Masing delic irene (108 résultats)

Soft cover. Etat : Very Good. Publisher: The American Association of Teachers of Slavic and East European Languages Date of Publication: 2000 Binding: soft cover Edition: First Edition Condition: Very Good/No Jacket.

Etat : As New. Unread book in perfect condition.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : Fine.

Paperback or Softback. Etat : New. From Symbolism to Socialist Realism: A Reader. Book.

Etat : New.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : new. Paperback. Developed as a reader for upper division undergraduates and beginning graduates, From Symbolism to Socialist Realism offers broad variety of materials contextualizing the literary texts most frequently read in Russian literature courses at this level. These approaches range from critical-theoretical articles, cultural and historical analyses, literary manifestos and declarations of literary aesthetics, memoirs of revolutionary terrorism and arrests by the NKVD, political denunciations, and literary vignettes capturing the spirit of its particular time in a nutshell. The voices of this polyphonic reader are diverse: Briusov, Savinkov, Ivanov-Razumnik, Kollontai, Tsvetaeva, Shklovsky, Olesha, Zoshchenko, Zhdanov, Grossman, Evtushenko, and others. The range of specialists on Russian culture represented here is equally broad: Clark, Erlich, Grossman, Nilsson, Peace, Poznansky, Siniavskii, and others. Together they evoke and illuminate a complex and tragic era. Developed as a reader for upper division undergraduates and beginning graduates, From Symbolism to Socialist Realism offers a broad variety of materials contextualizing the literary texts most frequently read in Russian literature courses at this level. These approaches range from critical- theoretical articles, cultural and historical analyses, literary manifestos and declarations of literary aesthetics, memoirs of revolutionary terrorism and arrests by the NKVD, political denunciations and "literary vignettes" capturing the spirit of its particular time in a nutshell. The voices of this "polyphonic" reader are diverse: Briusov, Savinkov, Ivanov-Razumnik, Kollontai, Tsvetaeva, Shklovsky, Olesha, Zoshchenko, Zhdanov, Grossman, Evtushenko and others. The range of specialists on Russian culture represented here is equally broad: Clark, Erlich, Falen, Grossman, Nilsson, Peace, Poznansky, Siniavskii, Volkov and others. Together they evoke and illuminate a complex and tragic era. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : New. Developed as a reader for upper division undergraduates and beginning graduates, From Symbolism to Socialist Realism offers broad variety of materials contextualizing the literary texts most frequently read in Russian literature courses at this level. These approaches range from critical-theoretical articles, cultural and historical analyses, literary manifestos and declarations of literary aesthetics, memoirs of revolutionary terrorism and arrests by the NKVD, political denunciations, and "literary vignettes" capturing the spirit of its particular time in a nutshell. The voices of this "polyphonic" reader are diverse: Briusov, Savinkov, Ivanov-Razumnik, Kollontai, Tsvetaeva, Shklovsky, Olesha, Zoshchenko, Zhdanov, Grossman, Evtushenko, and others. The range of specialists on Russian culture represented here is equally broad: Clark, Erlich, Grossman, Nilsson, Peace, Poznansky, Siniavskii, and others. Together they evoke and illuminate a complex and tragic era.…

Etat : New.

Hardcover. Etat : Very good condition. dj. xviii, 245 pp. Cultural Revolutions: Russia in the Twentieth Century. Dustjacket. LCC: 2009002850.

Etat : As New. Unread book in perfect condition.

Etat : New. In English.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Gr.-8°, Broschiert. 100 pp. With dedication to the Prof. Joseph Scjütz in Munich. Sprache: Englisch Gewicht in Gramm: 550.

Etat : NEW.

Etat : New.

