world trip; and before the musings on a Japanese temple consecrated to cats in Sans Soleil, there was a summary report on the theological implications of the 1952 Parisian Cat Fair. Marker did not just begin his career as a writer, he remained one throughout his life.…

Paperback. Etat : Like New. The first English translation of Chris Marker's early writings on film, religion, philosophy, politics, and art. Before making his first films in the 1950s, Chris Marker was a regular contributor to the Paris-based magazine Esprit from 1946 to 1952. Unbound by genre or form, Marker's pieces range from short stories, essays, poems, and reviews to fabricated reportage and invented news affairs, all gemmed with the hallmarks of his style: a blurring of reality and imagination, a wry sense of humor, a sustained political engagement, and, of course, a limitless curiosity for animal life. Eternal Current Events marks the first time these exemplary works are available in English, published in an adapted facsimile of the original periodical. In these short selections, what one encounters is less a past life before his turn toward cinema than a preamble to his celebrated body of work. Moving images did not replace Marker's production as a writer but were incorporated into it. Before the "imaginary films" there were "imaginary current events"; before the travels through time in La Jetée there was a bulletin rethinking the psychogeography of the around-the-world trip; and before the musings on a Japanese temple consecrated to cats in Sans Soleil, there was a summary report on the theological implications of the 1952 Parisian Cat Fair. Marker did not just begin his career as a writer, he remained one throughout his life.…

Paperback or Softback. Etat : New. Chris Marker: Early Film Writings. Book.

Paperback. Etat : new. Paperback. The first English translation of Chris Markers early writings on film, religion, philosophy, politics, and art.Before making his first films in the 1950s, Chris Marker was a regular contributor to the Paris-based magazine Esprit from 1946 to 1952. Unbound by genre or form, Marker's pieces range from short stories, essays, poems, and reviews to fabricated reportage and invented news affairs, all gemmed with the hallmarks of his style: a blurring of reality and imagination, a wry sense of humor, a sustained political engagement, and, of course, a limitless curiosity for animal life.Eternal Current Events marks the first time these exemplary works are available in English, published in an adapted facsimile of the original periodical. In these short selections, what one encounters is less a past life before his turn toward cinema than a preamble to his celebrated body of work. Moving images did not replace Markers production as a writer but were incorporated into it. Before the imaginary films there were imaginary current events; before the travels through time in La Jetee there was a bulletin rethinking the psychogeography of the around-the-world trip; and before the musings on a Japanese temple consecrated to cats in Sans Soleil, there was a summary report on the theological implications of the 1952 Parisian Cat Fair. Marker did not just begin his career as a writer, he remained one throughout his life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Etat : New. Formative writings by French avant-garde filmmaker Chris Marker   It is hard to imagine French cinema without La Jetée (1962), the time-travel short feature by the reclusive French filmmaker Christian François Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Marker's influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications.   This first English translation of Marker's early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywood's efforts to contend with the rise of television. Readers will find commentary on Laurence Olivier's 1944 screen adaptation of Henry V, a scathing review of Robert Montgomery's Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more.   An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Marker's critical voice and situate him alongside such contemporaries as André Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and François Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena.…

Etat : As New. Unread book in perfect condition.

Paperback. The Fall 1996 issue of Aperture magazine, No. 145, with ten portfolios and essays by artists not necessarily thought of as photographers, including Constantin Brancusi and Kiki Smith, Petah Coyne, Louise Lawler, Edvard Munch, Pablo Picasso, Sigmar Polke, Gerhard Richter, Richard Pousette-Dart, Chris Marker, and Wim Wenders; essays by Anne Baldassari, Charles Hagen, David Frankel, Paul Schimmel, Rosalind Krauss, and Jan-Christopher Horak; and texts by Richter, Coyne, Pousette-Dart, and Wenders. Also in the issue: reviews by Nick Waplington of Glen E. Friedman; Mark Muro on William Christenberry; and an in memoriam for Helen Chadwick by Mark Haworth-Booth. Edited by Michael Sand. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine with a hint of handling/shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Paperback. Etat : New.

Etat : New.

Paperback. Etat : new. Paperback. Formative writings by French avant-garde filmmaker Chris Marker It is hard to imagine French cinema without La Jetee (1962), the time-travel short feature by the reclusive French filmmaker Christian Francois Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Markers influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications. This first English translation of Markers early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywoods efforts to contend with the rise of television. Readers will find commentary on Laurence Oliviers 1944 screen adaptation of Henry V, a scathing review of Robert Montgomerys Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more. An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Markers critical voice and situate him alongside such contemporaries as Andre Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and Francois Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena. This first English translation of Markers early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywoods efforts to contend with the rise of television. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : acceptable. Fully readable with visible signs of use. Cover may have creases, dents, or edge wear. Pages may include writing, highlighting, or folded corners. Binding remains intact. Dust jacket included if originally issued with hardcover. Supplemental items e.g., CDs, codes, or inserts are not guaranteed. We ship daily, Monday through Friday excluding weekends and holidays , in a protective poly mailer for secure delivery.…

Paperback. Etat : New.