Hardcover. Etat : new. Hardcover. This collection of essays on Turgenev, Goncharov, Conrad, Dostoevsky, Blok, Briusov, Gorkii, Pasternak and Nabokov represents diverse voices but is also unified. One invariant is the recurring distinction between culture and civilization and the vision of Russia as the bearer of culture because it is barbaric. Another stance advocates the synthesis of sense and sensibility and the vision of Apollo and Dionysus creating a civilized culture together. Those voices that delight in the artificiality of civilization are complemented by those apprehensive of the dangers inherent in barbarism. This collection thus adds new perspectives to the much-debated opposition of vital Russia and a declining West, offering novel interpretations of classics from Oblomov to Lolita and The Idiot to Doctor Zhivago. This collection of essays on Turgenev, Goncharov, Conrad, Dostoevsky, Blok, Briusov, Gorkii, Pasternak and Nabokov represents diverse voices but is also unified. It adds new perspectives to the much-debated opposition of vital Russia and a declining West, offering novel interpretations of classics from Oblomov to Lolita and The Idiot to Doctor Zhivago. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Hardback. Etat : New. The idea of abolishing death was one of the most influential myth-making concepts expressed in Russian literature from 1900 to 1930, especially in the works of writers who attributed a "life-modeling" function to art. To them, art was to create a life so aesthetically organized and perfect that immortality would be an inevitable consequence. This idea was mirrored in the thought of some who believed that the political revolution of 1917 would bring about a revolution in basic existential facts: specifically, the belief that communism and the accompanying advance of science would ultimately be able to bestow physical immortality and to resurrect the dead. According to one variant, for example, the dead were to be resurrected by extrapolation from the traces of their labor left in the material world. The author finds the seeds of this extraordinary concept in the erosion of traditional religion in late-nineteenth-century Russia. Influenced by the new power of scientific inquiry, humankind appropriated various divine attributes one after the other, including omnipotence and omniscience, but eventually even aiming toward the realization of individual, physical immortality, and thus aspiring to equality with God. Writers as different as the "decadent" Fyodor Sologub, the "political" Maxim Gorky, and the "gothic" Nikolai Ognyov created works for making mortals into gods, transforming the raw materials of current reality into legend. The book first outlines the ideological context of the immortalization project, notably the impact of the philosophers Fyodorov and Solovyov. The remainder of the book consists of close readings of texts by Sologub, Gorky, Blok, Ognyov, and Zabolotsky. Taken together, the works yield the "salvation program" that tells people how to abolish death and live forever in an eternal, self-created cosmos-gods of a legend that was made possible by creative artists, imaginative scientists, and inspired laborers.…

Hardback. Etat : New. The idea of abolishing death was one of the most influential myth-making concepts expressed in Russian literature from 1900 to 1930, especially in the works of writers who attributed a "life-modeling" function to art. To them, art was to create a life so aesthetically organized and perfect that immortality would be an inevitable consequence. This idea was mirrored in the thought of some who believed that the political revolution of 1917 would bring about a revolution in basic existential facts: specifically, the belief that communism and the accompanying advance of science would ultimately be able to bestow physical immortality and to resurrect the dead. According to one variant, for example, the dead were to be resurrected by extrapolation from the traces of their labor left in the material world. The author finds the seeds of this extraordinary concept in the erosion of traditional religion in late-nineteenth-century Russia. Influenced by the new power of scientific inquiry, humankind appropriated various divine attributes one after the other, including omnipotence and omniscience, but eventually even aiming toward the realization of individual, physical immortality, and thus aspiring to equality with God. Writers as different as the "decadent" Fyodor Sologub, the "political" Maxim Gorky, and the "gothic" Nikolai Ognyov created works for making mortals into gods, transforming the raw materials of current reality into legend. The book first outlines the ideological context of the immortalization project, notably the impact of the philosophers Fyodorov and Solovyov. The remainder of the book consists of close readings of texts by Sologub, Gorky, Blok, Ognyov, and Zabolotsky. Taken together, the works yield the "salvation program" that tells people how to abolish death and live forever in an eternal, self-created cosmos-gods of a legend that was made possible by creative artists, imaginative scientists, and inspired laborers.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.